Critic and author Eddie Muller wrote, " Joseph H. Lewis's direction is propulsive, possessed of a confident, vigorous simplicity that all the frantic editing and visual pyrotechnics of the filmmaking progeny never quite surpassed.

* Michael Billington – Critic, author and radio presenter.

" Critic Rufus Wilmot Griswold reviewed Leaves of Grass in the November 10, 1855, issue of The Criterion, calling it " a mass of stupid filth " and categorized its author as a filthy free lover.

He was the author of The Rehearsal, an amusing and clever satire on the heroic drama and especially on Dryden's The Conquest of Granada ( first performed on 7 December 1671, at the Theatre Royal, and first published in 1672 ), a deservedly popular play which was imitated by Henry Fielding in Tom Thumb the Great, and by Sheridan in The Critic.

* November 13, 1965 – Critic and author Kenneth Tynan became the first person to say the word " fuck " on British television on the live satirical programme BBC-3 while commenting on censorship during a TV debate.

) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.

" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

At the August 2008 conference of the American Association of Wine Economists in Portland, Oregon, a hoax exposé submission of the fictitious restaurant Osteria L ’ Intrepido was revealed by the author and Fearless Critic founder Robin Goldstein: he had won an Award of Excellence for a restaurant that didn't exist and whose " reserve wine list " was full of the lowest-rated Italian wines in history.

Yale ’ s The New Englander while complimenting Emerson's abilities, criticized the book as depicting “ a universe bereft of its God ” and described its author as writing “ with the air of a man who is accustomed to be looked up to with admiring and unquestioning deference .” Littell's Living Age found the book to contain the “ weakest kind of commonplace elaborately thrown into unintelligible shapes ” and claimed it to read in parts like an “ emasculate passage of Walt Whitman .” Others were no less critical, proclaiming that Emerson “ has come to the end of what he had to say, and is repeating himself ” ( Athenaeum ) or even calling him a “ phrasemonger ” and “ second-hand writer ” ( Critic ).

Critic and author Julian Symons places this author as a prominent member of the " Humdrum " school of detective fiction.

) Critic and author Greg Kot wrote in Wilco: Learning How to Die that " Tweedy's voice and personality are as modest as the arrangements ; there's little sense of drama, and virtually no hint of risk.

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic Lev Grossman described it as " a deeply unsettling existential horror story, a nightmare you'll never be sure you've woken up from.

Critic Simon Reynolds described this movement as " a rash of blurry, neo-psychedelic bands ".

Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".

Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.

Critic Stephen Farber has described the film as " One of the most skillful and entertaining summaries of Marilyn's endlessly fascinating rise and fall.

Critic Louis Vauxcelles described the work with the phrase " Donatello parmi les fauves!

Critic Henry Sheehan described the film as a retelling of Peter Pan from the perspective of a Lost Boy ( Elliott ): E. T.

Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".

Critic Billy Stevenson described the film as Moore's " most astonishing ", arguing that it represents an effort to conflate film-making and labor, and that " it's this fusion of film-making and work that allows Moore to fully convey the desecration of Flint without ever transforming it into a sublime or melancholy poverty-spectacle, thereby distancing himself from the retouristing of the town-as-simulacrum that occupies the last and most intriguing part of the film.

" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.

Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".

Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".

Critic and poet Kenneth Rexroth described Ciardi as ".

Critic William Lawrence Schroeder described Holmes's prose style as " attractive " in that it " made no great demand on the attention of the reader.

As Conservative Health Critic, Fletcher described himself as a supporter of the Canada Health Act but also indicated a willingness to permit greater private-sector involvement.

NDP Justice Critic Joe Comartin argued that this change addressed the legitimate concerns of Canadians, while removing what he described as " the radical, extreme over-reaction " of the Conservatives.

Film Critic David Robinson described Linder's screen persona as " no grotesque: he was young, handsome, debonair, immaculate ... in silk hat, jock coat, cravat, spats, patent shoes, and swagger cane.

Critic Stephen Thomas Erlewine described the hair metal – leaning album as " unbearable ".

Critic Nathan Morley described " Accidents " as the band's masterpiece.

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

Critic Marc Bernardin described the episode as Star Treks " smartest time-travel experiment " and a fan favorite.

" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.

Joe Bob Briggs, The Drive-In Movie Critic, described Wishman as, " The greatest female exploitation film director in history.

Critic Robin Roberts opines that this character " is shaped more by her femininity than by her medical, scientific training.

Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".

In addition to her work on The Simpsons, Cartwright has voiced many other characters on several animated series, including Chuckie Finster in Rugrats and All Grown Up !, Margo Sherman in The Critic, Mindy in Animaniacs and Rufus the naked mole rat in Kim Possible.

Critic Jim Harrington commented that Hansen's absence is noticeable on live performances of Stereolab's older tracks, and that their newer songs could have benefited from her backing vocals.

Critic James Agee praised her performance in The Nation:

According to Kevin C. Johnson, Post-Dispatch Pop Music Critic ," What stood out about Mecca's two-hour, 50-song set was her song choices, full of selections music fans don't necessarily hear every weekend at the clubs ( unlike, say, DJ Solange, who totally pandered to the crowd at the gig at Exo earlier this year ).

Critic Vincent Canby wrote, " Ms. Tomei gives every indication of being a fine comedian, whether towering over Mr. Pesci and trying to look small, or arguing about a leaky faucet in terms that demonstrate her knowledge of plumbing.

'" Critic Leslie Sanders argues that, in her ongoing exploration of the notions of " here " and " there ", Brand uses her own " statelessness " as a vehicle for entering "' other people's experience '" and "' other places.

Critic Walter Addiego considers Nava's work a worshipful biography of her.

Critic Jeffrey M. Anderson criticized Otto's French accent and wrote that she " doesn't seem to mesh with what's going on around her ".

Critic Christopher Null wrote of the film, " One of the ' 70s juiciest entries into the horror genre, The Abominable Dr. Phibes is Vincent Price at his campy best, a former doctor and concert organist ( go figure that one out yourself ) who is exacting revenge on the nine doctors he blames for botching his wife's surgery, which ended with her death.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Stephanie Zacharek wrote in her review " Rising star Samantha Morton shines in this charming, finely crafted film from Woody Allen " and that " Her performance is like nothing I ’ ve seen in recent years.

After several years as the campus Kindergarten Critic, Ms. Drake became the Campus School Librarian until her retirement in 1959.

Critic Janet Maslin remarked that the director " uses his gift for eloquent abstraction to create sobering, obscenely beautiful images of a natural world that has run amok "; her colleague J. Hoberman called it " the culmination of Mr. Herzog's romantic doomsday worldview ".

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

In The Critic, Jay Sherman's younger sister Margo is persuaded to reluctantly attend her débutante ball.

" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.

Critic Robert Christgau of The Village Voice called her contribution " one of the most gorgeous ballads you've ever heard ".

In opposition, she served as her party's Critic for Health.

On September 20, 2011, interim Opposition Leader Nycole Turmel also named her Deputy Critic for Justice.