* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

The film was also nominated for several 1978 New York Film Critics Circle Awards, including Best Film, Best Direction, Best Actress ( for Jill Clayburgh ) and Best Supporting Actress ( for Lisa Lucas ).

The film was nominated for a total of 14 BAFTA Awards and won three: the Alexander Korda Award for Best British Film, the Best Actor ( Nigel Hawthorne ) and the Award for Best Make Up / Hair ( Lisa Westcott ).

' Shining a Light: 50 Years of the Australian Film Institute ' by Lisa French and Mark Poole ( published by ATOM, November, 2009 )

* Mona Lisa, ( n .) Sphere Books, 1986 ( Film tie-in novelisation as John Luther Novak )

Others who worked for the magazine include Art Directors Lisa Beattie and Ione Jefferies ; Executive Editors Charlotte Chen ( who wrote the " Pokémon Report " and " Final Fantasy World " columns ), Anatole Brown ( who wrote the " Japan Report " section and later became a Contributing Editor ), Jim Loftus and Wataru Maruyama ; Senior Editors Tyrone Rodriguez, Geoff Arnold ( who wrote the " Twisting Nether " column ), Ara Shirinian ( who went on to work at Rainbow Studios ), Jason Wilson ( who wrote the " Tournament Report " column ); and Entertainment Editor Abigail " Abbie " Heppe ( who usually wrote the " Games on Film " section ) and who is now Games Editorial Manager for X-Play on G4.

Steve led the first reading of Queer at the Sarasota Film Festival with Stanley Tucci, Ben Foster, John Ventimiglia, and Lisa Joyce.

Da Silva was nominated for the British BAFTA Film Award for Best Foreign Actor for his performance as " Dr. Swinford " in David and Lisa ( 1962 ).

Directed by Lisa Gay Hamilton, it won the Documentary Award at the AFI Los Angeles International Film Festival in 2003.

* 2005 Nominated Film Critics Circle of Australia Awards: Best Actress in Lead Role ( Justine Clarke ), Best Actress in Supporting Role ( Lisa Flanagan ), and Best Musical Score

Moon 44 is a 1990 science fiction, action film from Centropolis Film Productions, directed by Roland Emmerich and starring Michael Paré and Lisa Eichhorn and co-starring Brian Thompson.

Film critic Emanuel Levy liked the film and wrote, " The movie became influential, launching a cycle of " reunion " films, which included The Big Chill and the TV series Thirtysomething.

Film critic Bosley Crowther liked the film and wrote, "... Miss Hayward plays it superbly, under the consistently sharp direction of Robert Wise, who has shown here a stunning mastery of the staccato realistic style.

" Film critic James Berardinelli also liked the film and the screenplay, writing, " It would have been easy to trivialize Selena's story, turning it into a sudsy, made-for-TV type motion picture.

Film critic Dennis Schwartz liked the documentary, yet believed it provided only one point of view.

This was solved by employing Andrew Keir, who had played Quatermass in the Hammer Film Productions version of Quatermass and the Pit in 1967, a performance which Kneale had liked.

Film critic Dan Schneider liked the film especially the casting of new actor Pierre Blaise by Louis Malle.

Film critic Roger Ebert liked the film's direction, and wrote " Bill Forsyth's Gregory's Girl is a charming, innocent, very funny little movie about the weird kid.

Film critics Frederic and Mary Ann Brussat, who write for the web based Spirituality and Practice, liked the film, the acting and the direction of the film.

Film critic Roger Ebert liked the film and the characters but gave it a mixed review:

Film critic Dennis Schwartz liked the film and wrote, " Inferno loses something when not seen in 3-D as intended when released, nevertheless it remains as a taut survival thriller.

Film critic Dennis Schwartz also liked the film, writing, " The film was suspenseful, ably directed by Lang, and filled with all kinds of Freudian psychological interpretations about sexual repressions.

Film critic Pamela Troy liked the acting in the film and wrote, " Much more than a whistle blowing thriller, this beautifully made film is a powerful critique of profit-making over concern for human life.

Film critic Bosley Crowther liked the film, writing, " It's a brutal and disagreeable story, probably a little far-fetched, and without Mr. Schulberg's warmest character — the wistful widow who bestowed her favors on busted pugs.

Film critic Bosley Crowther, while having problems with the script, liked the location shooting and wrote, " Thanks to the actuality filming of much of its action in New York, a definite parochial fascination is liberally assured all the way and the seams in a none-too-good whodunnit are rather cleverly concealed.

When the film was screened in New York City in 2006 as part of Film Forum's festival devoted to the " B Noir " films of the 1940s and 1950s, film critic Ed Gonzalez for Slant magazine, reviewed the film and found he liked the picture's mise en scène and screenplay, writing, "... Side Street is a triumph of visual savvy and moral exactitude —- a scurrying spectacle of dog-cat-and-mouse throughout the veiny streets of New York City.

Film critic Roger Ebert liked the screenplay of the film, and wrote, " And on and on, around and around, in an elegant and sly deadpan comedy.

Film critic Dennis Schwartz also liked the film and wrote, " The downbeat sports drama is a marvelous understated character study of the marginalized leading desperate lives, where they have left themselves no palpable way out.

Film audiences repeatedly recognized certain performers in movies that they liked.

Jonathan Holland, film critic for Variety magazine and reporting from the San Sebastián International Film Festival, liked the film and wrote, " Argentine helmer Adolfo Aristarain turns a compassionate eye toward his own spiritual and political education in the rangy, quietly affecting and rewardingly intense Roma, his most achieved work to date.

Film critic Dennis Schwartz liked the film and wrote, " Arnold Laven ... does a solid job helming this serial killer slasher flick.