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Dryden's sentiments about Shakespeare's matchless imagination and capacity for painting " nature " were echoed without a break in the 18th century by, for example, Joseph Addison (" Among the English, Shakespeare has incomparably excelled all others "), Alexander Pope (" every single character in Shakespeare is as much an Individual as those in Life itself "), and Samuel Johnson ( who scornfully dismissed Voltaire's and Rhymer's neoclassical Shakespeare criticism as " the petty cavils of petty minds ").
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Dryden's and about
* In response to events of the Third Anglo-Dutch War, John Dryden's topical play Amboyna, about events in the East Indies, is reportedly " contrived and written in a month " — certainly one of the fastest acts of solo dramatic composition known.
The phrase may allude to John Dryden's poem " Annus Mirabilis " about the events of 1666.
She joined the King's Company about 1670 and played many important roles in the 1670s, including Benzayda in John Dryden's The Conquest of Granada ( December 1670 and January 1671 ), Melantha in Dryden's Marriage A-la-Mode ( c. April 1672 ), Margery Pinchwife in William Wycherley's The Country Wife ( 12 January 1675 ), and probably Rosalinda in Nathaniel Lee's Sophonisba ( 3 April 1675 ).
Previous generations of theatre historians have despised the operatic spectaculars, perhaps influenced by John Dryden's sour comments about expensive and tasteless " scenes, machines, and empty operas ".
Dryden's and Shakespeare's
For example, Dryden's All for Love, a redaction of Shakespeare's Antony and Cleopatra, attempted to compress the sprawl of action and multiple settings from Egypt to Rome to a single place, and within a 24 hour time frame.
* John Dryden's play All for Love was deeply influenced by Shakespeare's treatment of the subject.
Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for William Congreve's Love for Love, John Dryden's The Spanish Friar and William Shakespeare's Macbeth.
He also wrote the masque Peleus and Thetis and songs for John Dryden's Secular Masque, incidental music for William Shakespeare's The Tempest, Cymbeline, Romeo and Juliet and The Winter's Tale, and a quantity of chamber music including a set of twelve trio sonatas.
The growth of Shakespeare's reputation is illustrated by a timeline of Shakespeare criticism, from John Dryden's " when he describes any thing, you more than see it, you feel it too " ( 1668 ) to Thomas Carlyle's estimation of Shakespeare as the " strongest of rallying-signs " ( 1841 ) for an English identity.
Dryden's Conquest of Granada is one of the better heroic tragedies, but his highest achievement is his adaptation ( which he called All for Love, 1678 ) of Shakespeare's Anthony and Cleopatra to the heroic formula.
Dryden's and for
In 1687, he resumed his connection with the theatre by furnishing the music for Dryden's tragedy, Tyrannick Love.
In 1690, he composed the music for Betterton's adaptation of Fletcher and Massinger's Prophetess ( afterwards called Dioclesian ) and Dryden's Amphitryon.
* John Dryden's All for Love
Pope's phrase, " Lo the Poor Indian ", became almost as famous as Dryden's " noble savage " and, in the 19th century, when more people began to have first hand knowledge of and conflict with the Indians, would be used derisively for similar sarcastic effect.
The familiar phrase “ Man proposes: God disposes ” is an example of antithesis, as is John Dryden's description in The Hind and the Panther: “ Too black for heaven, and yet too white for hell .”
* In John Dryden's poem The Secular Masque, Momus mocks the gods Diana, Mars, and Venus for the vanity of what they represent among human beings.
Notable heroic tragedies of this period include John Dryden's All for Love ( 1677 ) and Aureng-zebe ( 1675 ), and Thomas Otway's Venice Preserved ( 1682 ).
He also wrote incidental music for John Dryden's Conquest of Granada and Marriage à la Mode, George Etheridge's The Man of Mode, Nathaniel Lee's Gloriana, and Thomas Shadwell's Epsom Wells.
He adapted Robert Cambert's opera Ariadne for a London performance in 1674, and wrote music for John Dryden's Albion and Albanius in 1685.
Dryden's aversion seems to have been caused by Flecknoe's affectation of contempt for the players and his attacks on the immorality of the English stage.
The forcefully masculine 45-year-old Hart " was celebrated for superman roles, notably the arrogant, bloodthirsty Almanzor in John Dryden's Conquest of Granada ", and also for playing rakish comedy heroes with nonchalance and charisma.
) Beaumont and Fletcher's Philaster and Dryden's The Maiden Queen were also staged with all-women casts in this time ; Dryden wrote new Prologues for the productions.
The best examples of blank verse from this time are probably John Dryden's tragedy All for Love and James Thomson's The Seasons.
What is interesting is that the word " parody " had not been used for prose before, and the definition he offers is arguably a parody of John Dryden defining " parody " in the Discourse of Satire ( the Preface to Dryden's translations of Juvenal's and Persius ' satires ).
Several of members of Alcock's political organization later worked for Ken Dryden's campaign, and Alcock himself endorsed Dryden at the leadership convention.
Dryden's and nature
See Dryden's " Defense of An Essay of Dramatic Poesy " ( 1669 ), where Dryden tries to persuade the rather literal-minded Howard that audiences expect a play to be an imitation of nature, not a surrogate for nature itself.
Dryden's and were
Among his more successful productions were some Shakespeare plays, including: Hamlet, Henry VIII, and Macbeth, as well as non-Shakespeare plays such as Sir Samuel Tuke's The Tragedy of Five Hours and John Dryden's comedy Sir Martin Marall.
His studies in English literature were no less comprehensive, and included the valuable revision of Sir Walter Scott's edition of John Dryden's Works ( Edinburgh, 18 vols., 1882 – 1893 ), Dryden ( 1881 ) in the " English Men of Letters " series, History of Elizabethan Literature ( 1887 ), History of Nineteenth Century Literature ( 1896 ), A Short History of English Literature ( 1898, 3rd ed.
It has been suggested that Wesley's words were written specifically for the tune by Purcell to which Dryden's song had been set, and to which the hymn's words themselves were later set ( under the tune name " Westminster ") by John Wesley in his Sacred Melody, the " annex " to his Select Hymns with tunes annext ( 1761 et seq.
These attacks were on top of Tom Brown's previous attacks, as well as Dryden's.
Dryden's view is that these disasters were all averted, that God had saved England from destruction, and that God had performed miracles for England.
A feature of live Airplane sets at the time were free-form improvisational jams, with Dryden's licks complementing Casady's fluid style, examples of which can be heard on " Thing " and " Bear Melt " from Bless Its Pointed Little Head.
The life of Virgil prefixed to Dryden's translation, and a " Preface to the Pastorals with a short defence of Virgil, against some of the reflections of Monsieur Fontenella ," both ascribed at one time to Walsh, were the work of Dr Knightly Chetwood ( 1650 – 1720 ).
The sub-genre of heroic drama evolved through several works of the middle to later 1660s ; John Dryden's The Indian Emperour ( 1665 ) and Roger Boyle's The Black Prince ( 1667 ) were key developments.
Dryden's and without
While campaigning, a letter sent to Dryden by Ya ' acov Brosh, Consul-General of Israel in Toronto was put in Dryden's campaign literature, allegedly without Brosh's permission.
The title of Dryden's poem, used without capitalisation, annus mirabilis, derives its meaning from its Latin origins and describes a year of particularly notable events.
:" A tall man able to get down to low shots is certainly preferable to a short one, for he can reach shots that no little man can get near, and if his bigness in stature is combined with weight he will find occasions on which his height and weight will prove of great advantage to him ; yet he should not come under Dryden's description: ' Brawn without brain is thine.
Dryden's and 18th
Canons Ashby, home to poet John Dryden's family, exemplifies this: a medieval farmhouse enlarged in the Tudor era around a courtyard, given grandiose plaster ceilings in the Stuart period and then given Georgian façades in the 18th century.
Dryden's and century
In English the phrase first appeared in the 17th century in John Dryden's heroic play, The Conquest of Granada ( 1672 ), where it was used by a Christian prince disguised as a Spanish Muslim to refer to himself, but it later became identified with the idealized picture of " nature's gentleman ", which was an aspect of 18th-century sentimentalism.
In the seventeenth century it spawned numerous imitative titles, including John Dryden's great poem, Religio Laici, but none matched the frank, intimate tone of the original in which the learned doctor invites the reader to share with him in the labyrinthine mysteries and idiosyncratic views of his personality.
While Dryden's own plays would themselves furnish later mock-heroics ( specifically, The Conquest of Granada is satirized in the mock-heroic The Author's Farce and Tom Thumb by Henry Fielding, as well as The Rehearsal ), Dryden's MacFlecknoe is perhaps the locus classicus of the mock-heroic form as it would be practiced for a century to come.
This last edition concentrates on those of the Lives Shakespeare based his plays upon: Thomas North's translation of most of the Lives, based on a French version published in the 16th century, preceded Dryden's translation mentioned above.
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