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Fleischer and considered
Fleischer later stated that this referred to both Maher and remarks against Arabs by Representative John Cooksey that were considered disparaging.
Crandall received the opportunity to make Snow White on his own as a reward for his several years of devotion to the Fleischer studio, and the resulting film is considered both his masterwork and an important milestone of The Golden Age of American animation.
Nat Fleischer, the late ring historian and founding editor of The Ring magazine, considered Stanley to be the greatest middleweight in history.
Today, the Max Fleischer Superman cartoons are considered the final triumph of this great pioneer and his innovative studio.
The academy instilled in young Fleischer a strong belief in that the first task of a military officer was to defend his country and that regulations were to be considered standing orders in critical situations.

Fleischer and Disney's
One of Disney's main competitors was Max Fleischer, the head of Fleischer Studios, which produced cartoons for Paramount Pictures.
In 1934 Max Fleischer became interested in producing an animated feature film shortly after Disney's announcement of Snow White, however Paramount vetoed the idea.
In 1938 after Disney's success with Snow White and the Seven Dwarfs, Paramount gave the Fleischers permission to produce a feature film and Fleischer studio relocated itself from New York to Miami, Florida in order to avoid organized unions, which became a threat to the studio after a five-month strike occurred among Fleischer Studio workers in late 1937.
This change in content policy affected the content of cartoons that Fleischer was to produce for Paramount, who was urging Fleischer to consider emulating Walt Disney's cartoons.
Fleischer Studios ' efforts to emulate the Disney studio culminated in the production of animated feature films, following the success of Disney's Snow White and the Seven Dwarfs ( 1937 ).
And while he had concepts for full-length features, it was not until the success of Disney's Snow White and the Seven Dwarfs ( 1937 ) that the stodgy Paramount executives realized the value of an animated feature as Fleischer had been proposing for the previous three years.
Disney's exclusive contract with Technicolor, in effect until the end of 1935, forced other animators such as Ub Iwerks and Max Fleischer to use Technicolor's inferior two-color process or a competing two-color system such as Cinecolor.
Poet and Peasant appears in the Fleischer Studios 1935 Popeye cartoon The Spinach Overture ; the overture to Light Cavalry is used in Disney's 1942 Mickey Mouse cartoon Symphony Hour.
Early examples include the silent Out of the Inkwell ( begun in 1919 ) cartoons by Max Fleischer and Walt Disney's Alice Comedies ( begun in 1923 ).
Disney's multiplane camera, which used up to seven layers of artwork ( painted in oils on glass ) shot under a vertical and moveable camera, allowed for more sophisticated uses than the Iwerks or Fleischer versions, and was used prominently in Disney films such as Pinocchio, Fantasia, Bambi, and Peter Pan.
Color Classics were a series of animated short subjects produced by Fleischer Studios for Paramount Pictures from 1934 to 1941 as a competitor to Walt Disney's Silly Symphonies.
The influences can be seen with the prison mining set of Unisen minors ( Fleischer Studios ), Pincho and other creatures dancing with a mop ( Disney's Fantasia ) and the reference to Pinocchio when Olga is given new life.

Fleischer and rival
Despite a contract with MGM to distribute his cartoons, and the introduction of a new character named “ Flip the Frog ”, and later “ Willie Whopper ”, the Iwerks Studio was never a major commercial success and failed to rival either Disney or Fleischer Studios.
While Walt was the creative man, Roy was the one who made sure the company was financially stable ; Roy and Walt both founded Disney Studios as brothers, but Walt would buy out most of Roy's share in 1929 and, unlike Max and Dave Fleischer of rival Fleischer Studios, Roy was not a co-producer.
Although the rift with his brother Dave was never resolved, Max eventually formed a friendship with his old rival Walt Disney, who welcomed Max to a reunion with former Fleischer animators who were by then employed by Disney.
Among the cartoon series Fleischer supervised during this period were Talkartoons, Betty Boop Cartoons, Popeye the Sailor, Color Classics and several others ; Popeye would go on to be the top rival of Mickey Mouse.

Fleischer and 1930s
This casting practice goes back to the early 1930s with actresses such as Mae Questel providing the voices of various male babies and children in Fleischer Studios cartoons, and continues with Elizabeth " E. G ." Daily as Tommy Pickles on Rugrats and All Grown Up!
Fleischer used rotoscoping in a number of his later cartoons, most notably the Cab Calloway dance routines in three Betty Boop cartoons from the early 1930s, and the animation of Gulliver in Gulliver's Travels ( 1939 ).
Among the film's artistic influences included 1940s big band and jazz music and Max Fleischer cartoons of the 1930s ( such as Betty Boop ).
Some studios, most notably Fleischer Studios, continued to post-synch their cartoons through most of the 1930s, which allowed for the presence of the " muttered ad-libs " present in many Popeye the Sailor and Betty Boop cartoons.
He was also present in animated versions of Popeye's adventures, including three appearances in the Fleischer Studios shorts of the late 1930s / early 1940s, with more extensive appearances in later Popeye cartoons produced for TV.
* Bimbo ( Fleischer ), a 1930s Fleischer Studios cartoon dog character, boyfriend of Betty Boop

Fleischer and was
Rasmussen was born in Ilulissat, Greenland, the son of a Danish missionary, the vicar Christian Rasmussen, and an Inuit-Danish mother, Lovise Rasmussen ( née Fleischer ).
However, a huge blow to Fleischer Studios occurred in 1934, after the Production Code was enforced and Betty Boop's popularity declined as she was forced to have a more tame personality and wear a longer skirt.
After an unsuccessful expansion into feature films, as well as the fact that Max and Dave Fleischer were no longer speaking to one another, Fleischer Studios was acquired by Paramount, which renamed the operation Famous Studios.
The title role was played by Charles Fleischer, who later performed the voice of Roger Rabbit in Hollywood.
By the end of the decade, he had moved to the United States, but his choice of roles was often criticisedhe admitted to and has since made many self-deprecating comments about taking parts, strictly for the money, in numerous films he knew to be bad, despite working with Hollywood's highly regarded directors such as Irwin Allen, Richard Fleischer, Michael Ritchie and Oliver Stone.
The trailer was animated by Dave Fleischer ( producer of Popeye cartoons ) and produced by Filmack Studios of Chicago, a company that specialized in snipes.
* Krypton was very briefly depicted in the first Fleischer Studios-produced Superman cartoon in the early 1940s as " a planet that burned like a green star in the distant heavens where civilization was far advanced and it brought forth a race of Supermen whose mental and physical powers were developed to the absolute peak of human perfection ," implying that all Kryptonians had Superman's abilities even on their own planet.
Dave Fleischer was credited as director, although virtually all the animation was done by Roland Crandall.
The use of budget-cutting animation measures in animation dates at least to the 1920s ; a handful of the Bosko cartoons in the early years of the Looney Tunes series used several visible tricks ( such as mirror images and repeated scenes ) to give the shorts the comparable appearance of the Disney shorts of the same era, even though they were produced on a budget of just over half of their Disney counterparts ( Disney himself was known to recycle animation in his early years as well ); meanwhile, Max Fleischer took the obvious shortcut of recording the entire soundtrack in one session after the animation was completed in his 1930's cartoons ; he also made frequent use of " mumbling " to avoid the need to synchronize animating mouths to voices.
The animation was strongly influenced by the house styles of Fleischer Studios and Terrytoons.
After this fight, he received The Ring Bantamweight Championship, which was presented by the magazine's editor, Nat Fleischer.
The Air Force One entourage was pared down to a few essential staffers such as Ari Fleischer, Andrew Card, Karl Rove, Dan Bartlett, and Gordon Johndroe, plus about five reporters.
Through the summer the number was built up to around 1500 under the command of General Carl Gustav Fleischer.
Steamboat Willie was not the first sound cartoon, Max and Dave Fleischer had produced Song Car-Tunes since 1926.
Fleischer Studios was a family-owned business, operated by Max Fleischer and his younger brother Dave Fleischer, who supervised the production of the cartoons.

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