Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".

Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.

Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.

Critic John R. Elliott Jr. notes that this particular history play can be distinguished from the other history plays because it contains an ulterior political purpose.

Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.

Critic Frederic and Mary Ann Brussat wrote, " Here's a nice little movie about the baby boom generation ... Novelist John Sayles wrote, directed, and edited this movie.

Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.

Critic John Leonard called Northern Exposure " the best of the best television in the past 10 years.

131 and a Lost Lactantius of John of Salisbury: Evidence in Search of a French Critic of Thomas Becket.

Critic John Simon remarked that it " must have arrived in garbage rather than in film cans ".

Critic John Litweiler has written that " In New York Loft Jazz meant Free Jazz in the Seventies " and Studio Rivbea was " the most famous of the lofts ".

Critic John G. Palfrey also praised Holmes, referring to him as " a man of genius ... His manner is entirely his own, manly and unaffected ; generally easy and playful, and sinking at times into ' a most humorous sadness '".

) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.

Critic Joachim Berendt wrote that " Since Ponty, the jazz violin has been a different instrument ", of his " style of phrasing that corresponds to early and middle John Coltrane " and his " brilliance and fire ".

Critic John Eyles writes, " Just as such labels as Blue Note, ECM, and Incus have captured and defined the zeitgeist at various points in the past, Erstwhile is now doing so.

Critic Dave Marsh would call it one of the " two best records Dylan has made since John Wesley Harding " and gave it a four-star review in the 1979 Rolling Stone Record Guide.

In August 2005, PC leader John Tory appointed Hudak to the lead role of Official Opposition Finance Critic.

Critic John Heilpern wrote that Look Back in Anger expressed such " immensity of feeling and class hatred " that it altered the course of English theater.

Critic John Simon revealed on the air to the home audience that during the most recent commercial break, fellow guest Mort Sahl had threatened to punch him in the mouth.

Critic John Neal, who was a friend of Poe's cousin George Poe, responded to Poe's claim in his review of " Al Aaraaf " for the Yankee and Boston Literary Gazette.

The book is Praise, Vilification & Sexual Innuendo, or How to Be a Critic: The Selected Writings of John L. Wasserman, 1964-1979.

* Joseph Wood Krutch as a Cultural Critic by John Margolis

Critic Richard Lehan says that " Balzac was the bridge between the comic realism of Dickens and the naturalism of Zola.

Critic Lisa Starks says that “ Cleopatra to signify the double-image of the “ temptress / goddess ”.

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

Critic Opal Moore says about Caged Bird: "...

Critic W. S. Di Piero noted " Whatever the occasion, childhood, farm life, politics and culture in Northern Ireland, other poets past and present, Heaney strikes time and again at the taproot of language, examining its genetic structures, trying to discover how it has served, in all its changes, as a culture bearer, a world to contain imaginations, at once a rhetorical weapon and nutriment of spirit.

Critic and author Eddie Muller wrote, " Joseph H. Lewis's direction is propulsive, possessed of a confident, vigorous simplicity that all the frantic editing and visual pyrotechnics of the filmmaking progeny never quite surpassed.

" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.

Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).

Critic Mark Demming writes " Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.

Critic Taran Adarsh wrote, " Shahid gives his all to this role, submitting himself to his director-father to mould him the way he chooses to.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.

Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.

Screwattack named it the second worst Mario game of all time., while others were much more positive, like The Video Game Critic, who gave it an A rating, calling it " a satisfying mix of strategy and arcade action " and " a must have for Virtual Boy owners.

[...] This episode doesn't say ' Watch The Critic all over it.

" Critic Robert Christgau graded the album as a B + though he felt that Beefheart's " much-bruited commercial bid turns out to have all the mass appeal of King of the Delta Blues Singers ".

* There is also some programming seen on all Newfoundland systems, such as One Chef One Critic ( produced in St. John's ), hosted by Central Dairies chef Steve Watson and The Telegram food critic ( and former CBNT weather personality ) Karl Wells.

Critic Jason Ankeny declares that " Weston's name and fingerprints are all over the American underground rock of the post-punk era, producing and engineering dates for a seemingly endless number of bands.

The Video Game Critic gave the game an A-stating " David Crane clearly pulled out all the stops with this one, and the result is an exciting adventure that really pushes the limits of the system.

Critic Jeffrey M. Anderson of the San Francisco Examiner said, " Each episode is beautifully crafted, with an eye on lush, shadowy visuals and a pulsing, jazz-like rhythm ... the show is almost consistently funny, consistently brilliant, and, best of all, compulsively watchable.