" However, in his review for the Chicago Reader, Dave Kehr, wrote " it fails to satisfy – it gives us too little of too much.

Other critics like Dave Kehr of the Chicago Reader said " the acting and editing have such original, tumultuous force that the picture is completely gripping ".

Its approach was described by Dave Kehr in The New York Times: " Bob Elliott and Ray Goulding on the radio, Ernie Kovacs on television, Stan Freberg on records, Harvey Kurtzman in the early issues of Mad: all of those pioneering humorists and many others realized that the real world mattered less to people than the sea of sounds and images that the ever more powerful mass media were pumping into American lives.

" Dave Kehr, in his review for the Daily News, criticized the film's premise as a " tired idea, and it produces an episodic, unstrung film.

A present-day critic, Dave Kehr, wrote,

He was replaced as film critic in 1986 by Dave Kehr.

Writing years later for The Chicago Reader, Dave Kehr wrote " Malick's 1973 first feature is a film so rich in ideas it hardly knows where to turn.

Film critics Dave Kehr and James Berardinelli have also praised the film in the years since.

At the time of the film's release, critic Dave Kehr of The New York Times declared Moodysson to be " Sweden's most praised filmmaker since Ingmar Bergman ".

Contemporary critic Dave Kehr called it Hitchcock's " first indisputable masterpiece.

Dave Kehr gave a largely negative review ; " The film betrays no human impulse higher than that of a ten-year-old boy trying to gross out his baby sister by dangling a dead worm in her face.

Dave Kehr of The Chicago Reader saw it as " marred by cut-rate techniques and a shapeless screenplay ".

" Previous editors include Mike Lenehan and Dave Kehr.

" Of Rotten Tomatoes ' " top critics ," only Dave Kehr of the Chicago Reader disliked Absence of Malice, writing that " the picture has a smug, demoralizing sense of pervasive corruption.

Dave Kehr, in his review for the Chicago Reader, wrote, " The first-time director, Harold Ramis, can't hold it together: the picture lurches from style to style ( including some ill-placed whimsy with a gopher puppet ) and collapses somewhere between sitcom and sketch farce ".

In a 2002 review in The New York Times, film critic Dave Kehr said that the film "... is often said to have helped set the pattern for the nearly 50 years of Indian film that has followed it.

) Dave Kehr, then of the Chicago Tribune, also gave the film 3 stars, noting how unusual it was for an Ingmar Bergman parody to show up in a teen comedy, and referring to the film as a " genuine pleasure.

Dave Kehr, film critic for the Chicago Reader, liked the film, but thought it lacked an " effective ending.

Dave Kehr of the Chicago Tribune wrote that " the overlooked form peels away from the slight, frail content, and the film starts to look like an episode of Hee Haw directed by an amphetamine-crazed Orson Welles ".

Dave Kehr of the Chicago Reader praised the adaptation by Kazan and the " down-to-earth " performances of James Dean and Richard Davalos.

" Dave Kehr of the Chicago Reader gave a positive review, claiming that " Argento works so hard for his effects — throwing around shock cuts, colored lights and peculiar camera angles — that it would be impolite not to be a little frightened ".< ref > Although J. Hoberman of The Village Voice gave a positive review as well, he calls it " a movie that makes sense only to the eye ".

" Dave Kehr of The Chicago Reader wrote: " There is a strong Freudian pull to the situation ( the partner's name is “ Dad ”) that is more ritualized than dramatized: the most memorable scenes have a fierce masochistic intensity, as if Brando were taking the opportunity to punish himself for some unknown crime.

Dave Kehr of The Chicago Reader offered a positive review and wrote: " Terrence Malick's remarkably rich second feature is a story of human lives touched and passed over by the divine, told in a rush of stunning and precise imagery.

" Dave Kehr of the Chicago Reader gave the film a favorable review, calling the film, " clearly an extension of Taxi Driver and the " uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way.

The Dave Bing and Bob Lanier era did have some solid and exciting years but they were handicapped by being in the same division as the Milwaukee Bucks which had a young Lew Alcindor and the Chicago Bulls which had some very strong players.

On January 14, 1963, Wilhelm was traded by the Orioles with Ron Hansen, Dave Nicholson and Pete Ward to the Chicago White Sox for Luis Aparicio and Al Smith.

The trailer was animated by Dave Fleischer ( producer of Popeye cartoons ) and produced by Filmack Studios of Chicago, a company that specialized in snipes.

Each prank was played by three aspiring actors from the Chicago area: Dave Sheridan ( creator ), Frank Hudetz, and Travis Draft.

* Dave Gallagher ( born 1960 ) Major League Baseball player who played 9 years in Major League Baseball for teams including the Philadelphia Phillies, Baltimore Orioles, Anaheim Angels, Chicago White Sox, New York Mets, and Cleveland Indians.

* Dave Leggett, football player for the Ohio State Buckeyes and the Chicago Cardinals

The Blues Brothers ' personas and stage act were influenced by Sam & Dave, according to an April 1988 interview with Aykroyd in the Chicago Sun-Times.

" Around this time, Chicago disk jockey Dave Garroway coined a second nickname for her, " The Divine One ", that would follow her throughout her career.

* Randy Myers saves 53 games for the Chicago Cubs, breaking Dave Righetti's record for left-handers.

He had American associations through his two brothers —- Mortimer, a lawyer in Chicago, and Dave, who worked for the Chicago Board of Education —- and two sisters, Lilian and Rose, neither of whom married.

Former UND students who have gone on to notable careers in athletics include former NBA player and current NBA coach Phil Jackson, ice hockey player who played in the 1980 Winter Olympics " Miracle on Ice " game Dave Christian, NHL professional ice hockey players Ed Belfour, Tony Hrkac, Jonathan Toews – captain of the Chicago Blackhawks, Zach Parise – New Jersey Devils, Travis Zajac – New Jersey Devils, T. J. Oshie – St. Louis Blues, Ryan Bayda – Pittsburgh Penguins, Drew Stafford – Buffalo Sabres, Brian Lee – Ottawa Senators, Matt Smaby – Tampa Bay Lightning, Matt Jones – Toronto Maple Leafs, Mike Commodore – Columbus Blue Jackets, Jason Blake – Anaheim Ducks, Ryan Johnson – Vancouver Canucks, NFL professional football players Jim Kleinsasser – and Dave Osborn, both of the Minnesota Vikings, CFL professional football players Weston Dressler, David Griswold – Saskatchewan Roughriders.

Dave Kehr of the Chicago Reader described the film as a " Ken Russell fantasia-musical biography as wet dream " and added, " hangs together more successfully than his other similar efforts, thanks largely to a powerhouse performance by Glenda Jackson, one actress who can hold her own against Russell's excess.

Dave Kehr, writing for the Chicago Reader, calls the film " An RKO B-film from 1940, done up in high Hollywood expressionism.

In his review for the Chicago Reader, Dave Kehr praised the performances of Harold Ramis and Bill Murray: " the affable Harold Ramis, becomes its genuine dramatic center: his struggles to keep his buddy Bill in line have a strange urgency and poignance ".

" It's bleak, creepy, and occasionally terrifying ," added Dave Kehr of the Chicago Reader.

For example, The Chicago Reader Dave Kehr thought " Puenzo's methods are so crudely manipulative ... that the film quickly uses up the credit of its good intentions.

Dave Kehr of The Chicago Reader wrote: " Legions of Brando impersonators have turned his performance in this seminal 1954 motorcycle movie into self-parody, but it's still a sleazy good time.

* Dave Salmon ( News & Sports Reader, Weekday evenings 7pm-Midnight, The Bay Goalzone-Saturday afternoons 2-6pm )

Dave Kehr in the Chicago Reader called it " cold, lurid, and fascinating " and Nathan Lee of The Village Voice wrote, " Here is, half a century out of the past, a movie so acidly au courant it stings.

Rosenbaum followed Dave Kehr as the main film critic for Chicago Reader until 2008.

" Among negative reviews of the film, Dave Kehr of the Chicago Reader felt that " the film turns moralistic and sour in the last half, when the thieves fall out.

Dave Kehr, writing for the Chicago Reader, was not as dismissive of the film, writing, " John Milius's paean to the art and discipline of hot dog surfing is marred by pushy philosophizing and a fair number of overripe lines, but its sincerity is deep and seductive ... Milius can be faulted for reviving a number of ostensibly dead macho myths, but in the context of the subculture his film deftly re-creates, they take on the aura of eternal values.

Dave Kehr of The Chicago Reader said: " Perkins tries to imitate Hitchcock's visual style, but most of the film is made without concern for style of any kind, unless it's the bludgeoning nonstyle of Friday the 13th.