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Darclée and was
Hariclea Darclée ( born Hariclea Haricli ; June 10, 1860 January 12, 1939 ) was a celebrated Romanian operatic soprano.
Darclée was born in Brăila to a family with Greek roots.
In 1890 Darclée scored a great success in her La Scala debut as Chimène in Massenet ’ s Le Cid, and was immediately engaged by all the leading Italian theatres.
Giacomo Puccini Tosca ( Floria Tosca ) opera composed for her voice ; the Soprano ’ s aria was requested to Puccini by Hariclea Darclée suggesting too the principal musicals elements ; the opera was interpreted in prima assoluta at Teatro dell ’ Opera of Rome on 14 January 1900 and in première at Teatro Regio of Turin on 20 February 1900, Teatro alla Scala of Milan on 17 March 1900, Lisbon on 19 January 1901, Bucharest National Theatre on 18 January 1902 and Montecarlo Opera on 28 March 1903 ;

Darclée and known
She married a young officer, Iorgu Hartulari, and became known for a while as Hariclea Hartulari-Darclée, Darclée being the nom de théâtre she adopted when she made her debut at the Paris Opéra in 1888 as Marguerite in Charles Gounod's Faust.

Darclée and .
The work reached the Teatro Costanzi in Rome seven months later on 14 November with Egisto Tango conducting Hariclea Darclée as the Marschallin and Conchita Supervía as Octavian.
Hariclea Darclée in the world premiere of Iris.
Started in 1995, the Hariclea Darclée Festival and International Voice Competition is held every two years in Brăila.

was and mother
But her mother would rebuke her if she mentioned it, and say that it was none of her concern.
Even the knowledge that she was losing another boy, as a mother always does when a marriage is made, did not prevent her from having the first carefree, dreamless sleep that she had known since they dropped down the canyon and into Bear Valley, way, way back there when they were crossing those other mountains.
Go, tell his aged mother that her son Fought with a thousand foes, and he was one ''.
In his native Cologne, where his mother taught him to play the piano, he was able to read notes before he learned the alphabet.
My mother was deeply religious.
It was mother who planted the verbenas.
It was, of course, a little boy's fantasy of winning his mother to himself, and replacing the father who could not give her the things she wanted -- a classical oedipal fantasy if you like -- but if it were only this the story would be banal.
Bertha Szold was more like Meg, the eldest March girl, who `` learned that a woman's happiest kingdom is home, her highest honor the art of ruling it, not as a queen, but a wise wife and mother ''.
`` My mother read a book right after I was born and there was a Lilian in the book she loved and I became Lilian -- and eventually I became Paula ''.
Her mother was a good manager and established a millinery business in Milwaukee.
At this time Harriet wrote in a letter which after their finally landing in India was sent to her mother:
Accordingly the request was granted, but the Elector himself, who had not been consulted by his mother, rejected the proposal and recalled his agent Schutz, whose impolitic handling of the affair had caused the Hanoverian interest to suffer and had made Oxford's dismissal more likely than ever.
His second wife, Lillian, was the mother of John H. Mercer.
With her son evidencing so strong a musical bent his mother could do little else but get him started on the study of music -- though she waited until he was ten -- beginning with the piano and following that with the trumpet.
He was the son of a Scottish father and an American Jewish mother, long widowed, with whom he lived in a comfortable home in Flushing.
`` You do not know me '', she said in good English, `` but my mother was your governess in Philadelphia when you were a child ''.
Katherine was staying at a convent, and her mother felt that, as Thompson himself seems to have suggested, she might eventually stay there.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Jemela ( surname: Gerby ), 23, seems Hong Kong Oriental but has a Spanish father and an Indian mother, was born in America and educated at Holy Cross Academy and Textile High School, says she learned belly dancing at family picnics.
His mother was nudging him, but he was still falling.

was and composer
That after all his years of effort to become a composer, he should now, now when he was still stoutly replying to the critics of his Discourse on the Arts and Sciences, be so close to a success in music and have to reject it.
And of course the news of who the composer was did finally begin to get around among his closest friends.
How titillating it was to go among people who did not know him as the composer, but who talked in the most glowing terms of the promise of the piece after having heard the first rehearsals.
Certainly its composer was an ascending star on a new world horizon.
and the composer himself was called the `` age of steel pianist ''.
Gershwin was on hand to " supervise " the recording ; however, Shilkret was reported to be in charge and eventually asked the composer to leave the recording studio.
One of his notable pupils was conductor and composer Hans Münch.
Woolfson was a lawyer by profession, but also a composer and pianist.
Woolfson, a songwriter and composer, was working as a session pianist ; he had also composed material for a concept album idea based on the work of Edgar Allan Poe.
The first known instance of Newton's lines joined to music was in A Companion to the Countess of Huntingdon's Hymns ( London, 1808 ), where it is set to the tune " Hephzibah " by English composer John Jenkins Husband.
August Wilhelm Ambros ( November 17, 1816 June 28, 1876 ) was an Austrian composer and music historian of Czech descent.
Created by the Scottish-born composer, Peter Dodds McCormick, the song was first performed in 1878, but did not gain its status as the official anthem until 1984.
Antonio Salieri ( 18 August 17507 May 1825 ) was a classical composer, conductor and teacher born in Legnago, south of Verona, in the Republic of Venice, but who spent his adult life and career as a faithful subject of the Habsburg monarchy.
As a student of Florian Leopold Gassmann, and a protégé of Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages.
Antonio began his musical studies in his native town of Legnago ; he was first taught at home by his older brother Francesco Salieri ( a former student of the violinist and composer Giuseppe Tartini ), and he received further lessons from the organist of the Legnago Cathedral, Giuseppe Simoni, a pupil of Padre Giovanni Battista Martini.
It was through Pacini that Salieri gained the attention of the composer Florian Leopold Gassmann, who, impressed with his talents and concerned for his future, took the young orphan to Vienna where he personally directed and paid for the remainder of his musical education.
It was toward the end of this extended period of study that Gassmann was called away on a new opera commission and a gap in the theater's program allowed for Salieri to make his debut as a composer of a completely original opera buffa.
Salieri's first full opera was composed during the winter and carnival season of 1770 ; Le donne letterate and was based on Molière's Les Femmes Savantes ( The Learned Ladies ) with a libretto by Giovanni Gastone Boccherini a dancer in the court ballet, and a brother of the famous composer.
Armida was translated into German and widely performed, especially in the northern German states, where it helped to establish Salieri's reputation as an important and innovative modern composer It would also be the first opera to receive a serious preparation in a piano and vocal reduction by Carl Friedrich Cramer in 1783.
Sacred music was not a high priority for the composer during this stage of his career, but he did compose an Alleluia for chorus and orchestra in 1774, perhaps for his own wedding, or in thanksgiving for it.
Gluck feared that the Parisian critics would denounce the opera by a young composer known mostly for comic pieces and so the opera was originally billed in the press as being a new work by Gluck with some assistance from Antonio Salieri, then shortly before the premiere of the opera the Parisian press reported that the work was to be partly by Gluck and partly by Salieri, and finally after popular and critical success were won on stage the opera was acknowledged in a letter to the public by Gluck as being wholly by the young Antonio.

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