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Dante and Alighieri
* Alighieri, Dante, Purgatorio, Canto VII, l. 115ff.
Lewis, Madeleine L ' Engle, J. R. Tolkien, George MacDonald, G. K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard.
Nonetheless, epics have been written down at least since the works of Virgil, Dante Alighieri, and John Milton.
** Divina Commedia ( The Divine Comedy ) by Dante Alighieri ( Italian )
* Dante Alighieri in Dante Park at Lincoln Center, New York City and in Meridian Hill Park, Washington D. C .-castings of the same work, 1921
* Dante Alighieri statue in Washington, D. C.
Dante Alighieri | Dante and Beatrice Portinari | Beatrice gaze upon the highest heavens ; from Gustave Doré's illustrations to the Divine Comedy.
The most usual stress schemes for the Italian hendecasyllable are stresses on sixth and tenth syllables ( for example, " Nel mezzo del cammin di nostra vita ," Dante Alighieri, first line of The Divine Comedy ), and on the fourth, seventh and tenth syllables (" Un incalzar di cavalli accorrenti ," Ugo Foscolo, Dei sepolcri ).
What would come to be thought of as Italian was first formalized in the early fourteenth century through the works of Tuscan writer Dante Alighieri, written in his native Florentine.
* Racconto dall ' inferno ( 2004 ) ( text by Dante Alighieri ) for female jazz voice, small orchestra ( 8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar ).
The poet Dante Alighieri in his Divina Commedia places the Maremma between Cecina and Corneto, the former name of Tarquinia.
* Dante Alighieri has Odysseus append a new ending to the Odyssey in canto XXVI of the Inferno.
Dante Alighieri | Dante and Beatrice Portinari | Beatrice see God as a point of light surrounded by angels.
In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri.
Dante Alighieri, detail from a Luca Signorelli fresco in the chapel of Orvieto Cathedral # Chapel of the Madonna di San Brizio | San Brizio, Duomo, Orvieto.
These views, and his chronic intervention in " temporal " affairs, led to many bitter quarrels with the Emperor Albert I of Habsburg, the powerful Colonna family of Rome, King Philip IV of France, and Dante Alighieri, who wrote his essay De Monarchia to dispute Boniface's claims of papal supremacy.
Category: Dante Alighieri
A persistent tradition identifies Celestine V as the nameless figure Dante Alighieri sees among those in the antechamber of Hell, in the enigmatic verses:
Other Italian poets of the time, including Dante Alighieri ( 1265 – 1321 ) and Guido Cavalcanti ( c. 1250 – 1300 ) wrote sonnets, but the most famous early sonneteer was Petrarca ( known in English as Petrarch ).
* In The Divine Comedy the spirit of Solomon appears to Dante Alighieri in the Heaven of the Sun with other exemplars of inspired wisdom.

Dante and Divine
In his Divine Comedy, Dante places Albertus with his pupil Thomas Aquinas among the great lovers of wisdom ( Spiriti Sapienti ) in the Heaven of the Sun.
Dante was a great poet, the Societa Dantesca Italiana did great work in editing and publishing a usable and affordable text, but the Divine Comedy was certainly used by the newly unified Italian government ( see History of Italy ) to encourage a more homogeneous, Tuscan-influenced dialect for the whole peninsula ( see Italian language ).
In contrast, Dante decided to write his epic, the Divine Comedy in Italian — a choice that defied the traditional epic choice of Latin dactylic hexameters — and produced a masterpiece beloved both then and now.
* World of Dante Multimedia website that offers Italian text of Divine Comedy, Allen Mandelbaum's translation, gallery, interactive maps, timeline, musical recordings, and searchable database for students and teachers.
Dante Domenico di Michelino's Divine Comedy in Duomo of Florence.
* In Dante Alighieri's Inferno ( which is part of the Divine Comedy series ), Hector and his family are placed in Limbo, the outer circle wherein the virtuous non-Christians dwell.
The two most famous descriptions of Heaven are given in Dante Alighieri's Pardiso ( of the Divine Comedy ) and John Milton's Paradise Lost.
* In the Divine Comedy Joshua's spirit appears to Dante in the Heaven of Mars, where he is grouped with the other " warriors of the faith.
In the Divine Comedy, Dante meets the spirit of Justinian in the Heaven of Mercury, among the other blessed souls whose earthly ambitions were imperfectly aligned with the Divine Will.
* In the Divine Comedy poem Inferno, Dante depicts Limbo as the first circle of Hell, located beyond the river Acheron but before the judgment seat of Minos.
* Inferno ( Dante ), the first of the three canticas of Divine Comedy
In the Divine Comedy, Dante meets Adrian's spirit in Purgatory, on the level reserved for the avaricious, where Adrian atones for his sin of worldly ambition.
In The Divine Comedy Dante sees John XXI ( referred to as " Pietro Spano ") in the Heaven of the Sun with the other spirits of great religious scholars.
In the Divine Comedy, Dante sees Martin IV in Purgatory, where the reader is reminded of the former pontiff's fondness for Lake Bolsena eels and Vernaccia wine.
Dante settled his score with Boniface in Part One of the Divine Comedy, the Inferno, by damning the pope even before his death in 1303 ( the poet set the time of the poem as being in the year 1300 ) in the pit of those whose sin was simony.
Satan as depicted in Cocytus | the Ninth Circle of Hell in Dante Alighieri's Divine Comedy | Inferno, illustrated by Gustave Doré.
The narrator is met by the writer George MacDonald, whom he hails as his mentor, just as Dante did when encountering Virgil in the Divine Comedy ; and MacDonald becomes the narrator's guide in his journey, just as Virgil became Dante's.

Dante and Comedy
Virgil's work has had wide and deep influence on Western literature, most notably the Divine Comedy of Dante, in which Virgil appears as Dante's guide through hell and purgatory.

Dante and saw
Guido Brignone ’ s Maciste all ’ Inferno ( 1926 ), the first film he saw, would mark him in ways linked to Dante and the cinema throughout his entire career.
Dante declined, because he saw Gremlins as having a proper ending, and thus a sequel would only be meant to be profitable.
On their wedding day, Felicia saw Bridget staring at Dante and a heated confrontation ensued.
The Pigna was moved first to the old basilica of St. Peter's, where Dante saw it and employed it in the Commedia as a simile for the giant proportions of the face of Nimrod.

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