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Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.
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Critic and Tony
Stroman is the recipient of five Tony Awards, two Lawrence Olivier Awards, five Drama Desk Awards, eight Outer Critic Circle Awards, a record four Astaire Awards and the Lucille Lortel Award.
Critic Tony Stewart praised the episodes in which Steve discovered that Lloyd and Liz were having a fling, calling it " pure comedy gold, full of wicked laugh-out-loud one-liners ..." Ian Wylie has been very impressed with Simon Gregson's performance as Steve saying, " his on screen performance remains as fresh as the day he started ".
Critic David Ansen gave the film a mixed review, writing, " Taylor Hackford's thriller Proof of Life leaves a lot to be desired, but it's got its hands on a fascinating subject ... To be fair, Tony Gilroy's screenplay keeps the romance on the back burner ... Thorne is the most compelling aspect of Proof of Life, thanks to Crowe's quiet, hard-bitten charisma.
Critic and describes
Critic Stephen Thomas Erlewine describes Talking Heads as being " one of the most critically acclaimed bands of the ' 80s, while managing to earn several pop hits.
Critic Steve Huey describes their music as " uncompromising, intense, cathartic fusions of hard rock, funk, post-punk noise, and jazz experimentalism, with Rollins shouting angry, biting self-examinations and accusations over the grind.
Critic Eduardo Rivadavia describes them as " perhaps the ultimate stoner rock band "
Critic Ray Keenoy describes La liberté ou l ' amour!
Critic Ned Raggett describes Over the Edge as " the longest-running block of free-form radio in the history of radio ... essentially live performance art.
Critic Ron Wynn describes Parker as " mong Europe's most innovative and intriguing saxophonists ... his solo sax work isn't for the squeamish.
Critic Brian Olewnick describes the album as " A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century.
Critic Brian Olewnick describes him as " one of the most fascinating collaborators in contemporary improvised music [...] tending to create subtly modulated sounds of an almost palliative nature ; often with an elastically liquid rhythmic sense.
Critic Michael Azerrad describes Cain's drumming as " a brutal but brainy style that was positively electrifying.
Critic Jason Ankeny describes A. R.
Critic Jens F. Laurson describes Moravec's Pulitzer Prize-winning Tempest Fantasy as " remarkably accessible music.
Critic Mark Deming describes Santiago as an ideal guitar foil for Albini ; " his muscular guitar sound was the ideal match of Albini's jagged, metallic tone.
Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.
Critic Greg Prato describes their unusual instrumentation as " a haunting yet intriguing and original sound.
Something Leather concludes with a section entitled Critic Fuel-An Epilogue, in which Gray describes the circumstances surrounding the book's development and offers an extended ending.
Critic and mood
Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.
" Critic Philip Kemp, writing in his essay for the Criterion Collection release of the trilogy, argues that, while " the film suffers from its sheer magnitude from the almost unrelieved somberness of its prevailing mood ...
Critic and piece
Critic Peter Craven writes that " Two Friends is arguably the most accomplished piece of screenwriting the country has seen and it is characterised by a total lack of condescension towards the teenage girls at its centre ".
The film was given a negative review in The Times newspaper in the United Kingdom, in a piece published on 21 July 1966 and credited only to " Our Film Critic ".
Critic Mordaunt Hall, writing for The New York Times, gave the film a positive review and liked the screenplay, calling the dialogue " a bright and smooth piece of writing " and referred to Mamoulian's direction as " entrancing ".
Critic and with
Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.
Critic and humorist Louis Leroy wrote a scathing review in the newspaper Le Charivari in which, making wordplay with the title of Claude Monet's Impression, Sunrise ( Impression, soleil levant ), he gave the artists the name by which they became known.
Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".
In 1995, Ebert, along with colleague Gene Siskel, guest starred on an episode of the animated TV series The Critic.
Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”
Critic Louis Vauxcelles described the work with the phrase " Donatello parmi les fauves!
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".
Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.
Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.
" Others criticised him, including Kushell, who clashed with Mirkin over the episode " A Star is Burns ", a crossover with the The Critic.
Letters to Robert Ross, Art Critic and Writer, together with extracts from his published articles.
Critic underlined the coexistence or alternation in Poulenc of the Catholic faith with artistic carefreeness.
Critic Jerry Renshaw wrote, " A Double Life is an unusually intelligent, literate noir that is a classy departure from the pulpy " B " atmospherics often associated with the genre.
Critic Scott Yanow wrote, " Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh ( and sometimes futuristic ) ideas that put him way ahead of his contemporaries ... Art Tatum's recordings still have the ability to scare modern pianists.
It was followed by The Critic ( 1779 ), an updating of the satirical Restoration play The Rehearsal, which received a memorable revival ( performed with Oedipus Rex in a single evening ) starring Laurence Olivier as Mr Puff, opening at the New Theatre on 18 October 1945 as part of an Old Vic Theatre Company season.
Sheridan had a rivalry with his fellow playwright Richard Cumberland and included a parody of Cumberland in his play The Critic.
Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.
M. M. Bakhtin, a Russian philosopher and Literary Critic has been credited with introducing the Dialogical process in Philosophy.
Critic Gill Gregory suggests that Procter may have been a lesbian and in love with Matilda Hays, a fellow member of the Society for the Promotion of the Employment of Women ; other critics have called Procter's relationship with Hays " emotionally intense.
Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).
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