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Cronenberg and stated
In the October 2011 edition of Rue Morgue, Cronenberg stated that he has written a companion piece to his 1986 remake of The Fly, which he would like to direct if given the chance.
Cronenberg stated that he wanted to cast Sissy Spacek in the film lead, but the studio vetoed his choice because of her accent.
Cronenberg stated that Chambers put in a lot of hard work on the film and that he was impressed with her.
Cronenberg stated that he had written not a remake, but rather a " sort of " sequel script to his 1986 version, and would film it if 20th Century Fox gave the project the go-ahead: " I have written a script that is more of a strange lateral, let's say oblique sequel than it is a true sequel, and it's certainly not a remake of the original.

Cronenberg and while
From the Drain is a 1967 short film directed by David Cronenberg while he was in film school.

Cronenberg and writing
Rather than attempting a straight adaptation, Cronenberg took a few elements from the book and combined them with elements of Burroughs ' life, creating a hybrid film about the writing of the book rather than the book itself.
Because of the oddities of Canada's film financing structures at the time, it was necessary to begin shooting with only two weeks ' pre-production work, before the screenplay had been completed, with Cronenberg writing the script between 4 a. m. and 7 a. m. each morning throughout shooting.

Cronenberg and screenplay
Despite the extensive rewrite of Pogue's script, Cronenberg insisted during Writers Guild arbitrations that he and Pogue share screenplay credit, since he felt that his version could not have come to pass without Pogue's script to serve as a foundation.
The first of his features for which Cronenberg did not originate the screenplay, Fast Company brought Cronenberg into contact with cinematographer Mark Irwin, art director Carol Spier, sound editor Bryan Day, and film editor Ronald Sanders, all of whom became regular crew members on his films.

Cronenberg and for
Cronenberg has said that his films should be seen " from the point of view of the disease ", and that, for example, he identifies with the characters in Shivers after they become infected with the anarchic parasites.
In 2005, Cronenberg would say that he was upset that Paul Haggis had chosen the same name for his Academy Award winning film Crash, feeling it was " stupid " and " very disrespectful.
Cronenberg also worked for nearly a year on a version of Total Recall but experienced " creative differences " with producers Dino De Laurentiis and Ronald Shusett.
A fan of Philip K. Dick, author of " We Can Remember it For You Wholesale ," the short story upon which the film was based, Cronenberg related ( in the biography / overview of his work, Cronenberg on Cronenberg ) that his dissatisfaction with what he envisioned the film to be and what it ended up being pained him so greatly that for a time, he suffered a migraine just thinking about it, akin to a needle piercing his eye.
Suschitzky was the director of photography for The Empire Strikes Back, and Cronenberg remarked that Suschitzky's work in that film " was the only one of those movies that actually looked good ", which was a motivating factor to work with him on Dead Ringers.
Having worked with many Hollywood stars, Cronenberg says that he did not get to make a film with an actor he wanted to work with for a long time, Burt Reynolds.
However, in an in-person interview held at the Apple Store Soho on August 16, 2012, Cronenberg commented that the financing for the " Eastern Promises " sequel had fallen through about two weeks earlier.
Cronenberg received the Special Jury Prize at the 1996 Cannes Film Festival for Crash.
After starring in films directed by Andrew Niccol, Clint Eastwood and David Cronenberg, he was nominated for the Academy Award for Best Supporting Actor in 1999 for his performance in Anthony Minghella's The Talented Mr. Ripley.
During 1993, he composed the scores for M. Butterfly ( another collaboration with Cronenberg ), Philadelphia ( his second collaboration with Jonathan Demme ), and Mrs. Doubtfire, directed by Chris Columbus.
In his review for The New York Times, Vincent Canby wrote, " Had Mr. Cronenberg settled simply for horror, as John Carpenter did in his classic Halloween ( though not in his not-so-classic The Fog ), Scanners might have been a Grand Guignol treat.
At the time The Brood was developed, Cronenberg fought for custody of his daughter from his first marriage.
According to a David Cronenberg interview on the DVD, The Dead Zone was filmed during a relentless deep freeze in Southern Ontario which lasted for weeks, creating an authentic atmosphere of subzero temperatures and icy snow-packed terrain, which made for great natural shooting locations in spite of its being almost too cold for cast and crew to tolerate at times.
This is the only Cronenberg film since The Brood ( 1979 ) for which Howard Shore did not serve as composer.
David Cronenberg recalled how, when he was a child, he used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and how he used to worry he might see something disturbing not meant for public consumption.
Videodrome was also nominated for eight Genie Awards with David Cronenberg tying Bob Clark's A Christmas Story for Best Achievement in Direction.

Cronenberg and Naked
Holm has also appeared in two David Cronenberg films, Naked Lunch ( 1991 ) and eXistenZ ( 1999 ) and was Harold Pinter's favourite actor, the playwright once stating: " He puts on my shoe, and it fits!
Actor Nicholas Campbell, who plays William Smith's young sidekick, also went on to appear in three more Cronenberg films, The Brood, The Dead Zone and Naked Lunch.
Campbell has also worked extensively with David Cronenberg, appearing in such films as Naked Lunch, The Dead Zone, Fast Company, and The Brood.

Cronenberg and felt
Cronenberg admitted to liking the song, but felt that it was inappropriate to the film itself.

Cronenberg and with
After two short sketch films and two short art-house features ( the black and white Stereo and the colour Crimes of the Future ) Cronenberg went into partnership with Ivan Reitman.
Cronenberg has collaborated with composer Howard Shore on all of his films since The Brood ( 1979 ), ( see List of noted film director and composer collaborations ) with the exception of The Dead Zone ( 1983 ), which was scored by Michael Kamen.
Since 1988's Dead Ringers, Cronenberg has worked with cinematographer Peter Suschitzky on each of his films ( see List of noted film director and cinematographer collaborations ).
Cronenberg remains a staunchly Canadian filmmaker, with nearly all of his films ( including major studio vehicles The Dead Zone and The Fly ) having been filmed in his home province Ontario.
In 1999, Cronenberg was inducted onto Canada's Walk of Fame and was awarded with the Silver Bear Award at the 49th Berlin International Film Festival.
* David Cronenberg: Interviews with Serge Grunberg.
* BBC interview with Cronenberg ( Video, October 2007 )
Wes Craven's The Hills Have Eyes ( 1977 ) and Tobe Hooper's The Texas Chain Saw Massacre ( 1974 ) recalled the Vietnam war ; George A. Romero satirized the consumer society in his zombie sequel, Dawn of the Dead ( 1978 ); Canadian director David Cronenberg featured the " mad scientist " movie sub-genre by exploring contemporary fears about technology and society, and reinventing " body horror ", starting with Shivers ( 1975 ).
Wuppertal in its present borders was formed in 1929 by merging the early industrial cities of Barmen and Elberfeld with Vohwinkel, Ronsdorf, Cronenberg, Langerfeld, and Beyenburg.
Sheen has worked with a wide variety of film directors, such as Richard Attenborough, Francis Ford Coppola, Terrence Malick, David Cronenberg, Mike Nichols, Martin Scorsese, Steven Spielberg and Oliver Stone.
Hwang wrote the libretto to Howard Shore's opera The Fly, based on David Cronenberg's 1986 film of the same name ; the opera premiered on July 2, 2008 at the Théâtre du Châtelet in Paris, France with Cronenberg as director and Plácido Domingo conducting.
As in Videodrome, Cronenberg gives his psychological statement about how humans react and interact with the technologies that surround them.

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