He soon appeared in operettas such as Madame Favart, La fille du tambour-major ( 1880 ) and Olivette, among other operettas.

In these early days the role of librettist for the theatre was more important than that of the composer – and pre-eminent among them for more than forty years was Charles-Simon Favart, who made his first contribution in 1734 and achieved his first important success with La chercheuse d ' esprit in 1741.

At the Paris Opéra-Comique Deldevez conducted the revival of La Fille du Regiment ( with Marie Cabel ) in 1857, Rose et Colas ( first performance at the theatre, as well as 50th performance in 1862 ), the premiere of Lalla-Roukh on 12 May 1862, the first production at the Salle Favart of La Servante Maîtresse on 12 August 1862 ( Galli-Marié ’ s debut at the house ), runs of La dame blanche ( including the 1, 000th performance there in December 1862 ), Le pré aux clercs, Fra Diavolo ( including the 500th performance in March 1863 ), and a revival of Joseph in 1866.

( She agreed to sing again in Paris in 1904, in a benefit performance of Puccini's Tosca, but this production was staged at La Salle Favart rather than the Palais Garnier.

In 1825 he produced his masterpiece, La dame blanche ( revived in the Salle Favart in 1997 and recorded by the conductor Marc Minkowski ).

Among the most successful of his 37 operas staged during his lifetime were Armida ( 1771 ), La fiera di Venezia ( 1772 ), La scuola de ' gelosi ( 1778 ), Der Rauchfangkehrer ( 1781 ), Les Danaïdes ( 1784 ), which was first presented as a work of Gluck's, La grotta di Trofonio ( 1785 ), Tarare ( 1787 ) ( Tarare was reworked and revised several times as was Les Danaïdes ), Axur, re d ' Ormus ( 1788 ), La cifra ( 1789 ), Palmira, regina di Persia ( 1795 ), Il mondo alla rovescia ( 1795 ), Falstaff ( 1799 ), and Cesare in Farmacusa ( 1800 ).

In October 1997, he released Eros – Greatest Hits, which contained two new songs, " Quanto amore sei " ( How Much Love Are You ) and " Ancora un minuto di sole " ( Just One More Minute of Sunshine ), as well as reworked versions of previous hits including " Musica è " ( duet with Andrea Bocelli ) and " Cose della vita-Can't Stop Thinking of You " in a duet with Tina Turner.

Ashlee and the band try out some new cover songs and a reworked version of " La La ".

He also completed an album of new material and reworked old songs with his first band La Paz.

A number of composers have reworked the chant into a contemporary setting ; the settings by Byrd, Victoria, Gabrieli, Palestrina, Poulenc, Judith Bingham, Harbison, La Rocca, Mäntyjärvi, Pierre Villette, Morales, Lauridsen, Kevin Memley, Busto, Louie, and Miskinis are notable.

There appears to be a possible historical precedent for the character of Milady: the memoirs of François de La Rochefoucauld and Hubert de Brienne, Comte de Conflans as well as Volume I of Chroniques de l ' Œil de Bœuf by Touchard-Lafosse describe Milady's antagonistic role in the diamond studs plot which Dumas reworked in The Three Musketeers.

* Rinaldo di Montalbano ( 1736 )

Born as Rinaldo di Jenne in Jenne ( now in the Province of Rome ), he was, on his mother's side, a member of the family de ' Conti di Segni, the counts of Segni, like Pope Innocent III and Pope Gregory IX.

Renaud de Montauban, ( also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalba ( e ) n ) was a fictional hero and knight who was introduced to literature in a 12th century Old French chanson de geste known as Les Quatre Fils Aymon (" The Four Sons of Aymon ") ( frequently referred to simply as tale of Renaud de Montauban ).

Two others, Cencio Savelli, who was elected as Pope Honorius III in 1216, and Rinaldo Conti di Segni, elected as Pope Alexander IV in 1254, did not occupy that post at the time of their elections to the papacy ( Cencio was Camerlengo from 1188 until 1198, while Rinaldo from 1227 until 1231 ).

* Rinaldo Conti di Segni ( 1227 – 1231 ), later elected Pope Alexander IV

The Academy has also recorded Purcell's Dido and Aeneas, Handel's Orlando and Rinaldo, Mozart's La clemenza di Tito, Haydn's L ' anima del filosofo and over 200 other recordings for Decca, Harmonia Mundi ( France ), EMI and the new live recording label Wigmore Hall Live.

Baroque Vocal – Antonio Vivaldi Vespri Solenni per la Festa dell ' Assunzione di Maria Vergine Soloists, Concerto Italiano / Rinaldo Alessandrini ( Naïve Opus 111 )

According to the same article in Ephemerides Liturgicae, Cardinal Giovanni Nasalli Rocca di Corneliano wrote in his Litteris Pastoralibus pro Quadragesima ( Pastoral Letters for Lent ) that " the sentence ' The evil spirits who wander through the world for the ruin of souls ' has a historical explanation that was many times repeated by his private secretary, Monsignor Rinaldo Angeli.

Arias from Handel's Rinaldo, Gluck's Orfeo ed Euridice, Mozart's Le nozze di Figaro and Don Giovanni, Rossini's Il barbiere di Siviglia and L ' italiana in Algeri, Donizetti's Anna Bolena and La favorita, and Bellini's I Capuleti e i Montecchi.

In 1945, one of the most original magazines of the period was born: L ' asso di Picche published in Venice as a result of the work of a group of young venetian artists including Alberto Ongaro, Damiano Damiani, Dino Battaglia, Rinaldo D ' Ami and above all Hugo Pratt.

* Amori di Rinaldo con Armida by Teofilo Orgiani ( Brescia, 1697 ) music lost

* Luciano Bellosi " Per un contesto cimabuesco senese a ) Guido da Siena e il probabile Dietisalvi " Propsettiva 61, 1991 pp. 6 – 20 and " Per un contesto cimabuesco senese b ) Rinaldo da Siena e Guido di Graziano " Propsettiva 61, 1991, pp. 15 – 28

* Opern-Recital-arias from Tannhauser, Oberon, Ariadne auf Naxos, Alceste, Rinaldo, Iphigenie en Tauride, La Clemenza di Tito, Münchner Rundfunkorchester, conductor Peter Schneider

it: Rinaldo III di Borgogna

The Rinaldo took them to St. Thomas ; on January 14, they left on the British mail packet La Plata bound for Southampton.

The historically informed performance ensemble was formed by the harpsichordist Rinaldo Alessandrini, and made its Rome debut with Francesco Cavalli's La Calisto in 1984.

Rinaldo ( as John La Motta )

* Gili Luca, 2011, La sillogistica di Alessandro di Afrodisia.

Armida was soon followed by Salieri's first truly popular success ; a commedia per musica in the style of Carlo Goldoni La fiera di Venezia ( The Fair of Venice ).

His most important compositions during this period were a symphony in D major, performed in the summer of 1776, and the oratorio La passione di Gesù Cristo with a text by Metastasio performed during Advent of 1776.

) Salieri soon produced one of his greatest works with the text by Casti La grotta di Trofonio ( The Cave of Trofonius ) in 1785, the first opera buffa published in full score by Artaria.

He also composed one large scale instrumental work in 1815 intended as a study in late classical orchestration: Twenty-Six Variations for the Orchestra on a Theme called La Folia di Spagna.

His small instrumental output includes two piano concerti, a concerto for organ written in 1773, a concerto for flute, oboe and orchestra ( 1774 ), and a set of twenty-six variations on La follia di Spagna ( 1815 ).

Since 2000, there have also been complete recordings issued or re-issued of the operas Axur Re d ' Ormus, Falstaff, Les Danaïdes, La Locandiera, La grotta di Trofonio, Prima la musica e poi le parole and Il mondo alla rovescia.

La Passione di Gesù Cristo, critical edition by Elena Biggi Parodi, Suvini Zerboni, Milano 2000, XLIV, 222 pages.

La teologia dell ' immagine nella Glossa di Alessandro di Hales.

it: La nascita di una nazione

He joined the Milan Cathedral choir in 1765 and made his operatic debut in Rome in 1773 at the Teatro delle Dame, cast as a female character, in Marcello da Capua's comic opera La contessina.

File: Henri Rousseau 010. jpg | Henri Rousseau, La Bohémienne endormie ( The Sleeping Gypsy – Zingara che dorme ), 1897

In 1854, an Italian adaptation called La Zingara was mounted in Trieste with great success, and it too was performed internationally in both Italian and German.