* 1930 – Cosima Wagner, Hungarian daughter of Franz Liszt and widow of Richard Wagner ( b. 1837 )

Franz Schubert, Ludwig van Beethoven and Franz Liszt were among the most famous of his pupils.

His teaching of budding young musicians continued, and among his pupils in composition ( usually vocal ) were Ludwig van Beethoven, Antonio Casimir Cartellieri, Franz Liszt, Franz Schubert and many other luminaries of the early Romantic period.

), Moritz Count von Dietrichstein, Heinrich Eduard Josef Baron von Lannoy, Ignaz Franz Baron von Mosel, Carl Czerny, Johann Nepomuk Hummel, Ignaz Moscheles, and the eight-year-old Franz Liszt ( although it seems Liszt was not invited personally, but his teacher Czerny arranged for him to be involved ).

From 1899 to 1903, Bartók studied piano under István Thomán, a former student of Franz Liszt, and composition under János Koessler at the Royal Academy of Music in Budapest.

They also underpin the fact that Rossini himself was an outstanding pianist whose playing attracted high praise from people such as Franz Liszt, Sigismond Thalberg, Camille Saint-Saëns and Louis Diémer.

Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.

Franz Liszt was seminal in finding uses for the harp in his orchestral music, and Mendelssohn and Schubert used it in theatrical music or oratorios.

In 1880, he went to Budapest to study with Franz Liszt, only to find out that Liszt was in Weimar, Germany.

On this tour he met Joseph Joachim at Hanover, and went on to the Court of Weimar where he met Franz Liszt, Peter Cornelius, and Joachim Raff.

Famous visitors to Luxembourg in the 18th and 19th centuries included the German poet Johann Wolfgang von Goethe, the French writers Emile Zola and Victor Hugo, the composer Franz Liszt, and the English painter Joseph Mallord William Turner.

Franz Liszt, Robert Schumann, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.

* Franz Liszt – Six Grandes Études de Paganini, S. 141 for solo piano ( 1851 ) ( virtuoso arrangements of 5 caprices, including the 24th, and La Campanella from Violin Concerto No. 2 )

By the 1820s, the center of innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin and the Érard firm manufactured those used by Franz Liszt.

* Franz Liszt

The Romantic composer Franz Liszt set three of Petrarch's Sonnets ( 47, 104, and 123 ) to music for voice, Tre sonetti del Petrarca, which he later would transcribe for solo piano for inclusion in the suite Années de Pèlerinage.

* Franz Liszt, Album Leaf: " Ah!

* April 13, 1823 – Eleven-year-old Franz Liszt gives a concert after which he is personally congratulated by Ludwig van Beethoven.

* July 31 – Franz Liszt, Hungarian pianist and composer ( b. 1811 )

Political philosophers Leo Strauss and Hannah Arendt received their university education during the Weimar Republic and moved in Jewish intellectual circles in Berlin, and were associated with Norbert Elias, Leo Löwenthal, Karl Löwith, Julius Guttmann, Hans-Georg Gadamer, Franz Rosenzweig, Gershom Scholem, and Alexander Altmann.

The first production of Lohengrin was in Weimar, Germany on 28 August 1850 at the Staatskapelle Weimar under the direction of Franz Liszt, a close friend and early supporter of Wagner.

Upon moving to Weimar in 1809, Arthur didn't settle in his mother's home, but to that of his young instructor, Franz Passow.

Leopold Damrosch, Franz Liszt's former concertmaster at Weimar, served as conductor of the Philharmonic for the 1876-1877 season.

Franz Liszt ( 1811 – 1886 ) was an enthusiastic supporter of Samson et Dalila and was instrumental in arranging the first production in Weimar.

In the summer of 1872, not too long after the premiere of Saint-Saëns's second opera La princesse jaune, the composer went to Weimar to see the first revival of Wagner's Das Rheingold under the baton of Franz Liszt, the former musical director of the Weimar court orchestra and opera.

While Liszt had been inspired to some extent by the ideas of Richard Wagner in unifying ideas of drama and music via the symphonic poem, Wagner gave Liszt's concept only lukewarm support in his 1857 essay On the Symphonic Poems of Franz Liszt, and was later to break entirely with Liszt's Weimar circle over their aesthetic ideals.

* Walker, Alan, Franz Liszt, Volume 2: The Weimar Years, 1848-1861 ( New York: Alfred A Knopf, 1989 ).

Outside England, a major adaptation of the tetralogy took place in 1864 in Weimar under the direction of Franz von Dingelstedt, who, seven years previously had staged the play unedited.

Outside England, a major European adaptation of the tetralogy took place in 1864 in Weimar under the direction of Franz von Dingelstedt, who, seven years previously had staged the play unedited.

Outside England, a major European adaptation of the tetralogy took place in 1864 in Weimar under the direction of Franz von Dingelstedt, who, seven years previously had staged the play unedited.

* Franz Liszt takes up full-time post as conductor to the Weimar court orchestra

In 1848, Franz Liszt took up residence in Weimar, determined to re-establish the town's reputation as the Athens of Germany.

In 1851, Franz Liszt offered to revive the opera in a new production ( and version ) in Weimar, and suggested changes to the score to Berlioz.

Later he spent two summers with Franz Liszt in Weimar.

His father introduced him to Franz Liszt in Weimar at the age of 14.

In 1878 he returned to Vienna and began teaching there, creating one of the most eminent private piano studios in history, second only perhaps to that of Franz Liszt in Weimar.

A few years at the Leipzig conservatory did not seem to benefit his development, but after one of the early performances of Wagner's Lohengrin he was won to the camp of the New German School centered around Franz Liszt at Weimar, where he stayed from 1856 ( arriving just after Joachim Raff's departure ) to 1861.

Later the same year she played at the Gewandhaus in Leipsic, becoming a pupil of Franz Liszt in Weimar in 1873.

After graduating with high distinction from the Conservatoire at the age of 17, De Greef went to Weimar to complete his studies under Franz Liszt.

Their opponents, the radical progressives in Weimar, were represented by Franz Liszt and the members of the so-called New German School (" Neudeutsche Schule "), and by Richard Wagner.

* James Tait Black Memorial Prize for biography: Alan Walker, Franz Liszt: The Virtuoso Years

* Walker, Alan: Franz Liszt, Volume 1, The Virtuoso Years 1811-1847, Revised Edition, New York 1987.

Années de pèlerinage ( Years of Pilgrimage ) ( S. 160, S. 161, S. 163 ) is a set of three suites by Franz Liszt for solo piano.

* Ep 521 ( 2006-04-23 ) 30 Years of Punk Rock, Part 1 ( Pre-Punk )-featuring: Ramones & Franz Liszt & The Kingsmen & Gene Vincent & Eddie Cochran & The Troggs & The Velvet Underground & The Stooges & New York Dolls & David Bowie & Television & Patti Smith

Cardinal Franz von Dietrichstein, son of Adam von Dietrichstein, was a special protector of the Jews, whose taxes were necessary to finance the Thirty Years ' War.

These were a cameo part as writer George Sand in the biopic Song Without End ( 1960 ), co-starring Dirk Bogarde as composer Franz Liszt, another cameo in the comedy film Won-Ton-Ton — The Dog Who Saved Hollywood ( 1976 ), and as herself in the documentary Broadway — The Golden Years ( 2003 ).

Franz Freiherr von Mercy ( or Merci ), Lord of Mandre and Collenburg ( died 1645 ), was a German general in the Thirty Years ' War.