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Critic and William
Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.
Critic William Baer notes that throughout his career " he constantly rose to the challenge of his own aspirations ", adding that " he was a pioneer and visionary who greatly affected the history of both stage and cinema ".
Critic William Michael Rossetti considered Leaves of Grass a classic along the lines of the works of William Shakespeare and Dante Alighieri.
He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.
* F. H. Armstrong, " William Lyon Mackenzie, First Mayor of Toronto: A Study of a Critic in Power ", Canadian Historical Review 48 ( 1967 )
Also that year, the Boston Critic dedicated a special issue to Lowell on his seventieth birthday to recollections and reminiscences by his friends, including former presidents Hayes and Benjamin Harrison and British Prime Minister William Ewart Gladstone as well as Alfred Tennyson and Francis Parkman.
Critic William Burrill dismissed the game's visuals as " Dim Boy graphics are nothing to write home about ".
Critic William Winter said, “ He was followed as a marvel.
Critic Stephen Burt at the Boston Review commented: " William Carlos Williams and Emily Dickinson together taught Armantrout how to dismantle and reassemble the forms of stanzaic lyric — how to turn it inside out and backwards, how to embody large questions and apprehensions in the conjunctions of individual words, how to generate productive clashes from arrangements of small groups of phrases.
Critic Harold Bloom remarked several years later that Fields ', " croaking his ghastly dirge to the uncertain sound of his dulcimer, is a parodic version of the Bard of Sensibility, a figure out of the primitivism of Thomas Gray or William Blake.
Critic William Lawrence Schroeder described Holmes's prose style as " attractive " in that it " made no great demand on the attention of the reader.
" William Graham Sumner: Critic of Progressive Liberalism.
" William Graham Sumner as a Critic of the Spanish American War.
Critic William Ruhlman agreed though did not consider the album as strong.
* 1985 – William Dudley for The Mysteries, The Real Inspector Hound, The Critic, The Merry Wives of Windsor and Mutiny
Critic William Fulwiler argues that Edgar Rice Burroughs ' At the Earth's Core was one of Lovecraft's primary inspirations for " The Nameless City ", citing " the reptile race, the tunnel to the interior of the earth, and the ' hidden world of eternal day '" as elements common to both tales.
* William Grimes, Hayden Carruth, Poet and Critic, Dies at 87, New York Times, 30 September 2008

Critic and agreed
When he voiced his concerns about how to draw The Critic into the Simpsons ' universe he was right and we agreed to his changes.

Critic and writing
*" Dining Out: The Food Critic at Table " A review of food writing and writers by Adam Gopnick that examines the genre.
Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".
Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".
Critic Lawrence van Gelder, writing for The New York Times, did not like the film.
Critic Luis Leal attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that " The existence of the marvelous real is what started magical realist literature, which some critics claim is the truly American literature.
Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.
Critic James Steffen appreciated the direction of the film and the cinematography of Lee Garmes, writing " While Detective Story remains essentially a filmed play, Wyler manages to use the inherent constraints of such an approach as an artistic advantage.
Critic Robert Christgau was the " originator of the ' consumer guide ' approach to pop music reviews ", an approach to writing pop recording reviews that was designed to help consumers to decide whether to buy a new album.
Critic Ion Simuţ suggests that Iorga is at his best in travel writing, combining historical fresco and picturesque detail.
Critic Stephen Thomas Erlewine of Allmusic speculated that the alternate persona and elaborate marketing scheme backfired, writing, " When Brooks ' new persona and his album were revealed to the public, they were unforgiving-they didn't think he was playing a role, they simply thought he'd lost his mind.
Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.
Critic Ed Naha, writing in Crawdaddy !, gave the album a negative review, saying, " Much of the Wonderlandish magic found on Eno ’ s first LP is lost on this rocky terrain, being replaced by a dull,
Critic James Dafforne, writing in 1871 in The Art Journal said of Leader's style:
In 1917, she began writing for the Fort Worth Critic, critiquing dramas, and writing society gossip.
Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.
Gael Greene, writing under the rubric " The Insatiable Critic ," reviewed restaurants, cultivating a baroque writing style that leaned heavily on sexual metaphor.
Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.
Critic Robert Koehler, writing in Variety magazine, also gave the gave the film a mixed review, writing, " The latest fashion, The Salton Sea strains past the breaking point to provide the old genre with new couture.
Critic Roger Ebert, on the other hand, liked the film writing, " And yet the film works.
Critic Janet Maslin spoke well of the actors, writing,
" Critic Philip Kemp, writing in his essay for the Criterion Collection release of the trilogy, argues that, while " the film suffers from its sheer magnitude from the almost unrelieved somberness of its prevailing mood ...

Critic and album
Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.
Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.
Critic Robert Christgau gave the album a B +, saying that " I find it impossible to give this record an A because it is just too weird.
Critic Steve Huey of Allmusic later rated the album with four and a half stars out of five, stating that the " record sounds like a bridge between Mother Love Bone's theatrical ' 70s-rock updates and Pearl Jam's hard-rocking seriousness.
The album was produced by Tito Larriva of The Plugz and The Flesh Eaters frontman Chris D. Critic Stevo Olende has written that the " album's lyrical imagery is plundered from voodoo, ' 50's EC comics and the blues ," while another notes that " Nobody has heard music like this before or since.
Critic Steve Huey called their album Morbid Florist " barely listenable ".
Sputnik Music and NME gave it 4. 5 stars to the album with Sputnik Music's Critic Tyler Fisher saying: " This is their most cohesive album, it expands on newer sounds and improves on others.
Critic Brian Olewnick describes the album as " A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century.
Critic Charles Shaar Murray wrote, " Bob Dylan has never seemed more perfect and more impressive than on this album.
Critic Stephen Thomas Erlewine described the hair metal – leaning album as " unbearable ".
Critic Robert Christgau called the album " A satire on, celebration of, and lament for the upper-middle classmates an Orange County liberal knows like he knows his neighbor's backyard ..."
Critic Adrian Denning, in his review of the album, compliments, " Both the vocals and guitar are utterly beautiful.
" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.
" Critic Robert Christgau graded the album as a B + though he felt that Beefheart's " much-bruited commercial bid turns out to have all the mass appeal of King of the Delta Blues Singers ".
Critic and Beefheart biographer Mike Barnes has offered that the album was " ponderous ... it really just lumbers along.
Showing the growing influence of Frank Zappa on the Monkees ' circle ( Zappa even has a cameo role as " The Critic " in the film itself ), the soundtrack album intersperses the six proper songs (" Porpoise Song ", " Circle Sky ", " Can You Dig It?
Critic Sarah Bee of Melody Maker, in a favorable review of the album Permanent Stains, wrote, " These men are in touch with their inner deviants.
Critic Ian D ' Giff of Newsday wrote that Showcase Showdown's cover version of the Sex Pistols ' song " Friggin ' in the Riggin '", from the album Never Mind the Sex Pistols ... Heres the Tribute, was " raging ", and it " nearly makes up for the album's shortcomings ".
Critic John Metzger of The Music Box praised the album, saying that " the group's songs combine the melodic pop of The Beatles with the heavy-handed thunder of The Who and the tight-knit harmonic luster of The Byrds ".

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