* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

He was Chairman of the British Academy of Film and Television Arts ( BAFTA ) ( 2008-2010 ) and has produced ( or associate produced ) many British films including Henry V, Peter's Friends, Swan Song, Much Ado About Nothing, The Madness of King George, Mary Shelley's Frankenstein, Twelfth Night, The Wings of the Dove, Shakespeare in Love, Gangs of New York ( Production Consultant ), I Capture the Castle, Chasing Liberty, A Bunch of Amateurs and My Week with Marilyn.

" Film theorist Roy Armes has said of him: " Marker is unclassifiable because he is unique ... The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.

Kosiński was friends with Roman Polanski, with whom he attended the National Film School in Łódź, and said he narrowly missed being at Polanski and Sharon Tate's house on the night Tate was murdered by Charles Manson's followers in 1969, due to lost luggage.

Fonda was one of more than 50 celebrities who signed an online petition letter by John Greyson in which Greyson said he would pull his film Covered from the Toronto International Film Festival in protest over the Festival's " inaugural City-to-City Spotlight on Tel Aviv ".

Interestingly, Film is also said to refer to the story of Dr. Jekyll and Mr. Hyde.

In a 2005 interview with Total Film magazine, he said that he would not enjoy working on such an expensive project due to interference from studio executives.

Writing in Film Quarterly, Gary Hentzi praised the actors, but said that characters such as Carolyn and Col. Fitts were stereotypes.

Film critic Leonard Maltin gave the film two-and-a-half stars ( out of four ) in his 2009 movie guide ; he said that the film was " self-indulgent and largely negative ," and that " great show biz moments and wonderful dancing are eventually buried in pretensions "; he also called the ending " an interminable finale which leaves a bad taste for the whole film.

Film critic Roger Ebert, who had given negative reviews to all three of Curtis's 1980 films, said that Curtis " is to the current horror film glut what Christopher Lee was to the last one-or Boris Karloff was in the 1930s ".

In an interview at the 1975 Cannes Film Festival, Fassbinder said about Fox and His Friends: “ It is certainly the first film in which the characters are homosexuals, without homosexuality being made into a problem.

Scott did not turn down the New York Film Critics Award for his performance ( of which his then wife Colleen Dewhurst said, " George thinks this is the only film award worth having ").

Film director James Cameron has said the character's name was not in fact inspired by the grave.

Chris Gore from Film Threat said: " If you're looking for a heartfelt, feel-good holiday movie, just give in and enjoy ".

Film critic Roger Ebert has said, " To appreciate a film like Written on the Wind probably takes more sophistication than to understand one of Ingmar Bergman's masterpieces, because Bergman's themes are visible and underlined, while with Sirk the style conceals the message.

At the Cannes Film Festival, Kaufman had read an article that said horror films were no longer popular, so Kaufman claims that he decided to produce his own version of the horror film.

In a rare interview to the magazine Focus on Film he said, " I stand or fall in my profession by the public's judgment of my performances.

In it he said that Quentin Tarantino saw The Double Life of Véronique at the 1991 Cannes Film Festival and took note of its star, Irène Jacob.

Film critic Roger Ebert, who rated the movie four-out-of-four stars, said in his review:

" Tom Meek of Film Threat said the film was not funny enough but still found " something rewarding in its quirky demeanor ,"

" The Time Out Film Guide said " The stylistic intention, presumably, was old meets new with a Luhrmann-like flourish, but the modest resources on display result in a look somewhere between threadbare Jarman and school play.

Film critic Roger Ebert has said that Griffith " moves the camera with greater freedom and has a headlong narrative and an exciting use of cross-cutting that Pastrone does not approach.