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Telemann and opera
In 1702 Telemann became director of the opera house Opernhaus auf dem Brühl, where too he employed student performers.
Initially, however, Telemann encountered a number of problems: some church officials found opera and collegium musicum performances to be objectionable ( for " inciting lasciviousness "), and the city printer was displeased with Telemann publishing printed texts for his yearly Passions.
* Telemann as opera composer from 1708-61, OperaGlass, Stanford University.
* Georg Philipp Telemann becomes director of Leipzig opera, and founds Leipzig Collegium Musicum.

Telemann and musician
Once he established himself as a professional musician in Leipzig, Telemann became increasingly active in organizing the city's musical life.
Among the dozens of composers whose music he recorded as a harpsichordist, organist, clavichordist, fortepianist, chamber musician or conductor were Johann Sebastian Bach, Carl Philipp Emanuel Bach, Wilhelm Friedemann Bach, Heinrich Biber, John Blow, Georg Böhm, William Byrd, André Campra, François Couperin, Louis Couperin, John Dowland, Jacques Duphly, Antoine Forqueray, Girolamo Frescobaldi, Johann Jakob Froberger, Orlando Gibbons, André Grétry, George Frideric Handel, Jacques-Martin Hotteterre, Jean-Baptiste Lully, Claudio Monteverdi, Wolfgang Amadeus Mozart, Georg Muffat, Johann Pachelbel, Henry Purcell, Jean-Philippe Rameau, Christian Ritter, Johann Rosenmüller, Domenico Scarlatti, Agostino Steffani, Jan Pieterszoon Sweelinck, Georg Philipp Telemann, Manuel Valls, Antonio Vivaldi, and Matthias Weckmann.

Telemann and Kuhnau
He also studied the works of Johann Kuhnau, Kantor of the Thomaskirche and city director of music in Leipzig ; in his later years, Telemann recounted how much he learned about counterpoint from Kuhnau's work.
By employing students Telemann took away a major resource for Kuhnau's choir ( and church music in Leipzig in general ); Kuhnau was also concerned that students were too frequently performing in operas, leaving them with less time to devote to church music.
It is probably these difficulties that prompted Telemann to apply, already in 1722, for the post of Thomaskantor in Leipzig ( Kuhnau died on 5 June that year ).
Leipzig collegia musica, consisting mostly of university students, enjoyed a succession of particularly illustrious directors, including Johann Kuhnau ( 1688 ), Telemann ( 1702 ), and Bach ( 1729 – 1737 ), who composed several concertos and dramme per musica for weekly performances at Zimmerman's coffeehouse and for " extraordinary " concerts.
Johann Adolph Scheibe ( writing in 1745 ) considered him an equal to Johann Kuhnau, George Frideric Handel and Georg Philipp Telemann ( also related to the Hamburg Opera ), but his work was largely forgotten for many decades.
Heinichen enrolled in 1702 to study law at the University of Leipzig and in 1705-6 qualified as a lawyer ( in the early 18th century the law was a favored route for composers ; Kuhnau, Graupner and Georg Philipp Telemann were also lawyers ).

Telemann and city
The Żary calendar of events includes many cultural festivals: in April the International Music Festival “ Eurosilesia ”, in the beginning of June the city celebrates with pomp the Festival of Żary, in August there is the International Plein-air Painting and Sculpture Event, the International Festival of Street Theaters, in October the Vienna Music Festival, and in December the Telemann Youth Festival.

Telemann and council
In the end, however, his efforts proved fruitless, and the only thing the council did was to forbid Telemann to appear on the operatic stage.

Telemann and several
He has made 16 transcriptions of works by François Couperin, Jean-Philippe Rameau, Georg Philipp Telemann, and J. S. Bach, including two Brandenburg Concerti in a version for two harpsichords and an orchestration of Bach's Italian Concerto as well as several adaptations in baroque style of Christmas Carols commissioned and recorded by the Canadian Broadcasting Corporation ( CBC Radio Charlottetown ) in 1994.
These include two complete sets of the Brandenburg concertos, the Orchestral Suites and The Art of Fugue, several albums of Bach vocal cantatas, many Telemann, Vivaldi, many Mozart and Haydn works, but also award-winning records of Britten, Roussel and Hindemith pieces.

Telemann and younger
Telemann still followed European musical life, however: throughout the 1740s and the 1750s he exchanged letters and compositions with younger composers such as C. P. E.

Telemann and composer
Georg Philipp Telemann ( 14 March 1681 – 25 June 1767 ) was a German Baroque composer and multi-instrumentalist.
The composer himself claimed that he inherited the talent for music from his mother, whose nephew Joachim Friedrich was Kantor at Verden ( Telemann would later publish a treatise by Joachim Friedrich's son, who became an organist ).
After Telemann's eldest son Andreas died in 1755, he assumed the responsibility of raising Andreas ' son Georg Michael Telemann, who eventually became a composer.
Telemann was the most prolific composer of his time: his oeuvre comprises more than 3000 pieces.
* Georg Philipp Telemann ( 1681 – 1767 ), composer
* Georg Philipp Telemann, German composer
* June 25 – Georg Philipp Telemann, German composer ( b. 1681 )
* March 14 – Georg Philipp Telemann, German composer ( d. 1767 )
The composer Georg Philipp Telemann was his godfather.
* March 4 – Georg Michael Telemann, theologian and composer ( b. 1748 )
* April 20 – Georg Michael Telemann, composer ( died 1831 )
He may have been the most prolific composer who ever lived, outdoing even Georg Philipp Telemann in the quantity of his output.
* Georg Philipp Telemann, German composer
* June 25 – Georg Philipp Telemann, composer ( born 1681 )
The Tafelmusik or Musique de Table by the Baroque composer George Philipp Telemann is perhaps his most celebrated collection of music.
In the 1740s German composer Telemann went to France to see it, composed some pieces for it and wrote a book about it.

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