* Herring, H. D., " Out of the Dream and into the Nightmare: Dennis Hopper's Apocalyptic Vision of America ," in Journal of Popular Film ( Washington, D. C .), Winter 1983

* Scharres, B., " From Out of the Blue: The Return of Dennis Hopper ," in Journal of the University Film and Video Assoc.

" In Film History: An International Journal 18. 4 ( 2006 ) 376-391.

* Szimhart, Joseph: Persistence of " Deprogramming " Stereotypes in Film, Cultic Studies Journal, 3 / 2 2004

" Teaching Elizabeth Tudor with Movies: Film, Historical Thinking, and the Classroom ," Sixteenth Century Journal, Summer 2007, Vol.

Japanese Fantasy Film Journal ( JFFJ ) ( 1968 – 1983 ) from Greg Shoemaker covered Toho's Godzilla and his Asian brethren when no other publications much cared.

*" Nine Hamlets " — An analysis of the play and nine film versions, at the Bright Lights Film Journal.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

“ Merlin Goes to the Movies: The Changing Role of Merlin in Cinema Arthuriana .” Film & History: An Interdisciplinary Journal of Film and Television Studies 29. 3 – 4 ( 1999 ): 54 – 65.

: Challenges in Translating the Religious Significance of Tolkien's The Lord of the Rings to Film, Jeffrey Mallinson, Journal of Religion and Popular Culture, Volume I, Spring 2002-refers to < nowiki >'</ nowiki > On Fairy-Stories < nowiki >'</ nowiki > in relation to filming < nowiki >'</ nowiki > The Lord of the Rings < nowiki >'</ nowiki >

Kevin N. Laforest of the Montreal Film Journal commented in his September 2002 review that Cruz " has been getting some really bad reviews for her recent American work, but I personally think that she's a more than decent actress, especially here, where she's charming, moving and always believable.

Kevin Lally of the Film Journal International commented in his review for the film that " in an ironic casting twist, the Spanish actress Penelope Cruz [...] is much more appealing as Josepha in her previous roles.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

According to Jesse Stommel of Bright Lights Film Journal, the lack of explicit violence in the film forces viewers to question their own fascination with violence that they play a central role in imagining.

Bright Lights Film Journal ( Issue 50, November 2005 ): online.

“ Frank Copra ’ s Why We Fight Film Series and Our American Dream .” Journal of American Culture.

In 1938 the Independent Film Journal named her and several other stars as " box office poison " based on their supposed lack of popular appeal.

Wide Angle: A Quarterly Journal of Film Theory, Criticism and Practice, 5: 4, 38-51.

* Bright Lights Film Journal essay

Tony Tracy, ‘ The Pauper and the Prince: Transformative Masculinity in Raoul Walsh's Regeneration ,’ Film History: An International Journal, Volume 23, Number 4, 2011, pp. 414-427

* " The Cinema of Paul Morrissey " from Bright Lights Film Journal

* Highly Offensive Ferengi: Racial Issues and Star Trek's Multicultural Deep Space Nine in Film ( KINEMA, A Journal for Film and Audiovisual Media, University of Waterloo )

" By: Lee, A. Robert ; Wasafiri: Journal of Caribbean, African, Asian and Associated Literatures and Film, 1995 Autumn ; 22: 25-30.

* Film: Training Day starring Denzel Washington and Ethan Hawke

* Film Editing: Jim Blodgett, Janet " Lime " Leimenstoll, Robert C. DeSales, Ethan Andrew Morgan

" Ethan Alter of Film Journal International describes it as a " potent reminder that Indian filmmaking isn't limited to Bollywood super-productions.

* Film of Rabbi Alter burning the leavened bread on the eve of the Jewish feast of Passover

Premier of Alter Egos at Fantasia Film Festival in Montreal July 24, 2012

" Film theorist Roy Armes has said of him: " Marker is unclassifiable because he is unique ... The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Kosiński was friends with Roman Polanski, with whom he attended the National Film School in Łódź, and said he narrowly missed being at Polanski and Sharon Tate's house on the night Tate was murdered by Charles Manson's followers in 1969, due to lost luggage.

Fonda was one of more than 50 celebrities who signed an online petition letter by John Greyson in which Greyson said he would pull his film Covered from the Toronto International Film Festival in protest over the Festival's " inaugural City-to-City Spotlight on Tel Aviv ".

Interestingly, Film is also said to refer to the story of Dr. Jekyll and Mr. Hyde.

In a 2005 interview with Total Film magazine, he said that he would not enjoy working on such an expensive project due to interference from studio executives.

Writing in Film Quarterly, Gary Hentzi praised the actors, but said that characters such as Carolyn and Col. Fitts were stereotypes.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Leonard Maltin gave the film two-and-a-half stars ( out of four ) in his 2009 movie guide ; he said that the film was " self-indulgent and largely negative ," and that " great show biz moments and wonderful dancing are eventually buried in pretensions "; he also called the ending " an interminable finale which leaves a bad taste for the whole film.

Film critic Roger Ebert, who had given negative reviews to all three of Curtis's 1980 films, said that Curtis " is to the current horror film glut what Christopher Lee was to the last one-or Boris Karloff was in the 1930s ".

In an interview at the 1975 Cannes Film Festival, Fassbinder said about Fox and His Friends: “ It is certainly the first film in which the characters are homosexuals, without homosexuality being made into a problem.

Scott did not turn down the New York Film Critics Award for his performance ( of which his then wife Colleen Dewhurst said, " George thinks this is the only film award worth having ").

Film director James Cameron has said the character's name was not in fact inspired by the grave.

Chris Gore from Film Threat said: " If you're looking for a heartfelt, feel-good holiday movie, just give in and enjoy ".

Film critic Roger Ebert has said, " To appreciate a film like Written on the Wind probably takes more sophistication than to understand one of Ingmar Bergman's masterpieces, because Bergman's themes are visible and underlined, while with Sirk the style conceals the message.

At the Cannes Film Festival, Kaufman had read an article that said horror films were no longer popular, so Kaufman claims that he decided to produce his own version of the horror film.

In a rare interview to the magazine Focus on Film he said, " I stand or fall in my profession by the public's judgment of my performances.

In it he said that Quentin Tarantino saw The Double Life of Véronique at the 1991 Cannes Film Festival and took note of its star, Irène Jacob.

Film critic Roger Ebert, who rated the movie four-out-of-four stars, said in his review:

Film critic Ado Kyrou said that the five vignettes of the tale of L ' Âge d ' Or ( 1930 ) correspond to the five sections of the tail of the scorpion.

" Tom Meek of Film Threat said the film was not funny enough but still found " something rewarding in its quirky demeanor ,"

" The Time Out Film Guide said " The stylistic intention, presumably, was old meets new with a Luhrmann-like flourish, but the modest resources on display result in a look somewhere between threadbare Jarman and school play.

Film critic Roger Ebert has said that Griffith " moves the camera with greater freedom and has a headlong narrative and an exciting use of cross-cutting that Pastrone does not approach.