[permalink] [id link]
Fellini ’ s work is referenced on the albums Fellini Days ( 2001 ) by Fish and Funplex ( 2008 ) by the B-52's with the song Juliet of the Spirits, and in the opening traffic jam of the music video Everybody Hurts by R. E. M.
from
Wikipedia
Some Related Sentences
Fellini and ’
In Mussolini ’ s Italy, Fellini and Riccardo became members of the Avanguardista, the compulsory Fascist youth group for males.
Described as “ the determining moment in Fellini ’ s life ”, he enjoyed steady employment between 1939 and 1942, interacting with writers, gagmen, and scriptwriters that eventually led to opportunities in show business and cinema.
Among his collaborators on the magazine ’ s editorial board were the future director Ettore Scola, Marxist theorist and scriptwriter Cesare Zavattini, and Bernardino Zapponi, a future Fellini screenwriter.
Fellini and Ruggero Maccari, also on the staff of Marc ’ Aurelio, began writing radio sketches and gags for films.
Not yet twenty and with Fabrizi ’ s help, Fellini obtained his first screen credit as a comedy writer on Mario Mattoli ’ s Il pirata sono io ( The Pirate's Dream ).
His African adventure, later published in Marc ’ Aurelio as " The First Flight ", marked “ the emergence of a new Fellini, no longer just a screenwriter, working and sketching at his desk, but a filmmaker out in the field ”.
Fellini and Giulietta hid in her aunt ’ s apartment until Mussolini's fall on July 25, 1943.
Aware of Fellini ’ s reputation as Aldo Fabrizi ’ s “ creative muse ”, Rossellini also requested he try to convince the actor to play the role of Father Giuseppe Morosini, the parish priest executed by the SS on April 4, 1944.
Working as both screenwriter and assistant director on Rossellini ’ s Paisà ( Paisan ) in 1946, Fellini was entrusted to film the Sicilian scenes in Maiori.
Establishing a close working relationship with Alberto Lattuada, Fellini co-wrote the director ’ s Senza pietà ( Without Pity ) and Il mulino del Po ( The Mill on the Po ).
Winning the Silver Lion Award in Venice, it secured Fellini ’ s first international distributor.
Based partly on stories told to him by a petty thief during production of La strada, Fellini developed the script into a con man ’ s slow descent towards a solitary death.
To incarnate the role ’ s “ intense, tragic face ”, Fellini ’ s first choice had been Humphrey Bogart but after learning of the actor ’ s lung cancer, chose Crawford after seeing his face on the theatrical poster of All the King ’ s Men ( 1949 ).
During the autumn, Fellini researched and developed a treatment based on a film adaptation of Mario Tobino ’ s novel, The Free Women of Magliano.
While preparing Nights of Cabiria in spring 1956, Fellini learned of his father ’ s death by cardiac arrest at the age of 62.
Produced by Dino De Laurentiis and starring Giulietta Masina, the film took its inspiration from news reports of a woman ’ s decapitated head retrieved in a lake and stories by Wanda, a shantytown prostitute Fellini met on the set of Il Bidone.
The scandal provoked by Turkish dancer Haish Nana ’ s improvised striptease at a nightclub captured Fellini ’ s imagination: he decided to end his latest script-in-progress, Moraldo in the City, with an all-night “ orgy ” at a seaside villa.
Pierluigi Praturlon ’ s photos of Anita Ekberg wading fully dressed in the Trevi Fountain provided further inspiration for Fellini and his scriptwriters.
Bernhard ’ s focus on Jungian depth psychology proved to be the single greatest influence on Fellini ’ s mature style and marked the turning point in his work from neorealism to filmmaking that was “ primarily oneiric ”.
Fellini and s
Exploiting La Dolce Vita ’ s success, financier Angelo Rizzoli set up Federiz in 1960, an independent film company, for Fellini and production manager Clemente Fracassi to discover and produce new talent.
Fellini and work
Fellini, la Grande Parade exposition on the work of Federico Fellini in the Galerie nationale du Jeu de Paume | musée du Jeu de Paume in Paris
Fellini eventually found work as a cub reporter on the dailies Il Piccolo and Il Popolo di Roma but quit after a short stint, bored by the local court news assignments.
In November 1942, Fellini was sent to Libya, occupied by Fascist Italy, to work on the screenplay of I cavalieri del deserto ( Knights of the Desert, 1942 ), directed by Osvaldo Valenti and Gino Talamo.
He became involved with Italian Neorealism when Roberto Rossellini, at work on Stories of Yesteryear ( later Rome, Open City ), met Fellini in his shop proposing he contribute gags and dialogue for the script.
A major discovery for Fellini after his Italian neorealism period ( 1950 – 1959 ) was the work of Carl Jung.
Infused with the surrealistic satire that characterized the young Fellini ’ s work at Marc ’ Aurelio, the film ridiculed a crusader against vice who goes insane trying to censor a billboard of Anita Ekberg espousing the virtues of milk.
Producer Alberto Grimaldi, prepared to buy film rights to all of Castaneda ’ s work, then paid for pre-production research taking Fellini and his entourage from Rome to Los Angeles and the jungles of Mexico in October 1985.
For Intervista, produced by Ibrahim Moussa and RAI Television, Fellini intercut memories of the first time he visited Cinecittà in 1939 with present-day footage of himself at work on a screen adaptation of Franz Kafka ’ s Amerika.
In one famous scene, Allen's character, in line to see a movie with Annie, listens to a man behind him deliver misinformed pontifications on the significance of Fellini and Marshall McLuhan's work.
They continued to work together for decades, and Fellini recalled:
Wong stands as the leading heir to the great directors of post-WWII Europe: His work combines the playfulness and disenchantment of Godard, the visual fantasias of Fellini, the chic existentialism of Antonioni, and Bergman's brooding uncertainties.
" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.
" Jay Cocks of Time Magazine considered it " some of the finest work Fellini has ever done-which also means it stands with the best that anyone in film has ever achieved.
While in Paris, Taymor worked with masks for the first time and immersed herself in film, especially the work of Fellini and Kurosawa.
His centrality to Ray's work is akin to other key collaborations in the history of cinema — Mifune and Kurosawa, Mastroianni and Fellini, De Niro and Scorsese, DiCaprio and Scorsese, Max von Sydow and Ingmar Bergman, Jerzy Stuhr and Kieślowski.
Questions of style and of its relationship to shame were also at the center of Miller ’ s next book-length work, an essay on Federico Fellini ’ s 8½.
He went on to work with a number of acclaimed and diverse directors including, Sergio Leone ( The Good, the Bad and the Ugly, Once Upon a Time in the West and Once Upon a Time in America ), Roman Polanski ( Death and the Maiden and Bitter Moon ), Louis Malle ( Lacombe, Lucien ), Jean-Jacques Annaud ( The Name of the Rose ), and Federico Fellini, whose last three films he photographed.
Fellini and is
Although Fellini adapted key events from his childhood and adolescence in films such as I Vitelloni ( 1953 ), 8½ ( 1963 ), and Amarcord ( 1973 ), he insisted that such autobiographical memories were inventions: " It is not memory that dominates my films.
The Federico Fellini Airport in Rimini is named in his honour.
is: Federico Fellini
An important point to note is that out of Scorsese's selection of Italian films from a select group of directors ( Federico Fellini, Luchino Visconti, Vittorio De Sica, Michelangelo Antonioni ) Rossellini's films form at least half of the films discussed and analyzed, highlighting Rossellini's monumental role in Italian and world cinema.
Italian filmmaker Federico Fellini directed four Best Foreign Language Film Academy Award – winning motion pictures during his lifetime, a record that remains unmatched as of 2007 ( if Special Awards are taken into account, then Fellini's record is tied by his fellow countryman Vittorio De Sica ).
A director like Federico Fellini is thus considered to have never officially won an Academy Award of Merit during his lifetime, even though four of his films received the Foreign Language Film Award ( the only Academy Award that Fellini personally won was his 1992 Honorary Award ).
An art city with ancient Roman and Renaissance monuments, Rimini is the hometown of the famous film director Federico Fellini as well.
It is served by the Federico Fellini Airport, airport of Rimini and San Marino.
Among the chief narrative changes Fellini makes to the Satyricon text is the addition of a hermaphroditic priestess, who does not exist in the Petronian version.
Nino Rota ( December 3, 1911 – April 10, 1979 ) was an Italian composer and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti.
Production designer Ferretti afterwards compared Gilliam to his former director, saying, " Terry is very similar to Fellini in spirit.
Fellini is a wilder liar, but that's the only difference!
* April 11 – Rome, as only he could see it, is presented in Fellini, a Director's Notebook, an NBC special.
Amarcord is a 1973 Italian comedy-drama film directed by Federico Fellini, a semi-autobiographical coming-of-age tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano ( situated near the ancient walls of Rimini ) in 1930s Fascist Italy.
It is an Our Town or Under Milk Wood of the Adriatic seaboard, concocted and displayed in the Roman film studios with the latter-day Fellini ’ s distaste for real stone and wind and sky.
When Mr. Fellini is working in peak condition, as he is in Amarcord ( the vernacular for " I remember " in Romagna ), he somehow brings out the best in us.
: This article is about Giovanni Pastrone's 1914 silent film ; for the Federico Fellini film, see The Nights of Cabiria.
The word " paparazzi " is an eponym originating in the 1960 film La Dolce Vita directed by Federico Fellini.
As Fellini said in his interview to Time magazine, “ Paparazzo … suggests to me a buzzing insect, hovering, darting, stinging .” There is a similarity with the Italian word " pappataci " a name for a small mosquito.
Charlotte Chandler ( the pen name of Lyn Erhard ) is an American biographer and playwright who has written biographies of Groucho Marx, Federico Fellini, Billy Wilder, Bette Davis, Joan Crawford and Alfred Hitchcock.
La Dolce Vita (; Italian for " the sweet life " or " the good life ") is a 1960 comedy-drama film written and directed by the critically acclaimed director Federico Fellini.
0.373 seconds.