In this regard, Grierson's definition of documentary as " creative treatment of actuality " has gained some acceptance, with this position at variance with Soviet film-maker Dziga Vertov's provocation to present " life as it is " ( that is, life filmed surreptitiously ) and " life caught unawares " ( life provoked or surprised by the camera ).

The continental, or realist, tradition focused on humans within human-made environments, and included the so-called " city symphony " films such as Walter Ruttmann's Berlin, Symphony of a City ( of which Grierson noted in an article that Berlin represented what a documentary should not be ), Alberto Cavalcanti's Rien que les heures, and Dziga Vertov's Man with the Movie Camera.

" Our Eyes, Spinning Like Propellers: Wheel of Life, Curve of Velocities, and Dziga Vertov's Theory of the Interval.

"' Peace between Man and Machine ': Dziga Vertov's The Man with a Movie Camera.

" Film Energy: Process and Metanarrative in Dziga Vertov's The Eleventh Year ( 1928 ).

* Dziga Vertov's Man with the Movie Camera DVD, audio commentary track by Yuri Tsivian.

* Dziga Vertov's Kino-Eye and Three Songs About Lenin at UBUWEB

* Dziga Vertov's experimental 1929 film Man with a Movie Camera includes shots of trams ( at 10 and 42 minutes ).

The Soviet Union's robust film industry came out with its first sound features in December 1930: Dziga Vertov's nonfiction Entuziazm had an experimental, dialogueless soundtrack ; Abram Room's documentary Plan velikikh rabot ( The Plan of the Great Works ) had music and spoken voiceovers.

Rouch's films mostly belonged to the cinéma vérité school – a term that Edgar Morin used in a 1960 France-Observateur article referring to Dziga Vertov's Kinopravda.

* In a bit of ideological editing, the Bolshoi theater appears to be " destroyed " by the device of a split screen in Dziga Vertov's Man with a Movie Camera.

Besides performing, Cora composed music for the National Film Board of Canada, choreographer Donna Uchizono ( for which he received a New York Dance and Performance Award in 1990 ), and a solo cello film score for Dziga Vertov's, Man with the Movie Camera, commissioned by the American Museum of the Moving Image.

Other examples include Alberto Cavalcanti's Rien que les heures and Dziga Vertov's Man with a Movie Camera.

Dziga Vertov's 1929 experimental documentary Man with a Movie Camera is known to contain one of the first usages of the Dutch angle, among other innovative techniques discovered by Vertov himself.

Important Constructivists were very involved with cinema, with Mayakovsky acting in the film The Young Lady and the Hooligan ( 1919 ), Rodchenko's designs for the intertitles and animated sequences of Dziga Vertov's Kino Eye ( 1924 ), and Aleksandra Ekster designed the sets and costumes for the science fiction film Aelita ( 1924 ).

Other notable films of the period include Vsevolod Pudovkin's Mother ( 1926 ) and Dziga Vertov's Man with a Movie Camera ( 1929 ).

Dziga Vertov was central to the Soviet Kino-Pravda ( literally, " cinematic truth ") newsreel series of the 1920s.

David Abelevich Kaufman () ( 2 January 1896 – 12 February 1954 ) — better known by his pseudonym Dziga Vertov, or Vertof (, " spinning top ") — was a Soviet pioneer documentary film, newsreel director and cinema theorist.

Kino-Pravda (" Film Truth ") was a newsreel series by Dziga Vertov, Elizaveta Svilova, and Mikhail Kaufman.

* Kino-Pravda (" Film Truth "), a newsreel series by Dziga Vertov, Elizaveta Svilova, and Mikhail Kaufman

In 1968, Gorin and Godard founded the collective Dziga Vertov Group and together produced a series of overtly political films including Vent d ' est ( 1970 ), Tout va bien ( 1972 ), and Letter to Jane ( 1972 ).

Dziga Robilev of IGN rated Bugdom a 7 / 10, calling it " one of the best crafted platform games available for the Mac.

By 1968, he had switched to an overtly political phase of revolutionary Maoist-collectivist didactic films with Jean-Pierre Gorin and the Dziga Vertov Group, which lasted for the next six years until 1973.

Dziga said, " This dampness prevented our reels of lovingly edited film from sticking together properly, rusted our scissors and our splicers.

Dziga Vertov believed his concept of Kino-Glaz, or " Cine Eye " in English, would help contemporary man evolve from a flawed creature into a higher, more precise form.

It largely evolved from the works of directors like Germaine Dulac, Louis Delluc, Jean Epstein, Sergei Eisenstein, Lev Kuleshov, and Dziga Vertov and film theorists like Rudolf Arnheim, Béla Balázs and Siegfried Kracauer.

The films of Dziga Vertov, Sergei Eisenstein, Lev Kuleshov, Alexander Dovzhenko, and Vsevolod Pudovkin were instrumental in providing an alternate model from that offered by classical Hollywood.

He was deeply influenced by the ideas and practice of the film-maker Dziga Vertov, with whom he worked intensively in 1922.

# REDIRECT Dziga Vertov

# REDIRECT Dziga Vertov

His filming practices and theories influenced the cinéma vérité style of documentary moviemaking and the Dziga Vertov Group, a radical filmmaking cooperative which was active in the 1960s.

He eventually adopted the name " Dziga Vertov ", which translates loosely as ' spinning top '.

" Cine-Eye " is a montage method developed by Dziga Vertov which was first formulated in his work " WE: Variant of a Manifesto " in 1919.

Dziga Vertov died of cancer in 1954, after surviving, unscathed, Stalin's purges.

The Dziga Vertov Group borrowed his name.

In 1962, the first Soviet monograph on Vertov was published, followed by another collection, ' Dziga Vertov: Articles, Diaries, Projects.

"- Dziga Vertov

" Evolution of style in the early work of Dziga Vertov.

" Lines of resistance: Dziga Vertov and the twenties / edited and with an introduction by Yuri Tsivian.

Dziga Vertov: Defining Documentary Film.

* Thomas Tode, Barbara Wurm, Austrian Film Museum eds. Dziga Vertov.

Lines of Resistance: Dziga Vertov and the Twenties.

* Dziga Vertov.

Kino-Eye: The Writings of Dziga Vertov, University of California Press, 1995.

* Dziga Vertov.

* Senses Of Cinema: Dziga Vertov

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