* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

In June 2009, Loach, Paul Laverty ( writer ) and Rebecca O ' Brien ( producer ) pulled their film Looking For Eric from the Melbourne International Film Festival, where the Israeli Embassy is a sponsor, after the festival declined the withdraw their sponsorship.

McDonald, Paul and Wasko, Janet ( 2010 ), The Contemporary Hollywood Film Industry, Blackwell Publishing Ltd. ISBN 978-1-4051-3388-3

It included two audio commentaries, one featuring actor-director-writer Dennis Hopper, the other Hopper, actor-writer Peter Fonda, and production manager Paul Lewis, Born to Be Wild ( 1995 ) and “ Easy Rider ”: Shaking the Cage ( 1999 ), documentaries about the making and history of the film, television excerpts showing Hopper and Fonda at the Cannes Film Festival, and a new video interview with BBS cofounder Steve Blauner.

Though the film won the Critics ' Award at the Berlin Film Festival it never saw popular release due to complications in securing the music rights for the 22 songs on the soundtrack, which included such big names as Dinah Washington, Paul Robeson, Louis Armstrong and Earth, Wind and Fire.

* 1999: Forever Mine Film starring Joseph Fiennes, Ray Liotta and Gretchen Mol, loosely but clearly based upon The Count of Monte Cristo, directed / written by Paul Schrader

* Duncan, Paul: Film Noir.

* New York Film Critics Circle Award for Best Director ( Paul Newman, winner )

He has influenced a number of other filmmakers, including Andrei Tarkovsky, Michael Haneke, Jim Jarmusch, the Dardenne brothers, Aki Kaurismäki, and Paul Schrader, whose book Transcendental Style in Film: Ozu, Bresson, Dreyer includes a detailed critical analysis.

* Transcendental Style in Film: Bresson, Ozu, Dreyer by Paul Schrader

* " The Cinema of Paul Morrissey " from Bright Lights Film Journal

The film was screened at the Minneapolis-St. Paul International Film Festival on April 9, 2005, where it won the award for Best Documentary.

Berkhamsted is also the home of the British Film Institute's BFI National Archive at King's Hill, one of the largest film and television archives in the world, which was generously endowed by John Paul Getty.

After losing his Aesop's Film Fables series to Van Beuren Studios in 1929, Paul Terry established a new studio called Terrytoons.

* Paul Andrew Williams, Film studies lecturer.

Subsequently, Blau was instrumental in hiring a number of professionals like Mel Powell ( dean of the School of Music ), Paul Brach ( dean of the School of Art ), Alexander Mackendrick ( dean of the School of Film / Video ), sociologist Maurice Stein ( dean of Critical Studies ), and Richard Farson ( dean of the School of Design ; now incorporated in the Art school ) as well other influential program heads and teachers such as Allan Kaprow, Bella Lewitzky, Michael Asher, Jules Engel, John Baldessari, Judy Chicago, James Hurtak, Ravi Shankar, Max Kozloff, Miriam Shapiro and Douglas Huebler, most of whom largely came from a counterculture and avant-garde side of the art world.

The appearances and personalities of other 1920s feline stars such as Julius of Walt Disney's Alice Comedies, Waffles of Paul Terry's Aesop's Film Fables, and especially Bill Nolan's 1925 adaptation of Krazy Kat ( distributed by the eschewed Winkler ) all seem to have been directly patterned after Felix.

Although a Fleischer cartoon, it appeared to be patterned after the Aesop's Film Fables of Paul Terry.

The film was nominated for two Academy Awards ; one for Best Film Editing, the other for Best Sound ( Paul Massey, Rick Kline, Doug Hemphill and Keith A. Wester ).

Cartoonist Paul Terry began his own series, called Aesop's Film Fables, in 1921 but by the time this was taken over by Van Beuren Studios in 1928 the story lines had little connection with any fable of Aesop's.

The book has been adapted as a 2009 docudrama by Paul Cowan, produced by the National Film Board of Canada.

Paul Donovan was trained as a director at the London Film School ; Michael graduated from Dalhousie University ’ s Law School and began as a producer of Paul ’ s film projects.

Former Jesus Film Project director Paul Eshleman, who was on location during much of the principal photography and even had a small non-speaking role as a Roman soldier on horseback, revealed in the DVD's audio commentary that Deacon ( the son of a Catholic mother and a Protestant father ), was so committed to the film and its message that he read several Bible translations a day in order to make certain that he properly presented Christ's teachings.

Many people were involved in the production, most notably: Nicholas Negroponte, founder and director of the Architecture Machine Group, who found support for the project from the Cybernetics Technology Office of DARPA ; Andrew Lippman, principal investigator ; Bob Mohl, who designed the map overlay system and ran user studies of the efficacy of the system for his PhD thesis ; Richard Leacock ( Ricky ), who headed the MIT Film / Video section and shot along with MS student Marek Zalewski the Cinéma vérité interviews placed behind the facades of key buildings ; John Borden, of Peace River Films in Cambridge, MA, who designed the stabilization rig ; Kristina Hooper of UCSC ; Rebecca Allen ; Scott Fisher, who matched the photos of Aspen in the silver-mining days from the historical society to the same scenes in Aspen in 1978 and who experiment with anamorphic imaging of the city ( using a Volpe lens ); Walter Bender, who designed and built the interface, the client / server model, and the animation system ; Steve Gregory ; Stan Sasaki, who built much of the electronics ; Steve Yelick, who worked on the laserdisc interface and anamorphic rendering ; Eric " Smokehouse " Brown, who built the metadata encoder / decoder ; Paul Heckbert worked on the animation system ; Mark Shirley and Paul Trevithick, who also worked on the animation ; Ken Carson ; Howard Eglowstein ; and Michael Naimark, who was at the Center for Advanced Visual Studies and was responsible for the cinematography design and production.