Burroughs cited T. S. Eliot's poem, The Waste Land ( 1922 ) and John Dos Passos ' U. S. A. trilogy, which incorporated newspaper clippings, as early examples of the cut ups he popularized.

Marker created a 19-minute multimedia piece in 2005 for the Museum of Modern Art in New York City titled Owls at Noon Prelude: The Hollow Men which was influenced by T. S. Eliot's poem.

T. S. Eliot's first professionally published poem, " The Love Song of J. Alfred Prufrock ," was first published by Poetry.

T. S. Eliot's use of a quotation from Heart of Darkness —" Mistah Kurtz, he dead "— as an epigraph to the original manuscript of his poem The Hollow Men contrasted its dark horror with the presumed " light of civilization ," and suggested the ambiguity of both the dark motives of civilization and the freedom of barbarism, as well as the " spiritual darkness " of several characters in Heart of Darkness.

Yet, though generally speaking intentions in poetry are nothing save as ' realized ', we are unable to ignore the poem, despite Mr Eliot's strictures on its ' exaggerated repute '.

" After responding to Eliot's claims about Kubla Khan, Yarlott, in 1967, argued that " few of us question if the poem is worth the trouble " before explaining that " The ambiguities inherent in the poem pose a special problem of critical approach.

Consider Phlebas is Banks's first published science fiction novel set in the Culture, and takes its title from a line in T. S. Eliot's poem The Waste Land.

Eliot's poem " The Naming of Cats " ( 1939 ) playfully suggests that every household cat must bear ( besides whatever the family calls him ) two additional names: one an exotic appellation shared by no other cat ; the other forever unutterable because it is known only to the cat himself (" His ineffable effable / Effanineffable / Deep and inscrutable singular Name ").

Both titles are derived from a couplet in T. S. Eliot's poem, The Waste Land ( which appears both in this work and Consider Phlebas as an epigraph ):

* T. S. Eliot's poem " The Waste Land " has a number of mentions and allusions to this myth.

His church St Mary Woolnoth is mentioned in T. S. Eliot's poem The Waste Land ( 1922 ).

T. S. Eliot's seminal poem of cultural disintegration The Waste Land is prefaced by a verbatim quotation out of Trimalchio's account of visiting the Cumaean Sibyl, a supposedly immortal prophetess whose counsel was once sought on all matters of grave importance, but whose grotto by Neronian times had become just another site of local interest along with all the usual Mediterranean tourist traps:

Palmer concludes by invoking George Eliot's poem The Choir Invisible: " Frederick Delius ... belongs to the company of those true artists for whose life and work the world is a better place to live in, and of whom surely is composed, in a literal sense, ' the choir invisible / Whose music is the gladness of the world '".

However, the anapaest's most common role in English verse is as a comic metre, the foot of the limerick, of Lewis Carroll's poem The Hunting of the Snark, Edward Lear's nonsense poems, T. S. Eliot's Book of Practical Cats, a number of Dr. Seuss stories, and innumerable other examples.

Another anthologised poem is Chard Whitlow, a clever satire of T. S. Eliot's Burnt Norton.

She performed T. S. Eliot's poem The Waste Land as a one-person show at the Liberty Theatre in New York to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.

Eliot's famous characterisation of Webster's work in his poem " Whispers of Immortality ".

Linking it to the monologue which forms Eliot's poem adds a comment and a dimension to Prufrock's confession.

Perhaps the most notable product of this fascination is T. S. Eliot's poem The Waste Land ( 1922 ).

In addition, Eliot's poem The Waste Land opens and closes with references to Dante and Daniel.

The poem also contains a reference to Canto XXVI in its line " Poi s ' ascose nel foco che gli affina " (" Then hid him in the fire that purifies them ") which appears in Eliot's closing section of The Waste Land as it does to end Dante's canto.

The phrase " there will be time " occurs repeatedly in a section of T. S. Eliot's " The Love Song of J. Alfred Prufrock " ( 1915 ), and is often said to be an allusion to Marvell's poem.

" This was Eliot's first publication of a poem outside school or university.

Eliot's personae were Prufrock and Sweeney, Pound's were Cino, Bertran de Born, Propertius, and Mauberley.

Poetry was a prime element in the Faber list and under T. S. Eliot's aegis W. H. Auden, Stephen Spender and Louis MacNeice soon joined Ezra Pound, Marianne Moore, Wyndham Lewis, John Gould Fletcher, Roy Campbell, James Joyce and Walter de la Mare.

Eliot's missionary work led to literacy among the Wampanoag, who left many wills, deeds, and other documents written in Massachusett using the orthography he introduced.

The poem was written after Eliot's conversion to Christianity and confirmation in the Church of England in 1927 and published in Ariel Poems in 1930.

The lyric, written by Cats director Trevor Nunn, was based on T. S. Eliot's poems " Preludes " and " Rhapsody on a Windy Night ".

* Anabasis, T. S. Eliot's English translation of the poem Anabase ( by Saint-John Perse, first published in French in 1924 )

A. Richards's criticism appear in his essay ' English Literature ' in the volume University Studies: Cambridge 1933 and in Chapter 4 of his Decline and Fall of the Romantic Ideal ( 1936 ), and of Eliot's in the 1929 essay ' Modern Criticism ', reprinted in his Studies French and English ( 1934 ).

Eliot's relationship to English literary society and his role in the formation of modernism, describes Eliot as a flaneur ( The New Yorker, September 19, 2011, pp. 81 – 89?

The queen herself was an avid reader of all of George Eliot's novels, being so impressed with Adam Bede that she commissioned the artist Edward Henry Corbould to paint scenes from the book.

By the time of Daniel Deronda, Eliot's sales were falling off, and she faded from public view to some degree.

* Beaty, Jerome, Middlemarch from Notebook to Novel: A Study of George Eliot's Creative Method, Champaign, Illinois, University of Illinois, 1960.

He was responsible for the publication in 1915 of Eliot's " The Love Song of J. Alfred Prufrock ," and for the serialization from 1918 of Joyce's Ulysses.

As well as the poems in this volume, the musical introduces several additional characters from Eliot's unpublished drafts — most notably Grizabella.

Eliot's poetry inspired the song " Hollow Man " from the Doppelgänger album.

Eliot's The Waste Land is prefaced by a quote from Petronius ' Satyricon ( 1st century AD ) The passage translates roughly as " I saw with my own eyes the Sibyl at Cumae hanging in a jar, and when the boys said to her ' Sibyl, what do you want?

* George Eliot's novel Adam Bede is accused of being the " vile outpourings of a lewd woman's mind " in the United Kingdom of Great Britain and Ireland and was consequently withdrawn from libraries.

Pound's Homage to Sextus Propertius and Hugh Selwyn Mauberley and Eliot's The Waste Land marked a transition from the short imagistic poems that were typical of earlier modernist writing towards the writing of longer poems or poem-sequences.

* The long quotation from Dante's Inferno that prefaces T. S. Eliot's The Love Song of J. Alfred Prufrock is part of a speech by one of the damned in Dante's Hell.

The epigraph to Eliot's Gerontion is a quotation from Shakespeare's Measure for Measure.

Publications from this time include possibly his best-known work, the long poem Briggflatts ( 1966 ), described by critic Cyril Connolly as " the finest long poem to have been published in England since T. S. Eliot's Four Quartets ", and Collected Poems ( 1968, revised editions 1978 and 1985 ).

My own opinion concerning the value of those two lines in the context of the poem itself is not very different from Mr. Eliot's.

Charles William Eliot, compiler and editor of the Harvard Classics anthology. The Harvard Classics, originally known as Dr. Eliot's Five Foot Shelf, is a 51-volume anthology of classic works from world literature, compiled and edited by Harvard University president Charles W. Eliot and first published in 1909.

Their name was inspired by the poem " Mungojerrie and Rumpelteazer ", from T. S. Eliot's Old Possum's Book of Practical Cats.

* Eliot's writings, together with his Letter-Book, have been edited by Alexander Grosart in De Jure Maiestatis ; or, Political treatise of government ( 1628-30 ) and The letter-book of Sir John Eliot ( 1625-1632 ), now for the first time printed: from the author's and other mss.

The first is that the poem maintains Eliot's long habit of using the dramatic monologue – a form he inherited and adapted from Robert Browning.

" Also, the song " Goodnight Ladies " takes its title refrain from the last line of the second section (" A Game of Chess ") of T. S. Eliot's modernist poem, The Waste Land: " Good night, ladies, good night, sweet ladies, good night, good night.

* In a brief interlude, Boris works as a struggling poet, reading from a poem he eventually wads up and throws out he says, " I should have been a pair of ragged claws scuttling across the floors of silent seas ," a quote lifted from T. S. Eliot's The Love Song of J. Alfred Prufrock.