* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

In 1996, Kapoor earned her first Filmfare Award for Best Actress for Raja Hindustani, her biggest commercial success, and later received the National Film Award for Best Supporting Actress for her performance in the romantic drama Dil To Pagal Hai ( 1997 ).

His brother Yuvan Shankar Raja and sister Bhavatharini, who are also Tamil Film music directors and playback singers, have worked with him on notable projects.

After the fire at National Film Archive of India, Pune, in 2003, which destroyed the last surviving prints of several classics such as Raja Harishchandra and Achhut Kanya, this film is no longer available in its original format.

* Moon Moon Sen: Bengali Film Actress

* Konkona Sen Sharma, Indian Film Actor

Directed by Aparna Sen and filmed in English, 15 Park Avenue won the 2006 National Film Award for Best Feature Film in English.

His first film was Chalachitro directed by Mrinal Sen, where he won the prize for the best newcomer actor, at the Venice Film Festival.

Film historian Virginia Wright Wexman describes Antonioni's perspective on the world as that of a " postreligious Marxist and existentialist intellectual.

The British Film Institute's Screenonline website describes Lambert as " one of those producers who can often create a fascinating small screen universe from a slim script and half-a-dozen congenial players.

The British Film Institute describes Thames as having " served the capital and the network with a long-running, broad-based and extensive series of programmes, several of which either continue or are well-remembered today.

More politely, Ephraim Katz in his International Film Encyclopaedia describes Morley as a " a rotund, triple-chinned, delightful character player of the British and American stage and screen.

Film critic Roger Ebert describes Ripley as " charming, literate, and a monster ".

Film and Expanded Universe depictions of speeder bikes and swoops consistently portray the vehicles as fast and maneuverable: Expanded Universe material describes the speeder bikes in Return of the Jedi as being able to travel 500 kilometers per hour.

The British Film Institute describes Morrissey as being considered " one of the most versatile British actors of his generation ", and he is noted for his meticulous preparation for and research into the roles he plays.

The unattributed and undated review in the Time Out Film Guide 2009 describes the film as a " hit and miss affair " which is " good fun sometimes ", but suffers from a " threadbare " plot.

The British Film Institute's " Screenonline " website describes the serial as " one of the most influential series of the 1950s ", adding that " with its originality, mass appeal and dynamism, The Quatermass Experiment became a landmark of science fiction and the cornerstone of the genre on British television.

The British Film Institute's " Screenonline " website describes him as " a true pioneer of television ", while the critic Peter Black once wrote that: " Nobody was within a mile of Rudolph Cartier in the trick of making a picture on a TV screen seem as wide and as deep as CinemaScope.

* Film director Martin Scorsese, who is a huge fan of Fawlty Towers, describes " The Germans " as " so tasteless, it's hilarious ".

*" One Word Emotions " is a 2010 pop / rock song by The Sour Notes that is themed and titled after the scene when Ferdinand interacts with director Sam Fuller, who describes the cinema: " Film is like a battleground.

In a 2007 article for Film Comment, he describes the film's influence.

In Paul Farley's British Film Institute Modern Classics book on Distant Voices, Still Lives, Terence Davies describes how they chose the location for filming:

In his British Film Institute Modern Classics book, Paul Farley describes the inspiration that Terence Davies used for the biographical backbone of the film:

Film editor Sid Levin describes Mulligan as being " a bit aloof " during their first meeting but coming across as " a caring, sensitive, decent man.

Halliwell's Film and Video Guide describes the film as " a strong contender for the title of the worst movie ever made, with diaphanously clad English gals striking embarrassed poses against cardboard sets ".

" Ethan Alter of Film Journal International describes it as a " potent reminder that Indian filmmaking isn't limited to Bollywood super-productions.

Programme notes for a Boston Jewish Film Festival screening in 2004 hailed the play as " a BBC classic ... this bittersweet comedy about a British boy ’ s upcoming Bar Mitzvah features a strong sense of time and place stellar acting ", while the British Film Institute's website describes it as " a simple tale made memorable by genius writing and sympathetic performances.