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Dosso Dossi is known less for his naturalism or attention to design, and more for cryptic allegorical conceits in paintings around mythological themes, a favored subject for the humanist Ferrarese court ( see also Cosimo Tura and the decoration of the Palazzo Schifanoia ).
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Dosso and Dossi
One painting, Portrait of a Youth by Dosso Dossi at the National Gallery of Victoria, was identified as a portrait of Lucrezia in November 2008.
** Dosso Dossi, Italian painter ( born 1490 )
Noted masters of the 16th century School of Ferrara ( Painting ) include Lorenzo Costa and Dosso Dossi, the most eminent of all, Girolamo da Carpi and Benvenuto Tisi ( il Garofalo ).
The astounding list of painters and artists includes the names of Andrea Mantegna, Vicino da Ferrara, Giovanni Bellini, Leon Battista Alberti, Pisanello, Piero della Francesca, Battista Dossi, Dosso Dossi, Cosmé Tura, Francesco del Cossa and Titian.
The Ascension, by Dosso Dossi, 16th century.
Dosso Dossi.
Dosso Dossi ( c. 1490 – 1542 ), real name Giovanni di Niccolò de Luteri, was an Italian Renaissance painter who belonged to the Ferrara School of Painting.
Dossi was born in San Giovanni del Dosso, a village in the province of Mantua.
Dosso worked frequently with his brother Battista Dossi, who had trained in the Roman workshop of Raphael.
Portrait of a Youth, the only confirmed portrait of Lucrezia Borgia by Dosso Dossi ( 1514-1516 ), at the National Gallery of Victoria.
Recently, " Portrait of a Youth " at the National Gallery of Victoria, the mysterious portrait of an unknown subject by an unknown painter, has been identified as a portrait of the infamous Lucrezia Borgia by Dosso Dossi.
* Works by Dosso Dossi at Census of Ferrarese Paintings and Drawings
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Dosso and is
Dosso is a town in the south-west corner of Niger.
It is the capital of its region — which covers five departments in the southwestern corner of the nation, as well as of its own department: Dosso Department.
Dosso is the seat of the Dosso kingdom, a Djerma chieftaincy which rose to dominate the entire Djerma region in the immediate pre-colonial period.
The traditional ruler is styled Djermakoy or Zarmakoy of Dosso, an autochthonous title meaning literally " Djermas ' owner ": Djerma / Zarma being the name of the predominant ethnic group throughout southwest Niger.
Born in Ferrara, Tisi is claimed to have apprenticed under Panetti and perhaps Costa and was a contemporary, and sometimes collaborator with Dosso Dossi.
Image: Dosso Dossi 010b. jpg | Jupiter, Mercury and Virtue by Dosso Dossi, 1524, is one of the most valuable paintings in the Castle's collection.
Dosso is an administrative Region of the Republic of Niger ; see its eponymous capital Dosso for history.
Dosso is divided into 5 Departments:
Kebbi State is bordered by Sokoto State, Niger State, Dosso Region in the Republic of Niger and the nation of Benin.
Dosso and for
He returned to Ferrara and collaborated with Dosso Dossi and Garofalo among others on commissions for the d ’ Este family.
In " House Counsel ", McCoy tries to prosecute Vincent Dosso, an organized crime figure, for bribing and murdering a jury member.
Aeneas and Achates on the Libyan shore, painted by Dosso Dossi for Alfonso's camerino d ' alabastro ( National Gallery of Art, Washington ).
Dosso Dossi produced another large bacchanal, and he also contributed ceiling decorations and a painted frieze for the cornice, depicting scenes from the Aeneid, which gained immediacy by showing the heroes in contemporary dress ( illustration, left ).
Dosso and Ferrarese
He trained in the studio of a local Modenese sculptor, his early influence including Ferrarese painters such as Garofalo and Dosso Dossi.
Dosso and see
** the Dosso meteorite of 1962, which fell in Dosso, Niger ( see meteorite falls )
Dosso and Cosimo
Contemporaries who worked with or below him include Cosimo Tura, Dosso Dossi, Ludovico Mazzolino, Lorenzo Leonbruno, and the painter, Niccolò Pisano ( 1470 – 1538 ).
Dossi and is
Dossi is also known for the atypical choices of bright pigment for his cabinet pieces.
The frieze paintings were based on the Aeneid ; this scene by Dossi is book 6, lines 635-709, wherein Aeneas is guided over the bridge into the Elysian Fields by the Cumaean Sibyl.
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