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Page "Generative music" ¶ 25
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Eno and used
Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: " Boys Keep Swinging " entailed band members swapping instruments, " Move On " used the chords from Bowie's early composition " All the Young Dudes " played backwards, and " Red Money " took backing tracks from " Sister Midnight ", a piece previously composed with Iggy Pop.
Composers such as John Cage, Farmers Manual and Brian Eno have used generative systems in their works.
In 1973, musicians Brian Eno and Robert Fripp used an entirely similar idea to make the album No Pussyfooting ; Robert Fripp later coining the term " Frippertronics " to describe this process pioneered by Terry Riley.
In response to their song " Brian Eno ", from their album Congratulations, MGMT has said they had a deck of Oblique Strategies in the studio, but they " don't know if used them correctly.
They were most famously used by Eno during the recording of David Bowie's Berlin triptych of albums ( Low, " Heroes ", Lodger ).
It evolved from a system of tape looping originally developed in the electronic music studios of the early 1960s that was first used by composers Terry Riley and Pauline Oliveros and made popular through its use in ambient music by composer Brian Eno.
This delay system was first used in live situations for a short European Fripp & Eno tour in May – June 1975.
The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno ( with Roxy Music ), King Crimson, The Who, Gong, and Pink Floyd, among many others.
The Koan software by SSEYOused by Brian Eno to create Generative Music 1is an example of this.
* SSEYO Koan Pro ( 1994 – 2007 ), used by Brian Eno to create his hybrid album Generative Music 1.
* Brian Eno, who coined the term generative music, has used generative techniques on many of his works, starting with Discreet Music ( 1975 ) up to and including ( according to Sound on Sound Oct 2005 ) Another Day on Earth.
* Passengers ( band ), a pseudonym used by Brian Eno and U2 for a 1995 album
Kingdom Come were one of the first bands to use synthesizers, notably the VCS3, an early British synth used by Pink Floyd and Brian Eno among others at the time.
The Synthi AKS proved very popular and AKS units owned by Eno, Pink Floyd and Jean-Michel Jarre featured prominently in music by these artists in the early 1970s ; one of the best-known appearances of an AKS on record is the track " On The Run " from Pink Floyd's The Dark Side of the Moon, and it can be seen being used by Roger Waters and David Gilmour during the recording of the album in footage included both the 1st Director's Cut of Live at Pompeii and in the DSOTM episode of the BBC documentary series Classic Albums respectively ( Gilmour used his to demonstrate the sequence used in the song ).
The Synthi AKS has been used extensively by Brian Eno in his art rock and ambient albums.
Schmidt created 1500 different silk screen portraits of Brian Eno, four of which are used on the cover of the LP Taking Tiger Mountain ( By Strategy ).
The concept of the art diary is also used by people working in related creative fields such as music ; musician Brian Eno, for instance, is well known for his use of art diaries, excerpts from which were used in the Eno and Russell Mills book More Dark Than Shark.
It has been used to create compositions in various genres of electronic music by artists such as Brian Eno who popularized the term " generative music ".
The fast-acting effervescent fruit salts, used as an antacid and reliever of bloatedness, was invented in the 1850s by James Crossley Eno ( 1827-1915 ).

Eno and SSEYO's
Brian Eno has produced a number of works for the SSEYO's Koan generative music system, which produces ambient variations for web-pages, mobile devices, and for standalone performance.

Eno and generative
From the mid-1990s Brian Eno popularized the terms generative music and generative systems, making a connection with earlier experimental music by Terry Riley, Steve Reich and Philip Glass.
* Playing with Time A conversation between Will Wright and Brian Eno on generative creation.
Among the works shown was the first generative light box, a watercolour painting of Eno called " Portrait of Eno with Allusions ", several Tiger Mountain prints, the French edition of the oracle card set called Oblique Strategies, the four " Mandala Castles " and etchings created just for this exhibit.

Eno and music
Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy.
As writer Michael Bracewell notes in his book Roxy: the band that invented an era, Roxy Music was created expressly by Ferry, Mackay and Eno as a means of combining their mutual interests in music, modern art and fashion.
1980's Remain in Light, heavily influenced by the afrobeat of Nigerian bandleader Fela Kuti, to whose music Eno had introduced the band, explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and ' found ' voices.
Likewise, Byrne – in collaboration with Eno – released My Life in the Bush of Ghosts, which incorporated world music, ' found ' sounds, and included a number of other prominent international and post-punk musicians.
Producers such as William Orbit and Brian Eno would also use synthesizers and electronic effects to add colour to music by the bands they were working with.
Multitrack technology enabled the development of modern art music and one such artist, Brian Eno, described the tape recorder as " an automatic musical collage device ".
Brian Eno was similarly influenced by Young's use of repetition in music.
* Glitterbug ( 1994 ) ( one-hour compilation film of various Super-8 shorts with music by Brian Eno )
This era of Cale's music is perhaps best represented by his somewhat disturbing cover of Elvis Presley's iconic " Heartbreak Hotel ", featured both on Slow Dazzle and the live album June 1, 1974, recorded with Kevin Ayers, Nico and Eno, and by his frothing performance on " Leaving It Up To You ", a savage indictment of the mass media first released on Helen of Troy ( 1975 ), but quickly deleted from later editions of the record due perhaps to the song's pointed Sharon Tate reference.
The pair shared a love of electronic music, particularly Brian Eno and Kraftwerk.
" although Eno invented ambient music while ill in bed-" illbient " is actually an extreme retro offshoot that demands that the listener produces a doctor's note before being allowed to purchase.
Throughout the 1970s he followed closely in the footsteps of Tangerine Dream, albeit with far lighter sequencer lines and a more reflective, dreamy edge, not unlike the ambient music of his contemporary Brian Eno.
Musician Brian Eno gave the Clock of the Long Now its name ( and coined the term " Long Now ") in an essay ; he has collaborated with Hillis on the writing of music for the chimes for a future prototype.
* Ambient music, minimalist & computer music — Brian Eno, Mike Oldfield, Harold Budd, ATB, & The Orb
In serious popular music, one might cite Virginia Astley ( From Gardens Where We Feel Secure ); Shriekback ( Big Night Music and subsequent albums up to 2007's Glory Bumps ); John Foxx ( Systems of Romance and The Garden ); and some have seen the early eccentric songs of Brian Eno ( such as " Julie With …" and " St Elmo's Fire "), and even his later sound-scapes, as neo-romantic in nature.
Brian Eno made a short film in tribute to Can, while John Frusciante of the Red Hot Chili Peppers appeared at the Echo Awards ceremony, at which Can were awarded the most prestigious music award in Germany, to pay tribute to guitarist Michael Karoli.
According to Brian Eno, once a member of Roxy Music, Ladytron are " the best of English pop music ".
* Brian Eno ( born 1948 ), English electronic musician, music theorist and record producer
Their early music was a synthesis of dub with the pulsating sounds of Kraftwerk and on slower pieces the influence of Brian Eno is in evidence.
The backing music for the story was provided by Brian Eno, with whom Sinfield had previously worked while producing Roxy Music.
The recording, titled Lady June's Linguistic Leprosy, made in a front room of Cramer's home in Vale Court, Maida Vale, brought Lady June's spoken word poetry together with the music and voice of Ayers, and also had contributions by Brian Eno and Pip Pyle.

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