Help


[permalink] [id link]
+
Page "The Adventure of the Creeping Man" ¶ 18
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Critic and /
Critic Lisa Starks says that “ Cleopatra to signify the double-image of the “ temptress / goddess ”.
Kardec's own introductory book on Spiritism, What is Spiritism ?, published only two years after The Spirits Book, includes a long dialogue between his persona and three idealized critics, " The Critic ", " The Skeptic ", and " The Priest ", which as a whole summed up most of the criticism Spiritism has received since then: of being charlatanism, pseudoscience, heresy, anti-Catholic, witchcraft, and / or a form of Satanism.
On the Board of NeWest Press ( Edmonton ) since 1981, she is the founder and editor of The Writer as Critic series, which includes, among others, Douglas Barbour's Lyric / Anti-lyric: Essays on Contemporary Poetry, Frank Davey's Canadian Literary Power, Daphne Marlatt's Readings from the Labyrinth, Fred Wah's Faking It: Poetics and Hybridity, Phyllis Webb's Nothing But Brush Strokes, and, most recently, Di Brandt's So This Is the World & Here I Am in It.
* Eric Miles Williamson ( Novelist / Literary Critic / Professor, McAllen, Texas )
* Stephen Goranson, " Celsus of Pergamum: Locating a Critic of Early Christianity ," in D. R. Edwards and C. T. McCollough ( eds ), The Archaeology of Difference: Gender, Ethnicity, Class and the " Other " in Antiquity: Studies in Honor of Eric M. Meyers ( Boston: American Schools of Oriental Research, 2007 ) ( Information Annual of the American Schools of Oriental Research, 60 / 61 ).
Broadcasting: Linda Marigliano ( Triple J ); Nathan Sapsford ( Video Hits, Channel 10 ); Jaimie Leonarder / Jay Katz ( former SBS Film Critic ), Triple J and former SBS Film Critic Marc Fennell ; comedian / filmmaker Dan Ilic ( The Ronnie Johns Half Hour, Channel 10 ), Dom Alessio ( Triple J ); Dan Buhagiar ( Triple J )
Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.
** Jay Sherman, the New York film critic from the season six crossover episode " A Star is Burns " and the ABC / FOX animated sitcom The Critic.
* EFilm Critic Online Film Magazine, Interview: Tom Atkins Thrills Us: http :// efilmcritic. com / feature. php? feature = 2652 ( Date Unknown ) with Peter Sobczynski
Critic Annette Kuhn explains thata glamorous / glamourised image then is one manipulated, falsified perhaps, in order to heighten or even to idealise.
Critic Patrick Legare wrote of the film: " Originating during the science-fiction / Red-Scare boom of the ' 50s, Invaders From Mars is an entertaining little picture that holds up reasonably well.
The third Beer City release was called " The Great Lakes of Beer " in 2001 and had two exclusive songs, The Great Lakes of Beer and The Critic !, both written on the road and recorded live / drunk.
Robin Pierson of The TV Critic gave the episode a mixed review, rating the episode a 67 / 100, stating that it is one of the most densely packed pilots on television, he mentioned that it is entertaining but he said that there are many jokes that follow the quality does not win out over quantity saying.
Critic Roger Ebert gave the film 4 / 4 stars, stating that it " creates a portrait that is deep, sympathetic, perceptive and yet finally leaves Dylan shrouded in mystery, which is where he properly lives ".

Critic and Jonathan
Film Critic Jonathan Rosenbaum considers it one of the 15 best films of the 1980s.

Critic and Barnes
Critic and Beefheart biographer Mike Barnes has offered that the album was " ponderous ... it really just lumbers along.

Critic and writes
Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.
Critic Johnny Loftus writes, " Rock critics usually reserve a special place for Deftones above or at least away from the rest of the turn-of-the-century metal movement Deftones have always seemed more curious, more willing to incorporate traditionally revered sounds like D. C. hardcore and dream pop into their Northern California alt-metal.
Critic Emerson Dameron writes that the song is " one of the most terrifying, riveting, absurd things I ve ever heard.
Critic Mark Demming writes " Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians.
Critic Jack Sullivan has kinder words for Tiomkin's score for Strangers than does biographer Spoto: " o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards ", he writes It is a score that " goes largely uncelebrated.
Critic Peter Craven writes that " Two Friends is arguably the most accomplished piece of screenwriting the country has seen and it is characterised by a total lack of condescension towards the teenage girls at its centre ".
" Critic Adam Strohm writes that she " founded a new world for the instrument, taking it far beyond backing rhythms and robotic fills.
Critic Barbara Russano Hanning writes that Striggio's verses are less subtle than those of Rinuccini, although the structure of Striggio's libretto is more interesting.
) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.
" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.
Critic John Eyles writes, " Just as such labels as Blue Note, ECM, and Incus have captured and defined the zeitgeist at various points in the past, Erstwhile is now doing so.
Critic Steve Huey writes, " rampant eclecticism encompasses everything from heavy metal and punk to funk, R & B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well.
Critic Joslyn Layne writes that " Despite his lack of success as a song lyricist, McGregor's narration of his vivid dreamlife provided a more unique artistic contribution than any usually recorded.

Critic and story
Critic Lev Grossman described it as " a deeply unsettling existential horror story, a nightmare you'll never be sure you've woken up from.
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
" Critic Joe Morgenstern of The Wall Street Journal stated that the film " does almost everything right with a story about everything going wrong " and that it " works up a major comic delirium on the theme of Murphy's Law ", concluding that " Meet the Parents is the funniest movie of the year.
The Museum of Contemporary Art ( MCA ) Chicago was created as the result of a 1964 meeting of 30 critics, collectors and dealers at the home of Critic Doris Lane Butler to bring the long-discussed idea of a museum of contemporary art to complement the city's Art Institute of Chicago, according to a grand opening story in Time.
Critic Robert van Gelder called it " perhaps the most sentimental story that ever has achieved the dignity of a Borzoi imprint of publisher Knopf imprint.
Critic Marianne Evett shared Karamu's success story as the Theatre began to recover from past hardships.
" Critic Laura Miller, writing on Salon. com, described Hellhound as a " meticulous yet driving account that is in essence a true-crime story and a splendid specimen of the genre.
Critic Greil Marcus, listing it at # 10 of his Real-Life Rock Top Ten 1979, said, " Singer Tom Gray told his story in a strangled voice, as if he were trying to explain, but instead he laid a curse.

Critic and one
In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.
Critic Georg Lukács points to middling main characters like Ivanhoe in Sir Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works and better explore social and cultural history.
" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".
Critic Stephen Thomas Erlewine describes Talking Heads as being " one of the most critically acclaimed bands of the ' 80s, while managing to earn several pop hits.
Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.
* Holt, Jim, Say Anything, one of his Critic At Large essays from The New Yorker, ( August 22, 2005 )
Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".
Critic Lloyd Goodrich praised the work asone of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.
Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.
Critic Gunther Schuller declared, " On one point there is universal agreement: Tatum's awesome technique.
He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.
Critic Dave Marsh called it " one of the best live albums ever made.
Critic Dave Marsh, in The Rolling Stone Record Guide ( 1979 ), called Zevon " one of the toughest rockers ever to come out of Southern California ".
Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).
Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.
Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".
Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".
The principles of what would be known as the Aesthetic Movement were partly traceable to him, and his effect was particularly felt on one of the movement's leading proponents, Oscar Wilde, who paid tribute to him in The Critic as Artist ( 1891 ).
Critic Leonard Maltin observed that Disney Studios made several attempts to recreate the appeal and success of Mary Poppins ( 1964 ), and that this was one of their least successful endeavors.
Critic Andrew Dickos wrote that " the touchstone of Preston Sturges ' screenwriting lies in the respect paid to the play and density of verbal language " and " establishes the standard of eloquence as one of poetry, of a cacophony of Euro-American vernacularisms and utterances, peculiarly -- and appropriately -- spoken with scandalous indifference.
Critic Christopher Null wrote of the film, " One of the ' 70s juiciest entries into the horror genre, The Abominable Dr. Phibes is Vincent Price at his campy best, a former doctor and concert organist ( go figure that one out yourself ) who is exacting revenge on the nine doctors he blames for botching his wife's surgery, which ended with her death.
Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.
Critic Peter Marrow wrote: " As it stands, the story's ending makes no sense forcing one to try to look for something left unsaid.
Critic Fred Patten is one of the main supporters of the strip.

0.540 seconds.