One of the most influential 20th century readings of the play, by the critic Jonathan Dollimore, claims that the play is essentially a form of radical parody that challenges orthodox Jacobean beliefs about Providence and patriarchy.

Although there had been no official word of them splitting up, it is believed that Dollimore and Price have left the band.

Jonathan Dollimore writes that Scruton's Sexual Desire ( 1986 ) based a conservative sexual ethic on the Hegelian proposition that " the final end of every rational being is the building of the self ," which involves recognizing the other as an end in itself.

Jonathan Dollimore ( born 1948 ) is a British sociologist and social theorist in the fields of Renaissance literature ( especially drama ), gender studies, queer theory ( queer studies ), art, censorship, history of ideas, death studies, decadence, and cultural theory.

Dollimore is credited with making major interventions in debates on sexuality and desire ; Renaissance literary culture ; art and censorship, and ; cultural theory.

The “ the perverse dynamic ”, is one of Dollimore ’ s most crucial theoretical concepts, first described in Sexual Dissidence, and later applied in Sex, Literature, and Censorship.

In his first book, Dollimore argues that the humanist critical tradition has distorted for modern readers the actual radical function of Early Modern English drama, which had to do with ' a critique of ideology, the demystification of political and power relations and the decentring of “ man ”' ( 4 ).

In Sexual Dissidence, Dollimore sets out “ to retrieve lost histories of perversion ”, in part by tracing the term “ perverse ” back to its etymological origins in Latin and its epistemological origins in Augustine.

Dollimore explores the relationship between ethics and aesthetics, centring his discussion on literature ’ s “ dangerous knowledge ”.

This return of the suppressed via the proximate Dollimore calls “ transgressive reinscription .”

Other prominent academics associated with the University include Geoffrey Bennington, the creator of the MA programme in Modern French Thought ( Derrida, Lyotard ); Homi K. Bhabha ( postcolonialism ); Rachel Bowlby ( feminism, Woolf, Freud ); Geoff Cloke FRS ( Inorganic Chemistry ); Jonathan Dollimore ( Renaissance literature, gender and queer studies ); Katy Gardner ( social anthropology ); Gabriel Josipovici ( Dante, the Bible ); Michael Land FRS ( Animal Vision-Frink Medal )); Michael Lappert FRS ( Inorganic Chemistry ); Alan Lehmann FRS ( Genetics and Genome Stability ); ( Laura Marcus ( Woolf ); John Murrell FRS ( Theoretical Chemistry ); Peter Nicholls ( Pound, modernism ); John Nixon FRS ( Inorganic Chemistry )); Laurence Pearl FRS ( Structural Biology ); Guy Richardson FRS ( Neuroscience ); Jacqueline Rose ( feminism, psychoanalysis ); Nicholas Royle ( modern literature and theory ; deconstruction ); Alan Sinfield ( Shakespeare, sexuality, queer theory ); Norman Vance ( Victorian, classical reception ); Richard Whatmore & Knud Haakonssen ( intellectual historians ); Gavin Ashenden ( Senior Lecturer in English, University Chaplain, and Chaplain to Her Majesty Queen Elizabeth II ; Cedric Watts ( Conrad, Greene ); Marcus Wood ( postcolonialism ).

Arrangers included Tadd Dameron, George Shearing, Reg Owen, John Keating ; Kenny Graham ; Ken Moule ; Bob Farnon ; Woolf Phillips ; Bill Russo ; Johnny Douglas ; Ron Goodwin ; Ralph Dollimore.

Frank Horrox ; Stan Tracey Vibes ; Norman Stenfalt ; Ralph Sharon ; Derek Warne Vibes ; David Simpson ; Ralph Dollimore ; Alan Branscombe Vibes

But displacement also goes the other way ... social crisis and conflict are endlessly displaced into sexuality '.< ref > Jonathan Dollimore, Sexual Dissidence < 1991 ) p. 184 </ ref >

The familiarity of some of Spence's cues comes from his covers of several tracks by Ralph Dollimore, notably Dollimore's " Man, Go Man " which Spence retitled " The Lineman ," and a direct cover of Dollimore's " Hit And Run.

In a wide-ranging survey from Anaximander to Aids, Dollimore presses his case that the drive to relinquish the self has always lurked within Western notions of identity and can be found above all, ‘ perversely, lethally, ecstatically ’ in sexuality.

Following the recording of the album, both McLoughlin and Soan had left the band, causing yet further disruption, and they were replaced on tour and on subsequent recordings by Kris Dollimore ( guitars ) and Mark Price ( drums ).

" Invisible Bullets: Renaissance Authority and Its Subversion in Henry IV and Henry V ." In Political Shakespeare, edited by Jonathan Dollimore and Alan Sinfield, 18 – 47.

In 2003 Millar formed a short-lived outfit called The Germans with Peter Coyne and Kris Dollimore, originally from The Godfathers.

Initially some early 1970s recordings were recorded under the musical direction of Roland Shaw Ralph Dollimore and Stan Reynolds, but thereafter all recordings were supervised by trombonist Don Lusher, who led the band for 25 years until 2000, with mostly original Heath alumni.

Heracleides of Pontus asserts that the crowd watching the play tried to stone Aeschylus.

Slater, “ these … prologues … have a far more important function than merely to provide information .” Another way in which the servus callidus asserts his power over the play — specifically the other characters in the play — is through his use of the imperative mood.

Theatre historian Marvin Carlson agrees, noting that this play epitomizes the " complex tonality and deft dramatic technique " that remained throughout his work, though, he asserts, it was only as the playwright matured that his " dark view of the human condition its final expression.

Apap has drawn particular attention to a passage of the Appeal in which Walker encourages blacks to “ ever make an attempt to gain freedom or natural right, from under our cruel oppressors and murderers, until you see your ways clear ; when that hour arrives and you move, be not afraid or dismayed .” Apap has interpreted Walker ’ s words as a play on the Biblical injunction to “ be not afraid or dismayed .” As he points out, “‘ be not afraid or dismayed ’ is a direct quote from 2 Chronicles 20. 15, where the Israelites are told to ‘ be not afraid or dismayed ’ because God would fight the battle for them and save them from their enemies without their having to lift a finger .” In the Bible, all the Israelites are expected to do is pray, but Walker asserts that the black community must " move.

* Robert Anton Wilson asserts in his Schrödinger's Cat trilogy that it is not a " shaggy shoggoth story ," a play on the phrase " Shaggy dog story ," implying that the book is indeed a rambling series of nonsequiturs dealing with otherworldly concepts.

A possible explanation might be found in a scholium to line 264 of the play, which asserts that traditionally Medea's children were killed by the Corinthians after her escape ; Euripides ' apparent invention of Medea's filicide might have offended its audience just as his first treatment of the Hippolytus myth did.

Lovecraft scholar Don G. Smith claims that, of the scenes that are derived from Lovecraft's work, the " blasted heath doesn't live up to Lovecraft's description " and asserts that overall the film does not successfully capture Lovecraft's intent to " play ... with the idea of an alien life form completely different from anything humans can imagine ".

" Q2 assigns the play to Fletcher, and asserts that it was acted by the King's Men.

GOSH has been in legal disputes in the United States, where the copyright term is based on date of publication, putting the 1911 novel in the public domain, although the Hospital asserts that the 1928 version of the play is still under copyright in the U. S. Legal opinion as to whether or not permission is required for new works based on the story and characters is divided and open to interpretation and so far, there has been no legal precedent to prove one view or the other.

Dwarves frontman Blag The Ripper asserts that the Blood Guts & Pussy classic " Drug Store " is one of his favourite songs to play live, and that it is frequently requested during live sets.

“ Forrest ’ s play ,” he asserts, “ brought the Democrat ’ s message back into the theatre ... effectively distracting public attention from the horrors of the government ’ s Indian Removal campaign .” However, others contend that Metamora was simply a vehicle for Forrest ’ s career and a story that suited the romantic ideals of its audience.

* In William Shakespeare's play Henry V, after the death of Sir John Falstaff, Mistress Quickly asserts confidently that " He's in Arthur's bosom, if ever man went to Arthur's bosom.

The axiom of determinacy, or AD, asserts that every two-player game of perfect information of length ω, in which the players play naturals, is determined.

In his effort to stir the public from its lethargy, Steele goes so far as to list Catholic atrocities of the sort to be expected in the event of a Stuart Restoration, and, with rousing rhetoric, he asserts that the only preservation from these `` Terrours '' is to be found in the laws he has so tediously cited.

There is, of course, the doctrine of original sin, which asserts that each of us as individuals partakes of the guilt of our first ancestor.

This sort of manipulation is especially troublesome in Fromm's work because, although his system is derived largely from certain philosophic convictions, he asserts that it is based on empirical findings drawn both from social science and from his own consulting room.

it asserts emotion without evoking it -- that is to say, it is sentimental.

Recently, Corey Anton has argued that we cannot be certain what is separate from or unified with something else: language, he asserts, divides what is not in fact separate.

The axiom of choice asserts the existence of such elements ; it is therefore equivalent to:

For example, if we abbreviate by BP the claim that every set of real numbers has the property of Baire, then BP is stronger than ¬ AC, which asserts the nonexistence of any choice function on perhaps only a single set of nonempty sets.

Alford guilty plea, an " I'm guilty but I didn't do it " plea and the Alford doctrine ) in United States law is a guilty plea in criminal court, where the defendant does not admit the act and asserts innocence.

" Bibas instead asserts that this form of plea is " unwise and should be abolished ".

" In the same article, the Reverend Al Sharpton ( whose fictional analogue in the novel is " Reverend Bacon ") asserts that " twenty years later, the cynicism of The Bonfire of the Vanities is as out of style as Tom Wolfe's wardrobe.

Thus, the theory asserts that the apple is no more than the collection of its properties.

Stephen Cook asserts that the prophetic efforts of this book can be summed up in this passage " I have been the Lord your God ever since the land of Egypt ; you know no God but me, and besides me there is no savior " () Hosea's job was to speak these words during a time when that had been essentially forgotten.

The Catholic Encyclopedia asserts that " We are no doubt in presence of an abbreviation of the name Mál ' akhîyah, that is ' Messenger of Yah '".

Baruch Spinoza, though he argued for the existence of a permanent reality, asserts that all phenomenal existence is transitory.

Rong Cai of Emory University asserts that the sword Green Destiny is passed along to men, and is ( with the exception of Jen ) used only by male figures, making the sword a phallic symbol of masculinity and male authority.

This contrasts with the Acts and Omissions Doctrine, which is upheld by some medical ethicists and some religions: it asserts there is a significant moral distinction between acts and deliberate non-actions which lead to the same outcome.

Gardner asserts that " lulu " ( as in " humdinger ") is being used ironically here.

Confucius asserts that virtue is a means between extremes.