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Engraving from William Buckland's " Notice on the Megalosaurus or great Fossil Lizard of Stonesfield ", 1824.
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Engraving from an Abrasax stone.
Engraving by Marie-Anne Pierrette Paulze | Mme Lavoisier in the 1780s taken from Traité élémentaire de chimie ( Elementary treatise on chemistry )
Engraving from the Edo period depicting forge scenes.
Engraving of a crowned Ptolemy being guided by the muse Astronomy, from Margarita Philosophica by Gregor Reisch, 1508.
Engraving of occultists John Dee and Edward Kelley " in the act of invoking the spirit of a deceased person "; from Astrology ( 1806 ) by Ebenezer Sibly.
* Engraving from The Metropolitan Museum of Art Timeline of Art History
All dies made since have followed exactly the same design, and in 1986 the Bureau of Engraving and Printing made a master die from which all future dies will be made.
Engraving from 1816.
Engraving of the 1874 2, 000 Guineas, from the Illustrated Sporting and Dramatic News, May 1874
Engraving depicting the wedding of Marozia and Hugh of Italy, from Francisco Bertolini, Historia de Roma.
Engraving of interior of Brunel's train-shed from c1843, by John Cooke Bourne.
Engraving from William Smith's 1815 monograph on identifying strata by fossils
Engraving from circa 1700 in Suecia Antiqua et Hodierna
Engraving from 1601 by Jan Saenredam of a beached whale on the coast near Beverwijk.
Engraving from a 1778 edition printed in England.
Engraving from William Smith's monograph on identifying strata based on fossils
Engraving from Middleton's Germana quaedam antiquitatis eruditae monumenta ( 1745 ), showing a 1724 medal of Middleton by Giovanni Pozzo.
Engraving ( published in 1794 ) after Jonathan Richardson's painted portrait of Vertue from 1733
Engraving from image by G. F. Sargent c. 1836.
The Swedish House of Lords | House of Lords, and the Riddarhustorget | square in front of it, was one of the major achievements of the era. Engraving from Suecia Antiqua et Hodierna.
Engraving from contemporary sketch depicting the British ascent to the Plains of Abraham in 1759
The first dates from c. 1676 and is known variously as Mystery Sonatas, Rosary Sonatas ( Mysterien Sonaten, Die Rosenkranz-Sonaten ), Copper-Plate Engraving Sonatas, etc., remaining unpublished during the composer's lifetime.
Engraving from Narrative and critical history of America, Volume 2 by Justin Winsor
Engraving of the mural quadrant from Brahe's book Astronomiae instauratae mechanica ( 1598 )
Engraving of 1737 by Samuel and Nathaniel Buck, showing Bodiam Castle from the northeast
Engraving and William
Engraving of King William and Queen Mary
Engraving of Queen Elizabeth I, William Cecil and Sir Francis Walsingham, by William Faithorne, 1655
Engraving of the eighth print of William Hogarth's A Rake's Progress depicting Inmates at Bethlem Royal Hospital | Bedlam Asylum
Engraving by William Birch.
Engraving of William George Ward ( 1893 )
1820 Engraving of Guy's Hospital entrance by James Elmes and William Woolnoth
Engraving | Engraved portrait of Thomas Docwra by William Rogers ( engraver ) | William Rogers
Engraving from 1800 by William Birch.
< center > 1820 Engraving of entrance by James Elmes and William Woolnoth </ center >
Engraving by William Hole ( engraver ) | William Hole from the 2nd edition of Florio's dictionary
Engraving of Faversham Abbey, by William Stukeley, 1722
Engraving of Kilchurn Castle by William Miller, 1846
: For the Director of the Bureau of Engraving and Printing, see William Morton Meredith.
* Engraving of Thomas Flatman by William Richardson in the National Portrait Gallery
Engraving by William Henry Bartlett of Weald Hall from " The Picturesque Beauties of Great Britain, Essex ", 1834
Library and Surgeon's Hall, Fifth-street Engraving, 1800, by William Birch.
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