Godefroy Engelmann, who moved his press from Mulhouse to Paris in 1816, largely succeeded in resolving the technical problems, and during the 1820s lithography was adopted by artists such as Delacroix and Géricault.

Her first exposure to French artists Ingres, Delacroix, Corot, and Courbet was likely at the Paris World ’ s Fair of 1855.

" By the time Chassériau visited Ingres in Rome in 1840, however, the younger artist's growing allegiance to the romantic style of Delacroix was apparent, leading Ingres to disown his favorite student, of whom he never again spoke favorably.

Elected in 1862 as chairman of the Société Nationale des Beaux-Arts, he was surrounded by a committee of important painters: Eugène Delacroix, Pierre Puvis de Chavannes, Édouard Manet, Albert-Ernest Carrier-Belleuse and Gustave Doré.

In 1862 he was elected chairman of the Société Nationale des Beaux-Arts ( National Society of Fine Arts ) with a board which included Eugène Delacroix, Édouard Manet, Gustave Doré and Pierre Puvis de Chavannes.

Degas's style reflects his deep respect for the old masters ( he was an enthusiastic copyist well into middle age ) and his great admiration for Jean Auguste Dominique Ingres and Eugène Delacroix.

Chevreul worked as the director of the dye works at Les Gobelins tapestry works in Paris, where he noticed that the perceived colour of a particular thread was influenced by its surrounding threads, a phenomenon he called “ simultaneous contrast .” Chevreul ’ s work was a continuation of theories of colour elaborated by Leonardo da Vinci and Goethe ; in turn, his work influenced painters including Eugène Delacroix and Georges-Pierre Seurat.

Another major Victorian benefactor was Constantine Alexander Ionides, who left 82 oil paintings to the museum in 1901, including works by Botticelli, Tintoretto, Adriaen Brouwer, Jean-Baptiste-Camille Corot, Gustave Courbet, Eugène Delacroix, Théodore Rousseau, Edgar Degas, Jean-François Millet, Dante Gabriel Rossetti, Edward Burne-Jones, plus watercolours and over a thousand drawings and prints

His publishing house was complemented during the Second Empire by painter artists ' workhalls for the decoration of churches: three of their main works, in the style of Eugène Delacroix, still remain in the choir of the church of Saint John the Baptist of Audresselles ( Pas de Calais, France ).

Ferdinand Victor Eugène Delacroix (; 26 April 1798 – 13 August 1863 ) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the " forces of the sublime ", of nature in often violent action.

However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist.

In the words of Baudelaire, " Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible.

Delacroix was born at Charenton ( Saint-Maurice, Val-de-Marne ), in Île-de-France, near Paris.

There is reason to believe that his father, Charles-François Delacroix, was infertile at the time of Eugène's conception and that his real father was Talleyrand, who was a friend of the family and successor of Charles Delacroix as Minister of Foreign Affairs, and whom the adult Eugène resembled in appearance and character.

The impact of Géricault's The Raft of the Medusa was profound, and stimulated Delacroix to produce his first major painting, The Barque of Dante, which was accepted by the Paris Salon in 1822.

Though the painting was quickly purchased by the State, Delacroix was disappointed when it was sent to the Lille Musée des Beaux-Arts ; he had intended for it to hang at the Luxembourg, where it would have joined The Barque of Dante and Scenes from the Massacres of Chios.

Delacroix quickly embraces the show and his newfound fame ; he even wins awards for creating and writing the show, while Hopkins becomes horrified at the racist nightmare she has helped to unleash.

Only Eugène Delacroix and other pupils of Pierre-Narcisse Guérin — the leaders of that romantic movement for which Ingres throughout his long life always expressed the deepest abhorrence — seem to have recognized his merits.

The Artist's Studio was recognized as a masterpiece by Delacroix, Baudelaire, and Champfleury, if not by the public.

Liberty Leading the People, embodying the Romantic view of the French Revolution of 1830, also known as the July Revolution ; its painter Eugène Delacroix also served as an elected deputy

In 1821, French Romantic painter Eugène Delacroix painted a self-portrait of himself as the melancholy, disinherited Edgar Ravenswood.

* August 13 – Eugène Delacroix, French painter ( b. 1798 )

* April 26 – Eugène Delacroix, French painter ( d. 1863 )

He is the maternal grandfather of the painter Eugène Delacroix.

A journey to Italy opened his mind to fresh ideas, and on his return to Paris in 1844 he announced his intention of becoming a painter, and went to study first under Eugène Delacroix, Henri Scheffer, and then under Thomas Couture.

An ambassador was sent to the Sultan Moulay Abderrahmane in February 1832, headed by count de Mornay and including the painter Eugène Delacroix.

Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, ( 20 May 1856 – 16 May 1910 ) was a French painter and printmaker.

In order to distinguish himself from the famous Romantic painter Eugène Delacroix, he changed his name in 1881, shortening and Anglicizing his birth name to " Henri Cross " – the French word croix means cross.

He used friends as models, most notably the painter Eugène Delacroix ( 1798 – 1863 ), who modelled for the figure in the foreground with face turned downward and one arm outstretched.

* Michel Delacroix ( painter ) ( 1933 –), French painter

* August 13-Eugène Delacroix, French Romantic painter ( b. 1798 )

Alphonse-Marie-Adolphe de Neuville ( 31 May 1835 – 18 May 1885 ) was a French Academic painter who studied under Eugène Delacroix.

The death of Sardanapalus was the subject of a Romantic Period painting by the 19th-century French painter Eugène Delacroix, The Death of Sardanapalus, which was itself based on the 1821 play Sardanapalus by Byron, which in turn was based on Diodorus.

French painter Eugène Delacroix used the story as the inspiration of his 1827 painting Combat of the Giaour and the Pasha.

He went to France in 1954 to conduct graduate-study research on painter Eugène Delacroix and writer Charles Baudelaire, but soon found his interest drawn to the current intellectual arena of literature and politics, which led to an intense interest in French political writers including Albert Camus and Jean Paul Sartre.

The new French ambassador Charles-François Delacroix took the side of the radicals.

Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.

With the inauguration of the new Delacroix station in September 2006, line 2 was extended beyond Clemenceau.

In the nineteenth century, the palace was extensively remodeled, with a new garden façade by Alphonse de Gisors ( 1836 – 1841 ), and a cycle of paintings ( 1845 – 1847 ) by Eugène Delacroix that was added to the library.

The works by Constable in the exhibition inspired a new generation of French painters, including Eugène Delacroix.