( The latter was appended to Owen Rogers ' 1560 edition of Piers Plowman, a degraded version of Robert Crowley's 1550 editions.

After 1550, it was not printed again until 1813 except for Owen Rogers ' 1561 edition — a cheap knock-off of Crowley's text that omits the preface naming the author while adding — in some cases — Pierce the Ploughman's Crede.

Alexander Pope ( 1688 – 1744 ) owned a copy of Rogers ' reprint of Crowley's edition of Piers Plowman with the Crede appended, and Isaac D ' Israeli ( 1766 – 1848 ) wrote in his Amenities of Literature that Pope had " very carefully analyzed the whole " of the latter text.

Some of Crowley's marginal glosses and his passus summaries are clearly polemical, but there are very few glosses ( and no passus summaries ) in the first edition.

Crowley's first edition — aimed at the Latin-reading elite — was followed by subsequent editions.

The poem's obscure record may have had something to do with Crowley's radical politics, and the prophetic / apocalyptic aspects of his edition.

A Crowley edition owned in 1613 by an educated English Catholic, Andrew Bostoc, has its owner's notes responding to Crowley's in the margins, refuting them from the text itself, discriminating between the editor and the author / text.

The tradition that Langland was a Wycliffite, an idea promoted by Robert Crowley's 1550 edition of Piers and complicated by early Lollard appropriation of the Plowman-figure ( see, for instance, Pierce the Ploughman's Crede and The Plowman's Tale ), is almost certainly incorrect.

Next came Crowley's three editions of Piers Plowman in 1550, as well as an edition of the prologue to John Wycliffe's translation of the Bible, which was written by John Purvey and wrongly attributed to Wycliff by Crowley on John Bale's authority.

The Crede was first printed in London by Reyner Wolfe, and then reprinted for inclusion with Owen Rogers's 1561 reprint of Robert Crowley's 1550 edition of Piers Plowman.

He may be termed the ' God of Silence ' and said to represent the Higher Self and be the ' Holy Guardian Angel ' and more in similar vein, adapted from Aleister Crowley's often-reprinted Magick.

Crowley's departure may have been due to a purge of evangelicals, or because, like John Foxe, he objected to the necessity of taking holy orders which entailed a vow of celibacy.

There are also two books of uncertain authorship published during this period which may have been Crowley's work:

Crowley's Philargyrie may also offer veiled criticism of some of Somerset's perceived military and political failings from 1547-1550.

This invention of Crowley's appears to be an attempt to explain how some actions may be wrong ( or " false ") when " There is no law beyond Do what thou wilt.

In Crowley's essay The Secret Conference ( written under the pseudonym " Gerald Aumont ", and prefaced to The Heart of the Master ), he suggests that a technique must be devised by which a child's True Will may be discovered at birth, or as early as possible in life, in order to permit the correct ordering of society.

Nevertheless, Crowley's position was radical enough for his antagonists when he asserted that no human authority may contradict divine disapproval for that which is an abuse, even if the abuse arises from a thing that is indifferent.

In John Crowley's Little, Big ( 1981 ), a drug named Pellucidar is mentioned and appears to have an exhilarating and even aphrodisiac effect.

Stylistic similarities between the Book of the Law and Crowley's other writings have also been noted.

During this period he wrote The Treasure House of Images, edited early sections of Crowley's magical autobiography The Temple of Solomon the King and produced highly-regarded paintings dealing with A. A. teachings: these paintings have been used in recent years as the covers of the journal's revival, The Equinox, Volume IV .

There is, at any rate, strong evidence that Crowley's editions did not have much of an impact on Latin-literate, elite audiences.

" Despite the work of Bale and Crowley, Langland's name appears to have remained unknown or unaccepted since other authors were suggested after Crowley's editions.

Ancient soils, called paleosols, have developed in the top of the Sicily Island Loess and Crowley's Ridge Loess.

In A Fragment of Autobiography, Maugham claimed not to have read Crowley's review, adding, " I daresay it was a pretty piece of vituperation, but probably, like his poems, intolerably verbose.

Crowley's depiction of Lam does indeed presage descriptions and representations of extraterrestrial entities which have come to be known as " the Greys " in U. F. O.

A response to Crowley that is thought to have been commissioned by and / or written by Parker, also in 1566, notes how Crowley's argument challenges the royal supremacy and was tantamount to rebellion.

" Nonetheless, his significance in keeping Crowley's legacy alive has also been recognised, and it has been noted that " Regardless of his reception, it is no exagerration to state that without the publication efforts of Symonds ( and Grant ) Crowley could easily have been a forgotten figure by the 1970s.

Some reports say they reached around 21, 300 feet before turning back, however Crowley's autobiography claims they reached about 25, 000 feet.

" Anti-rock music Baptist preacher Michael Mills believes it is a reference to Crowley's poem, and he also believes it is in the middle of a Satanic backwards section.

Mart Crowlery, the creator of this play, reminded himself of Michael as " a complex person who is aware of what is politically correct but has a sort of contempt for it ", and he called Donald " a foil for Michael " and an inspiration of Crowley's friend.

* John Crowley's 2009 novel Four Freedoms is largely based on the themes of Roosevelt's speech.

* John Crowley's novel Little, Big ( 1981 ) features Frederick Barbarossa as a character in modern times, awoken from his centuries of sleep.

* In the 1987 novel The Solitudes by John Crowley, details Edward Kelley meeting with renaissance magician John Dee and their subsequent travels in Europe. The third of Crowley's Aegypt sequence Daemonomania sets out the parting of Dee and Kelley, outlining Kelley's death in Bohemia.

* The title and many themes of John Crowley's 1994 novel Love & Sleep ( part of his Ægypt series ) were derived from the Hypnerotomachia.

Each of the four Watchtowers ( representing the Elements of Earth, Air, Fire and Water ), is collectively " governed " by a hierarchy of spiritual entities which runs ( as explained in Crowley's Liber Chanokh ) as the Three Holy Names, the Great Elemental King, the Six Seniors ( aka Elders ) ( these make a total of 24 Elders as seen in the Revelation of St. John ), the Two Divine Names of the Calvary Cross, the Kerubim, and the Sixteen Lesser Anegls.

After Crowley's death in 2000, Gregory Douglas published a book called, Regicide: The Official Assassination of John F. Kennedy ( Monte Sano Media, 2002, ISBN 1-59148-297-6 ).

Having remained meadowland for much of its existence, John Crowley's Iron Foundry was built on the site in 1829 and continued in operation until the 1890s.

John Ruskin, in his typical neurotic grumpiness, and disdain of all post-Quattrocento, described the ceiling as a: John Crowley's in the first volume of John Crowley's Ægypt sequence has an exstended response to the painting.

John Crowley's historical novel Four Freedoms covers the wartime industries, and studies the real working conditions of many female industrial workers.

* John Crowley's Aegypt

John Crowley's 1980 novel Little, Big includes allusions to locations and characters in Burgess ' stories.

In 1991, John Symonds, one of Crowley's literary executors published a book: The Medusa's Head or Conversations between Aleister Crowley and Adolf Hitler, which has " definitely " to be understood as a literary fiction.

Crowley's cousin, New York City firefighter John Moran, was killed as a result of the terrorist attacks of September 11, 2001.

The Enochian system of 16th Century occultist Dr. John Dee offers a concept similar to Crowley's later views with regard to the Holy Guardian Angel.

In the 2010 movie Extraordinary Measures, Dr. Robert Stonehill ( Harrison Ford ) uses the phrase during his conversation with John Crowley ( Brendan Fraser ) referring to chance of approval for sibling trial ( a clinical trial ) of an enzyme developed for treatment of Pompe ; John Crowley's two kids are suffering from Pompe.