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Page "Psychedelic rock" ¶ 17
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Dylan's and song
Sullivan, who had approved the song at a previous rehearsal, backed Dylan's decision.
The final song the group recorded together was their 1999 cover of Bob Dylan's " One Too Many Mornings ", which they contributed to the Dylan tribute album Tangled Up in Blues.
In 1989, A & M released The Best of Tim Curry on CD and cassette, featuring songs from his albums ( including a live version of " Alan ") and a previously unreleased song, a live cover version of Bob Dylan's " Simple Twist of Fate ".
* Included in Bob Dylan's 2009 Christmas release, Christmas In The Heart, the song " Must Be Santa ", is performed polka-style.
* The Bob Dylan song " When I Paint My Masterpiece ," first recorded in 1971 by The Band and later appearing on the album " Bob Dylan's Greatest Hits Vol.
In 1983, she appeared on the Grammy Awards, performing Dylan's anthemic " Blowin ' in the Wind ", a song she first performed twenty years earlier.
The opening scene of the film also served as a kind of music video for Dylan's song " Subterranean Homesick Blues ", in which the singer displays and discards a series of cue cards bearing selected words and phrases from the lyrics ( including intentional misspellings and puns ).
It is also mentioned in Bob Dylan's song " Sad Eyed Lady of the Lowlands ".
One of the few independent bookshops left in London, My Back Pages ( named after the song on Bob Dylan's 1964 album Another Side of Bob Dylan ), is a shop which stocks second-hand, antiquarian and new books.
The band Old 97's took another Bob Dylan song Desolation Row and combined its melody with new lyrics to make a new song " Champaign, Illinois ", which they released with Dylan's blessing on their 2010 album The Grand Theatre Volume One.
The breakthrough came with Bob Dylan's " Like a Rolling Stone ", although CBS tried to make the record more " radio friendly " by cutting it in half and spreading it over both sides of the vinyl, both Dylan and fans demanded that the full six-minute take be placed on one side and that radio stations play the song in its entirety.
On occasion a cover becomes more popular and well-known than the original like Santana's version in 1970 of Peter Green's and Fleetwood Mac's 1968 song Black Magic Woman or Jimi Hendrix's version of Bob Dylan's " All Along the Watchtower ".
In 2007, the group performed the song " Billy 1 ", Bob Dylan's cover from Pat Garrett & Billy the Kid album, recorded in I'm Not There soundtrack.
Bob Dylan's song " Just Like Tom Thumb's Blues " alludes to the novel.
In 1995, Hootie and the Blowfish and Bob Dylan reached an out-of-court settlement for the group's unauthorized use of Dylan's lyrics in their song " Only Wanna Be with You.
Jeff Beck, Duff McKagan, Jack Rose, Jimmy Page, Jimi Hendrix, Eric Clapton, Cub Koda, Marc Bolan, Neil Young and Bob Dylan have all cited Wray as an influence ; Dylan's song " Sign Language ", which he sang with Eric Clapton on Clapton's No Reason to Cry album, mentions Link Wray.
The song, an outtake from the sessions that produced Dylan's album The Times They Are a-Changin ', has been covered by Fairport Convention and Arlo Guthrie.
Bob Dylan's song " Tweedle Dee & Tweedle Dum " from the 2001 album Love and Theft refers to those " Livin ' in the Land of Nod, Trustin ' their fate to the hands of God ".
The Bob Dylan song " When I Paint My Masterpiece ," first recorded in 1971 by The Band and later appearing on the album " Bob Dylan's Greatest Hits Vol.
His death led to Pope John XXIII's describing of boxing as barbaric, and to Bob Dylan's song Who Killed Davey Moore ?.
* " Tweedle Dee and Tweedle Dum " features as the opening song on Bob Dylan's 2001 album Love and Theft.
A small section of the " California " lyrics were reused in " Outlaw Blues ", a song that appeared on Dylan's next album, Bringing It All Back Home.
* Bob Dylan's song " Spanish Harlem Incident " from his album Another Side of Bob Dylan ( 1964 )

Dylan's and Subterranean
Bob Dylan holds a cue card in the music video for " Subterranean Homesick Blues ". The film features Joan Baez, Donovan and Alan Price ( who had just left The Animals ), Dylan's manager Albert Grossman and his road manager Bob Neuwirth ; Marianne Faithfull, John Mayall, Ginger Baker, and Allen Ginsberg may also be glimpsed in the background.
* The opening sequence with Dylan's " Subterranean Homesick Blues " video is alluded to in a 2008 ESPN commercial with Kenny Mayne.
The monochrome 1966 clip for Bob Dylan's " Subterranean Homesick Blues " filmed by D. A. Pennebaker was featured in Pennebaker's Dylan film documentary Dont Look Back.
Other notable later examples of the non-representational style include Bill Konersman's innovative 1987 video for Prince's " Sign o ' the Times " – influenced by Dylan's " Subterranean Homesick Blues " clip, it featured only the text of the song's lyrics — the video for George Michael's " Freedom 90 " ( 1990 ), in which Michael himself refused to appear, forcing director David Fincher to substitute top fashion models in his place.
This featured the band in New York and at one point featured frontman Ben Volpeliere-Pierrot dancing down a side street whilst Andy Warhol referenced Bob Dylan's " Subterranean Homesick Blues " by dropping pieces of white card in time to the music ( an effect originally done in a long-form promotional film by Bob Dylan for " Subterranean Homesick Blues " in 1965 and also copied by Warhol as well as INXS in their video for " Mediate " in 1988 as well as many other bands ).
The opening sequence alone ( set to Dylan's " Subterranean Homesick Blues " with Dylan standing in an alleyway, dropping cardboard flash cards ) became a precursor to modern music videos.
He brought even more humour and satire to the already amused Weathermen. The name " The Weathermen " was inspired from a line in famous folk / rock artist, Bob Dylan's song " Subterranean Homesick Blues " in which a line goes " you don't need a weatherman to know which way the wind blows "
" Driving " recalled Rabbitt's truck-driving days, and was inspired by Bob Dylan's song " Subterranean Homesick Blues " from Dylan's 1965 album Bringing It All Back Home.
The title came from Bob Dylan's song, " Subterranean Homesick Blues.
* chant tunes ( Bob Dylan's " Subterranean Homesick Blues ")

Dylan's and Blues
A night of drinking and listening to Bob Dylan's " Stuck Inside of Mobile With the Memphis Blues Again " gave the group its name.
Bob Dylan's 1963 and 1964 performances solo and with Baez had made him popular with the Newport crowd, but on July 25, 1965 Dylan was booed by some fans when he played with backing from Mike Bloomfield on guitar and others from an electric blues / rock and roll band known as the Paul Butterfield Blues Band while headlining the festival.
He can be seen performing three of his more recent songs on YouTube. com: " Bob Dylan's Pepsi Blues ", " Blue State Mind, Red State Soul ", and a salute to the troops in Iraq and Afghanistan, " Soldier On ".
The best known of Dylan's talking blues is " Talking World War III Blues " from 1963:
During his SNL years Smith was the musical director for special events such as the 1988 Emmy Awards, the 1993 Rhythm and Blues Foundation Awards, Bob Dylan's 30th Anniversary Concert at Madison Square Garden as well as acting as the musical director at the Rock and Roll Hall of Fame Concert in Cleveland.
In the UK, this album was followed up by Bob Dylan's Greatest Hits 2, which repeated the Blonde on Blonde songs from Bob Dylan's Greatest Hits and also added " I Want You ", " Absolutely Sweet Marie ", " Just Like Tom Thumb's Blues ", " Gates of Eden ", " Chimes of Freedom " and several others.
# " Bob Dylan's Blues "

Dylan's and 1965
Drug use and attempts at psychedelic music moved out of acoustic folk-based music towards rock soon after The Byrds " plugged in " to produce a chart topping version of Dylan's Mr. Tambourine Man in the summer of 1965, which became a folk rock standard.
Pennebaker that covers Bob Dylan's 1965 concert tour in the United Kingdom.
" " Tonight's the Night " was recorded on April 28, 1965 in New York, and was released backed with a cover of Bob Dylan's " Maggie's Farm ", that he been recorded on April 8, 1965,
Dylan's July 25, 1965 appearance at the Newport Folk Festival with an electric backing band is also considered a pivotal moment in the development of folk rock.
He was met with derisive booing and jeering from the festival's purist folk music crowd, but in the years since the incident, Dylan's 1965 Newport Folk Festival appearance has become widely regarded as a pivotal moment in the synthesis of folk and rock.
The band became notable for several Top 40 hits beginning with their cover version of Bob Dylan's " It Ain't Me Babe " in 1965.
Bob Dylan remains Dylan's only release not to chart at all in the US, though it eventually reached # 13 in the UK charts in 1965.
One of Bob Dylan's girlfriends from the University of Minnesota, Bonnie Beecher, now Jahanara Romney, became Gravy's wife in 1965.
The folk rock movement is usually thought to have taken off with The Byrds ' recording of Dylan's " Mr. Tambourine Man " which topped the charts in 1965.
Over the years, the Bowery has been mentioned in the lyrics of a number of songs, including the Bob Dylan song " Bob Dylan's 115th Dream ", from the album Bringing It All Back Home ( 1965 ): " I walked by a Guernsey cow / Who directed me down / To the Bowery slums / Where people carried signs around / Saying, ' Ban the bums.
He also transcrated Dylan's " Blowin ' in the Wind " as Uttoro to Jana in his album Ichche Holo in 1993 and " Farewell, Angelina " ( initially recorded by Joan Baez in 1965 and recorded by Bob Dylan himself and released in his 1991 compilation album " The Bootleg Series ") as Biday Porichita in his 1997 album Jatiswar.
Railway water ( Zheleznodorozhnaya voda ) off the 1981 Blue album ( Siniy albom ), for example, is a spitting image of Dylan's It takes a lot to laugh off the 1965 Highway 61 revisited.
The Byrds ' recording of Dylan's " Mr Tambourine Man " was released in April 1965 and reached # 1 on the U. S. and UK singles charts, setting off the mid-1960s folk rock movement.
It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour.
In the documentary film chronicling Dylan's 1965 tour of the United Kingdom, Dont Look Back
" Chestnut Mare " was the first UK Top 20 hit that The Byrds had achieved since their cover of Bob Dylan's " All I Really Want to Do " had peaked at # 4 in September 1965.
The cover photograph of Bob Dylan's Greatest Hits was taken by Rowland Scherman at Dylan's November 28, 1965, concert in Washington, D. C.

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