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Ditko and began
Ditko also began contributing to small independent publishers, where he created Mr. A, a hero reflecting the influence of Ayn Rand's Objectivism philosophy.
So he gradually began to provide his primary artists, Jack Kirby and Steve Ditko, only with the essential beginning, middle and end of a story.

Ditko and comic
" Steve " Ditko ( born November 2, 1927 ) is an American comic book artist and writer best known as the artist and co-creator, with Stan Lee, of the Marvel Comics heroes Spider-Man and Doctor Strange.
Inspired by his father's love of newspaper comic strips, particularly Hal Foster's Prince Valiant, Ditko found his interest in comics accelerated by the introduction of superhero Batman in 1940, and by Will Eisner's The Spirit, which appeared in a tabloid-sized comic-book insert in Sunday newspapers.
DC Comics released a Tales of the New Gods trade paperback ( ISBN 978-1401216375 ) in January 2008, which collects all of the back-up stories listed above, a Mark Evanier / Steve Rude Mister Miracle one-shot comic from 1987, and an unpublished story by Mark Millar and Steve Ditko originally meant to be printed in the pages of Orion.
It was jointly produced in Canada ( for voice talent ) and the United States ( for animation ) and was the first animated adaptation of the Spider-Man comic book series, created by writer Stan Lee and artist Steve Ditko.
Ned Leeds is a comic book character in the Marvel Comics universe, part of the supporting cast of Spider-Man, first introduced in 1964 in The Amazing Spider-Man # 18, by Stan Lee and Steve Ditko.
* August-The comic book character Spider-Man, created visually by Steve Ditko, is introduced.
The comic book was written by Peter Quinones, pencilled by Steve Ditko, and inked by Bill Reinhold.
Working from character designs by Brendan McCarthy, artist Chris Bachalo created a distinctive look for the comic which set it aside from the previous Ditko run and the characters ' DC Universe appearances.

Ditko and books
The books, titled War of the Gobots and Gobots on Earth, were written by Robin Snyder and illustrated by Steve Ditko, and chronicled the origins of the Gobots.

Ditko and drawing
Robinson found the young student " a very hard worker who really focused on his drawing " and someone who " could work well with other writers as well as write his own stories and create his own characters ", and he helped Ditko acquire a scholarship for the following year.

Ditko and writer
Though the concept of a shared universe was not new or unique to comics in 1961, writer / editor Stan Lee, together with several artists including Jack Kirby and Steve Ditko, created a series of titles where events in one book would have repercussions in another title and serialized stories would show characters ' growth and change.
* November 2 – Steve Ditko, American comic-book writer and artist
Created by writer Stan Lee and artist Steve Ditko, she first appeared as May Parker in Amazing Fantasy # 15 ( August 1962 ).
He was created by writer Stan Lee and artist Steve Ditko.
The character first appeared in The Amazing Spider-Man # 15 ( August 1964 ), and was created by writer Stan Lee and artist Steve Ditko.
The Sandman first appeared in The Amazing Spider-Man # 4 ( Sept. 1963 ), created by writer Stan Lee and artist Steve Ditko as an adversary of Spider-Man.
Created by writer Stan Lee and artist Steve Ditko, she first appeared in The Amazing Spider-Man # 4 ( September 1963 ).
Originally known as Speedball, the character was created by artist Steve Ditko and writer Tom DeFalco, initially as a candidate for Marvel's separate New Universe imprint.
Ditko left the series after issue # 8, and another writer wrapped up the storyline in # 9, which cleared Troy from any guilt.
1990s-era Spider-Man writer Howard Mackie said that his favorite story featuring the character was his first appearance and origin story in Amazing Fantasy # 15 ( August 1962 ), stating that writer Stan Lee and artist Steve Ditko " gave us everything we needed, I wanted or could ask for in the least possible space.
In The Amazing Spider-Man # 148 ( Sep. 1975 ), the identity of the Jackal was revealed to be Professor Miles Warren, a supporting character of Spider-Man, who first appears in The Amazing Spider-Man # 31 ( Dec. 1965 ), and was created by writer Stan Lee and artist Steve Ditko.
Artists Jack Kirby and Steve Ditko, for example, have alleged that the actual input from " writer " Lee was minimal, and that it was regularly / completely left to the artist to produce the plot and story, even as the writer was given most of the credit.

Ditko and story
For his own third published story, Ditko penciled and inked the six-page " A Hole in His Head " in Black Magic vol.
* 6: Shooter & Moretti & Steve Ditko & Don Perlin, story / Hall, script / Ditko, pencils & cover / Gonzalo Mayo, inks.
Virtually every issue would open with a Kirby monster story ( generally inked by Christopher Rule initially, then later Dick Ayers ), followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, with the whole thing capped by an often-surreal, sometimes self-reflexive Stan Lee-Steve Ditko short.
This was followed with a one-off solo story in 1st Issue Special # 7 ( Oct. 1975 ), penciled by creator Steve Ditko.
A story intended for the never-published Showcase # 106 in 1978 ( written and drawn by Ditko and which would be included in Cancelled Comic Cavalcade # 2 ) was included in The Creeper by Steve Ditko hardcover collection published by DC in 2010.
In 2011, he scripted a Hulk and the Human Torch story which had been plotted by Jack C. Harris and drawn by Steve Ditko in the 1980s.
Other work includes such children's comics as the licensed series Mighty Morphin Power Rangers ( including one story penciled by Spider-Man co-creator Steve Ditko ), VR Troopers and Masked Rider.

Ditko and for
Ditko then drew for Atlas Comics, the 1950s forerunner of Marvel Comics.
In 1966, after being the exclusive artist on The Amazing Spider-Man and the " Doctor Strange " feature in Strange Tales, Ditko left Marvel for reasons never specified.
Ditko then worked for Charlton and DC Comics, making major contributions, including a revamp of long-running character Blue Beetle, and creating or co-creating the Question, the Creeper, and Hawk and Dove.
He was particularly enamored with the work that Jack Kirby and Steve Ditko produced for Marvel Comics, as well as Hank Ketcham's Dennis the Menace and the Archie comics line.
Still, the character design for young Parker was spot-on, combining the conceptualizations of both Steve Ditko ( right down to Ditko's design of Parker's primary-colored blue suit, yellow vest, white shirt, and red tie ) and John Romita, Sr., who served as art consultant for the show.
", and was a showcase for the science fiction / suspense stories of artists Jack Kirby and Steve Ditko, and for the groundbreaking work of writer-artist Jim Steranko.
Her illustration for the magazine led to Marvel editor-in-chief Stan Lee assigning her to replace Bill Everett, who had succeeded character co-creator Steve Ditko on the feature " Doctor Strange " in Strange Tales.
Interestingly, Steve Ditko, artist of Captain Atom, did the artwork for the last issue.
He has provided inks for artists such as Curt Swan, Jack Kirby, Gil Kane, John Buscema and Steve Ditko.

Ditko and which
* August 10 – Marvel Comics publishes Amazing Fantasy # 15, which features the first published appearance of the superhero character of Spider-Man, created by Stan Lee and Steve Ditko.
Editor Jack C. Harris hired Steve Ditko as guest artist on several issues, a decision which garnered a mixed reaction from the title's readership.
Eventually, as co-plotter and later sole plotter, in the " Marvel Method ", Ditko would take Strange into ever-more-abstract realms, which yet remained well-grounded thanks to Lee's reliably humanistic, adventure / soap opera dialog.
With issue # 5, Steve Ditko both wrote and drew the stories, which portrayed Tommy Troy being framed and discredited.
Steve Ditko: " Meskin was fabulous, I couldn't believe the ease with which he drew: strong compositions, loose pencils, yet complete ; detail without clutter.

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