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Film Score Monthly described Badalamenti's melodic score as a definite asset to the film, underscoring several scenes with comical, Henry Mancini-like cues, and others with a delicate, poignant theme that blossoms into a waltz over the end credits.
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Film and Score
The score of the movie was never released as an album until Film Score Monthly released it in 2005.
** Italian National Syndicate of Film Journalists Silver Ribbons for Best Cinematography in B & W ( Gianni Di Venanzo ), Best Director ( Federico Fellini ), Best Original Story ( Fellini and Flaiano ), Best Producer ( Angelo Rizzoli ), Best Score ( Nino Rota ), Best Screenplay ( Fellini, Pinelli, Flaiano, Rondi ), and Best Supporting Actress ( Sandra Milo )
* Charles Leinberge, Ennio Morricone's The Good, The Bad And The Ugly: A Film Score Guide.
In addition, Film Score Monthly released a limited-edition disc of music from the series in 2005, featuring Glen A. Larson and Stu Phillips's theme and cues from Phillips's scores for " Knight Of The Phoenix " ( the pilot ), " Not A Drop To Drink ," " Trust Doesn't Rust ," " Forget Me Not " and " Inside Out.
For the film Eastwood received nominations for Best Original Score at the 66th Golden Globe Awards, Best Direction at the 62nd British Academy Film Awards and director of the year from the London Film Critics ' Circle.
At the 1999 ceremony Benigni received the award for Best Actor ( the first for a male performer in a non-English-speaking role, and only the third overall acting Oscar for non-English-speaking roles ), the score by Nicola Piovani won Best Original Dramatic Score, and the film was awarded the Oscar for Best Foreign Language Film, which Benigni accepted as the film's director.
At the 60th Academy Awards, The Last Emperor won all nine Oscars for which it was nominated: Best Picture, Best Director, Best Writing, Screenplay Based on Material from Another Medium, Best Cinematography, Best Film Editing, Best Costume Design, Best Art Direction-Set Decoration, Best Music, Original Score and Best Sound
Jerry Goldsmith won the 1999 BMI Film Music Award and was nominated for a Golden Globe Award for Best Original Score in 1998.
* Academy Awards: Oscar ; Best Black-and-White Cinematography, Gregg Toland ; Best Special Effects, R. T. Layton ( photographic ), Ray Binger ( photographic ) and Thomas T. Moulton ( sound ); Best Film Editing, Sherman Todd ; Best Original Score, Richard Hageman ; Best Picture, John Ford ; Best Screenplay Writing, Dudley Nichols ; 1941.
The film received Oscar nominations for Best Picture, Best Actor ( Humphrey Bogart, losing to Marlon Brando for On the Waterfront ), Best Supporting Actor ( Tom Tully ), Best Screenplay, Best Sound Recording ( John P. Livadary ), Best Film Editing, and Best Dramatic Score ( Max Steiner ).
The film received a further eight nominations, in the categories of Best Direction ( Stephen Frears ), Best Actress in a Leading Role ( Close ), Best Cinematography ( Philippe Rousselot ), Best Costume Design ( Acheson ), Best Original Film Score ( Fenton ), Best Editing ( Mick Audsley ), Best Make Up Artist ( Jean-Luc Russier ) and Best Production Design ( Craig ).
The writing of Green, Peckinpah, and Roy N. Sickner was nominated for a best-screenplay Academy Award ; Jerry Fielding's music was nominated for Best Original Score ; Peckinpah was nominated for an Outstanding Directorial Achievement award by the Directors Guild of America ; and cinematographer Lucien Ballard won the National Society of Film Critics Award for Best Cinematography.
The complete score was released in 2004, on cd, on the Film Score Monthly label.
The Sand Pebbles was nominated for eight Academy Awards, but failed to win any: Best Picture for Robert Wise, Best Actor for Steve McQueen, Best Supporting Actor for Mako, Best Art Direction / Set Decoration-Color, Best Cinematography-Color, Best Film Editing, Best Sound ( James Corcoran ) and Best Original Music Score for Jerry Goldsmith.
Because of this Film Score Monthly could not add this cue to the expanded soundtrack album.
A near-complete release came on the Film Score Monthly label ( FSM ) on 1 April 2001 and was produced by Lukas Kendall and Nick Redman.
It was nominated for five Academy Awards, including Best Picture, Best Score and Best Film Editing.
Ghost was nominated for five Academy Awards, including Best Picture, Best Film Editing and Best Original Score.
At the 71st Academy Awards in 1999, Benigni won the Academy Award for Best Actor and the film won both the Academy Award for Best Original Dramatic Score and the Academy Award for Best Foreign Language Film.
At the 71st Academy Awards, the film won awards for Best Music, Original Dramatic Score, and Best Foreign Language Film, with Benigni winning Best Actor for his role.
He won for Star Wars, though he later won two Grammy Awards in 1979 for his Close Encounters score ( one for Best Original Film Score and one for Best Instrumental Composition for " Theme from Close Encounters ").
The film was nominated for eight Oscars at the 50th Academy Awards, including Direction, Supporting Actress ( Melinda Dillon ), Visual Effects, Art Direction ( Joe Alves, Daniel A. Lomino, Phil Abramson ), Original Music Score, Film Editing, and Sound ( Robert Knudson, Robert Glass, Don MacDougall and Gene Cantamessa ).
The complete score was issued on cd in 2009, on Film Score Monthly records.
* Interview with Hans Zimmer in Film Score Monthly
Film and Monthly
*" How Far to the Last Movie ?," Monthly Film Bulleting ( London ) Oct. 1982
At this point the film was reviewed seriously, and reclaimed as a radical work, by Steve Jenkins in the Monthly Film Bulletin.
Film Fan Monthly.
Laughton made his first color film in Paris as Inspector Maigret in The Man on the Eiffel Tower ( 1949 ) and, wrote the Monthly Film Bulletin, " appeared to overact " alongside Boris Karloff as a mad French nobleman in a version of Robert Louis Stevenson's The Strange Door in 1951.
The complete score was issued on cd in 2005, on Film Score Monthly records.
Previously, the main paper had come with a vast range of supplements including Sport, Business & Media, Review, Escape ( a travel supplement ), The Observer Magazine and various special interest monthlies, such as Observer Food Monthly, Observer Women monthly, Observer Sport Monthly and The Observer Film Magazine.
According to the BFI's Monthly Film Bulletin, " there is something phantasmally absurd about this well-meaning, ambitious film .... It could well be that Pinter's brilliance is altogether the wrong kind of brilliance to let loose on the scripting of this already nerve-raw, nightmarish subject.
Recent changes in the copyright status of older music has made it possible for more of his film soundtracks to be released on compact disc, primarily by another specialty label, Film Score Monthly ( Lili, Home from the Hill, and others ).
In 2011 Film Score Monthly issued a two-disc release of the soundtrack, with the complete score on disc one and the original soundtrack album on disc two ( representing the latter's first North American CD issue ); this was the label's final Jerry Goldsmith album.
On August 2012 Film Score Monthly released 2 CD-set definite edition: complete score with alternate, unused & source cues on disk 1 and original, Barry-authorized album & theme demos on disk 2.
* The Yakuza ( Motion Picture Soundtrack, complete score, Film Score Monthly limited edition of 3000 copies )-1975 / 2005
* The Scorpio Letters ( Motion Picture Soundtrack, Film Score Monthly limited edition of 3000 copies )-1967 / 2007
* The Heart Is a Lonely Hunter ( Motion Picture Soundtrack, Film Score Monthly limited edition of 3000 copies )-1968 / 2009
In the ' 70s, Photoplay Film Monthly said, " Approaching motherhood, Senta, the one-time militant feminist, has reverted to a docile feminine woman, just like the girl next-door.
His theme and two episode scores were later issued by Film Score Monthly on an album with his score for the film Ace Eli and Rodger of the Skies.
The soundtrack to Outland has been released three times on disk ; 19 November 1993 through GNP Crescendo ( with his score to Capricorn One ), June 2000 through Warner Music Group, and a two-disc extended edition released 15 June 2010 through Film Score Monthly.
Film and described
Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms like poetry or novel writing.
Film noir similarly embraces a variety of genres, from the gangster film to the police procedural to the gothic romance to the social problem picture — any example of which from the 1940s and 1950s, now seen as noir's classical era, was likely to be described as a " melodrama " at the time.
Film historian and author William S. Pechter described Capra's style as one " of almost classical purity.
The Cannes Film Festival Ecumenical Jury, which gives prizes for movies that promote spiritual, humanist and universal values, also " honoured " the film with a special " anti-award "; a spokesman for the jury described it as " the most misogynist movie from the self-proclaimed biggest director in the world.
Film magazine Cinefantastique described it as " The Citizen Kane of Horror Movies ", and during 2004 the magazine Total Film named The Wicker Man the sixth greatest British film of all time.
The acclaimed television drama was honored a decade later when the kinescope of the production was selected for showing at the Museum of Modern Art on February 17 – 20, 1963, as part of Television USA: Thirteen Seasons, described by MoMA Film Library curator Richard Griffith as " a grand retrospective of the best that has been done in American television.
Film author Peter Biskind described Kazan's career as " fully committed to art and politics, with the politics feeding the work.
Cannes Film Festival selector Gilles Jacob described Amélie as " uninteresting ", and therefore it was not screened at the festival, although the version he viewed was an early cut without music.
A film, Gower Boy, made by artist Gee Vaucher and musician Huw Warren, described as a " gentle, contemplative exploration of the Gower Peninsula in Wales ", debuted at the 14th Raindance Film Festival in October 2006.
In a review of Rendez-Vous in Film Comment, Armond White described it as " Juliette Binoche's career defining performance ".
Time Out Film Guide described the film as " one of the great melodramas " and " as compulsive and perverse as any election, a veritable Mount Rushmore of emotional and physical cripples, including a surgeon with a penchant for unnecessary amputations, a girl who ' made friends on one side of the tracks and made love on the other '.
The British Film Yearbook for 1945 described his work as " one of the most valuable facets of British propaganda ".
Halliwell's Film Guide described the film as " one of those lucky movies which works out well on all counts and shows that there are still craftsmen lurking in Hollywood.
Eventually in 2012 the film was re-released for the New York Film Festival, and described as a " modern masterpiece " that was " soaking up acclaim ", and whose 1980 cutting was characterized as " one of the greatest injustices of cinematic history ".
In fall 2012 the film was re-released to acclaim ( described as " soaking up acclaim ") as a 216 minute " director's cut " at the Festival Lumiere in France, followed by screening at the New York Film Festival.
Venice Film Festival director Alberto Barbera described the film as an " absolute masterpiece " that had disappeared, and whose 1980 cutting was characterized as a " massacre " by nervous producers and had been " one of the greatest injustices of cinematic history " that had destroyed careers ( Cimino and Kristofferson ) following " annihilat " critical reviews.
The British Film Institute ( BFI ) has described Year Zero as one of the ten most influential documentary films of the 20th century.
Film critic Leonard Maltin described it as " One of Walt Disney's most charming animated films ".
Both Michael and his sister Bunny were very fond of Renée's family. Coincidentally the British Film Institute's database lists Michael as also having a son, John M. Taylor, who is described as " a producer.
Film critic Roger Ebert described it as a " weird masterpiece, a screw-loose war picture that sends action and humor crashing head-on into each other and spinning off into political anger.
Film critic and author Stephen Farber described her performance as having an " electrifying impact … one of the rare instances of actor and character achieving a miraculous, almost mythical match.
The process is described in the 1982 edition of the " Recommended Procedures " of the Association of Cinema and Video Laboratories, and in the classic text, Film and its techniques.
The series has been described by the British Film Institute as having " created a phenomenon unlike any other British TV programme ", and by The Times newspaper as " quintessential to being British ".
Halliwell's Film Guide described the film as " a surprisingly pleasant variation on the Star Wars boom, with sharp and witty performances from two reliable character actors and some elegant gadgetry to offset the teenage mooning.
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