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Page "Call Me Madam" ¶ 33
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Decca and issued
The two songs were issued as a single on Decca ( 32890 ).
Besides the OKeh recordings, Parlophone also issued recordings from US Columbia, Brunswick as well as a few sessions produced at US Decca.
For many years, Decca's British classical recordings were issued in the US under the London Records label because British Decca was not allowed to use its name there, there already being an American Decca.
However, it won Decca the loyalty of the baritone Roy Henderson, who went on to record for them the first complete Dido and Aeneas of Purcell with Nancy Evans and the Boyd Neel ensemble ( Purcell Club, 14 sides, pre-1936 ); and Henderson's famous pupil Kathleen Ferrier was recorded and issued by Decca through the period of transition from 78 to LP ( 1946 – 1952 ).
Until 1947, American Decca issued British Decca classical music recordings.
Nonetheless titles first issued on 78rpm remained in that form in the Decca catalogues into the early 1950s.
A four track Extended Play release titled: " The Moody Blues " featuring both sides of their first two Decca singles was issued in a colour picture sleeve in early 1965.
Further UK singles were: " Everyday " ( No. 44 ) in October 1965, another Pinder-Laine song, plus their later " This is My House ( But Nobody Calls )" ( Decca F 12498, 1966 ) and " Boulevard de la Madeleine " also issued in late-1966.
Their new style, featuring the symphonic sounds of Pinder's Mellotron, was first introduced on Pinder's song " Love And Beauty " ( Decca F 12670 ) which was issued as a single c / w with Hayward's rocker " Leave This Man Alone " in September 1967.
In addition to continued inclusion on bootlegs, a small U. S. record label issued the songs on CD through mail order in 2007 as The Lost Decca Sessions, which it described as legal and licensed.
In 1973, the final Decca pop label release was issued.
After World War II, American Decca releases were issued in the United Kingdom on the Brunswick label until 1968 when the MCA Records label was introduced in the UK.
A few years later Horne joined Noble Sissle's Orchestra, with which she toured and with whom she recorded her first record release, a 78rpm single issued by Decca Records.
Decca Records issued the original cast recording on 78 rpm records, which was later expanded and re-issued on LP, and then transferred to CD in the 1980s.
Meanwhile, GRP manages the rest of MCA / Universal's jazz catalog, including releases once issued on the Decca and Chess labels.
This staging was taped, issued as a Decca DVD, and successfully transferred ( in 2010 ) to Vienna's Theater an der Wien.
* Kathleen Ferrier's version with John Newmark was issued on Decca Medium Play LW 5089.
The Decca Mobile Airfield Radar Van ( 1106 ) released in January 1959 featured a revolving radar scanner which turned by means of a ridged wheel, and the Bedford Military Ambulance ( 414 ) was issued in January 1961.
The two songs were issued as a single on Decca ( 32890 ).
In 1951 a 10-inch mono LP was issued ( Decca Gold Label DL 7512, reissued 1978 by Varèse Sarabande on side 2 of 12-inch LP ), containing his Suite from La hija de Cólquide ( originally recorded in 1947 for the Mexican label Anfión and issued as a 3-disc 78 rpm set Anfión AM 4 ), and in 1956 they released an anthology, Music of Mexico, on which he conducted three of his own works, plus José Pablo Moncayo's Huapango ( Decca Gold Label LP, DL9527 ).

Decca and 10-inch
Merman also is heard on the film soundtrack album ( with Donald O ' Connor and George Sanders ), issued in 1953 as a 10-inch album, also on the Decca label.

Decca and LP
In addition to this, another LP was released on Decca ( DL 7-9188 ), and was later reissued by Varese Sarabande on black ( STV-81072 ) and green ( VC-81072 ) vinyl.
It was first released by American Decca in 1944 as a four-record 78-rpm set, but was afterward transferred to LP.
A Brunswick / American Decca LP entitled Readings from the Bible featured Laughton reading Garden of Eden, The Fiery Furnace, Noah's Ark, and David and Goliath.
* Eric and Hattie and Things ( LK 4507, LP, Decca Records 1962 ) with Hattie Jacques
* Symphony No. 5: Erik Tuxen – 1950 ( EMI ); Thomas Jensen – 1954 ( Decca — first LP recording )
American Decca embraced the new post-war record formats adopting the LP in 1949 and the 45 rpm record around a year later while continuing to sell 78s.
British Decca released on LP, in 1968, the most complete version of Man of La Mancha ever put on vinyl records, a 2-LP album featuring most of the dialogue and all of the songs, performed by the show's original London cast.
Decca released the stereo recordings of Ernest Ansermet conducting L ' Orchestre de la Suisse Romande, including, in 1959, the first stereo LP album of the complete Nutcracker, as well as Ansermet's only stereo version of Manuel de Falla's The Three-Cornered Hat, which the conductor had led at its first performance in 1919.
In both the UK and the US Decca took up the LP promptly and enthusiastically, in 1949, giving the British arm an enormous advantage over EMI, which for some years tried to stick exclusively to the old format, thereby forfeiting competitive advantage to Decca, both artistically and financially.
* 1977 Guitar Recital ( Double LP ) ( C ) ( Decca )
In April 1966 the Bluesbreakers returned to Decca Studios to record a second LP with producer Vernon.
The first two songs were released on " Swan " 45rpm records, and the third released on a " Decca " LP record:
Four episodes of the TV series were re-recorded and released on LP format, two by Pye on the 1961 album Hancock (" The Blood Donor " and " The Radio Ham ") and two by Decca Records on the 1965 album It's Hancock (" The Missing Page " and " The Reunion Party "), which was reissued as The World of Tony Hancock in 1975.
After World War II Gabler went to work for Decca Records, and his Commodore label was later used by Decca for reissuing earlier jazz recordings on LP.
* Bruno Walter, with Kathleen Ferrier and Julius Patzak, Wiener Philharmoniker ( Decca LP LXT 2721-2722 ) 1952.
The Decca soundtrack LP credits him prominently for the " Drumming Sequences ".
Even though this is not the version of the song featured in the film, Decca would continue to re-release the so-called " Cast Album " well into the 1960s after it was re-issued as a single-record 33 RPM LP.
In addition, an LP was released on Decca ( DL 7-9188 ) and later reissued by Varese Sarabande on black ( STV-81072 ) and green ( VC-81072 ) vinyl.

Decca and featuring
US Decca label from 1934 ( a late 1930s reissue label ) featuring the band of trumpet star Henry Busse.
The album was much more pop-oriented, featuring decidedly fewer compositions from within the band ( David Clayton-Thomas, however, had already mounted a solo career as a singer / songwriter over this same time period, beginning with an album released in 1969 by Decca ).
In the late 1940s, he produced a highly regarded series of commercial folk music albums for Decca records and organized a series of concerts at New York's Town Hall and Carnegie Hall, featuring blues, calypso, and flamenco music.
Later in the 1950s, American Decca made Brunswick its leading Rock and Roll label, featuring artists such as The Crickets.
* Champion Jack Dupree and his Blues Band ; featuring Mickey Baker, ( 1967, Decca SKL 4871 )
Scott recorded as the leader of various groups for Decca, Columbia and Signature, among them, a trio that consisted of Bill English and the double bass player Martin Rivera, and another featuring Charles Mingus on bass and Rudie Nichols on drums.
* 1946 Original Broadway Cast: an original cast recording was released by Decca Records in 1946, featuring the cast of the original 1946 Broadway production.
* A recording in Volume 5 of Decca Records ' The World of the Great Classics series, featuring Sir Ralph Richardson as narrator with the London Symphony Orchestra, conducted by Sir Malcolm Sargent.
It sold a million copies, and Decca Records soon signed the group, billing them as The Four Aces featuring Al Alberts.
In 1955 Decca Records, in what Billboard called " an ambitious project ", issued seven albums of " country dance music " featuring " swingy arrangements of your customers ' c & w ' dance favorites ".
The Decca Record Co. ( London ) released a historic recording featuring Britten conducting the work, with Britten's lifelong companion Peter Pears singing the tenor part ( Britten had dedicated his setting of the song " Being Beauteous " to Pears ).
In 1977, Decca Records recorded an album of highlights from the score featuring the United Kingdom's National Philharmonic Orchestra and Chorus.
*" 1ST Album "-released by Decca in 1965 ( later re-released on London label with new artwork as album title "# 1 featuring Concrete And Clay ", with " 500 Miles ", You've Lost That Lovin ' Feelin '" and " Swing Down Chariot " being replaced by " Tell Somebody You Know ", "( You've ) Never Been In Love Like This Before " and " Woman From Liberia ".
The earliest known recorded version of the song was by banjoist Harry Reser and his band on October 24, 1934 ( Decca 264A ) featuring Tom Stacks on vocal, the version shown in the Variety charts of December 1934.
Edwards recorded another version in 1940 for an American Decca Records " cover version " of the score of Pinocchio, conducted by Victor Young and featuring soprano Julietta Novis and The King's Men.
A. Wayne Slawson's computer-generated Wishful Thinking about Winter ( Decca DL 710180 ) uses speechlike sounds featuring a large range of spectral glide rates.
After the release of Hot Rocks 1964 – 1971 in 1971, an album entitled Necrophilia was compiled for release as the follow-up, with the aid of Andrew Loog Oldham, featuring many previously unreleased ( or, more accurately, discarded ) outtakes from the Rolling Stones ' Decca / London period.

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