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Friese-Greene and plates
Friese-Greene was fascinated by the machine and in 1886 he began work with Rudge on enhancing it in order to project photographic plates.

Friese-Greene and would
" It was he, along with unofficial Talk Talk member Tim Friese-Greene, who took the lead in evolving the band's style from New Romantic into what would later become known as post-rock.

Friese-Greene and for
By this time, Webb had left the group and Talk Talk had morphed into what was essentially a brand name for the studio recordings of Hollis and Friese-Greene, along with a bevy of session studio players ( including long-term Talk Talk drummer Harris, who featured intermittently ).
The stereoscopic era of motion pictures began in the late 1890s when British film pioneer William Friese-Greene filed a patent for a 3D movie process.
Instead, musicians improvised with their instruments for many hours, then Hollis and producer Tim Friese-Greene edited and arranged the performances to get the sound they wanted.
Neame produced The Magic Box, a screen biography directed by John Boulting about the life of British camera inventor William Friese-Greene, which was the 1951 film project for the Festival of Britain.
In the U. K., William Friese-Greene developed another additive colour system for film called Biocolour.
However, in 1914 George Albert Smith sued Friese-Greene for infringing Kinemacolor's patents, slowing the development of Biocolour by Friese-Greene and his son Claude in the 1920s.

Friese-Greene and pictures
Friese-Greene ’ s experiments in the field of motion pictures were at the expense of his other business interests and in 1891 he was declared bankrupt.
Friese-Greene found it impossible to exhibit Biocolour motion pictures because a rival system — developed by George Albert Smith and Charles Urban and known as Kinemacolor – claimed that any colour film was an infringement of their prior patent.

Friese-Greene and with
Friese-Greene gave a public demonstration in 1890 but the low frame rate combined with the device's apparent unreliability failed to make an impression.
Friese-Greene gave a public demonstration in 1890 but the low frame rate combined with the device's apparent unreliability made an unfavourable impression.
Other notices include the 1930s Kings Road, Chelsea, London, Odeon Cinema, with its iconic facade, which carries high upon it a large sculptored head-and-shoulders medallion of " William Friese-Greene " and his year of birth and death.
Friese-Greene gave a public demonstration in 1890 but the low frame rate combined with the device's apparent unreliability failed to make an impression.
At this point, the band replaced Brenner with unofficial fourth member Tim Friese-Greene, who became Talk Talk's keyboard player, producer, and Hollis ' frequent songwriting partner.
Although a major contributor to the band's studio output, Friese-Greene did not regularly play with the band during live shows or appear in publicity material.
Almost opposite is the former Odeon Cinema, now Habitat, with its iconic façade which carries high upon it a large sculptured medallion of the now almost-forgotten William Friese-Greene, who claimed to have invented celluloid film and cameras before any subsequent patents.
* The 1889 film Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses, photographed by William Friese-Greene, shows Londoners walking along Apsley Gate, Hyde Park, with horse-drawn conveyances passing by.
The group went into the studio with producers Robert John " Mutt " Lange, Tim Friese-Greene ; Huw Gower produced ' The Phone ', which was added to the album in preference to one of Mutt's efforts, the single Tim Moore song " Rock ' n ' Roll Love Letter ", dominated by Lange's vocals.

Friese-Greene and by
Several feature films were planned, but only one was completed in time, The Magic Box, a biographical film about cinema pioneer William Friese-Greene, made by Festival Film Productions.
Disturbed by the tone of the proceedings Friese-Greene got to his feet to speak but soon became incoherent.
In 2006 the BBC ran a series of programmes called The Lost World of Friese-Greene, presented by Dan Cruickshank about Claude Friese-Greene's road trip from Land's End to John o ' Groats, The Open Road, which he filmed from 1924 to 1926 using the Biocolour process.
* Short film on YouTube about William Friese-Greene by his great grandson.
* Screenonline: Friese-Greene, William ( 1855 – 1921 ) Biography by Luke McKernan
Grave of William Friese-Greene by Edwin Lutyens | Lutyens, East Cemetery
It has been stated elsewhere that he was the grandson of the inventor William Friese-Greene, who is credited by some as the inventor of cinematography, but Friese-Greene's genealogy shows no connection whatsoever to Richard Greene.
The following year, the EP Mad Love ( produced by Robin Guthrie of Cocteau Twins ) and the single " Sweetness and Light " ( produced by Tim Friese-Greene ) were released.
By this time, all Talk Talk songs were being written by Hollis and Friese-Greene.
The songs were written by Mark Hollis and Tim Friese-Greene, and performed by numerous musicians using a diverse combination of instruments.
In 1910 Urban founded the Natural Colour Kinemacolor Company, which successfully used the process to produce over 100 short features at its studios in Hove and Nice, until it was put out of business by a 1914 patent suit filed by William Friese-Greene, which ended Smith's film career.

Friese-Greene and was
On June 21, 1889, William Friese-Greene was issued patent no.
William Friese-Greene ( 7 September 1855 – 5 May 1921 ) ( born William Edward Green ) was a British portrait photographer and prolific inventor.
On 21 June 1889, Friese-Greene was issued patent no.
In 1921 Friese-Greene was attending a film and cinema industry meeting in London.
Carpenter and Herbert have written, " He was the subject of a romantic and unreliable biography, Friese-Greene, Close-Up of an Inventor which was then turned into an even more misleading film The Magic Box.
On June 21 1889, William Friese-Greene was issued patent no.
The album was assembled from many hours of improvised instrumentation that Hollis and Friese-Greene had edited and arranged using digital equipment.

Friese-Greene and motion
On 18 March, Friese-Greene sent a clipping of the story to Thomas Edison, whose laboratory had been developing a motion picture system known as the Kinetoscope.
On 18 March, Friese-Greene sent a clipping of the story to Thomas Edison, whose laboratory had been developing a motion picture system known as the Kinetoscope.

Friese-Greene and .
* 1855 – William Friese-Greene, English photographer ( d. 1921 )
* Friese-Greene, A.
Friese-Greene resided at Cliff Road Dovercourt, Harwich from 1897 to 1904.
With the financial assistance of the renowned British racing driver Selwyn Francis Edge, Friese-Greene attempted to invalidate Urban's patent in court.
Friese-Greene claimed that the patent did not contain enough detail to encompass the Biocolour process.
His son Claude Friese-Greene continued to develop the system during the 1920s.
A modern office building a few metres away is named Friese-Greene House.

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