Help


[permalink] [id link]
+
Page "Frippertronics" ¶ 3
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Fripp and first
Over 1981 and 1982, Summers recorded his first album with Robert Fripp, I Advance Masked.
This made Belew the first guitarist to formally play alongside Fripp within King Crimson on an equal footing ( although both Ian McDonald and John Wetton had very occasionally contributed extra guitar to previous King Crimson recordings ).
For the first 19 years of their marriage the couple lived largely separate lives due to the demands of their careers: she in Pershore, Worcestershire, UK, Fripp in the US, and rarely saw each other for more than 12 weeks every year.
This delay system was first used in live situations for a short European Fripp & Eno tour in May – June 1975.
For their second album, Matching Mole's Little Red Record, released in November 1972 and produced by Robert Fripp of King Crimson, Sinclair was replaced by New Zealand-born keyboard player and composer Dave MacRae who had already played a guest role on the first album.
This split was meant to emphasize Belew on the first half, and Fripp on the second half.
When it was first performed live, some of its lyrics were improvised around an illicit recording made by Robert Fripp of his neighbours having a vicious argument when he was living in New York ; this recording is featured on the track " NY3 " on Fripp's solo album Exposure.
It was one of the first releases of archival recordings by Discipline Global Mobile, the music company founded by Robert Fripp.
The first disc consists of live recordings performed by the band's second active lineup ( Robert Fripp, Boz Burrell, Mel Collins, Ian Wallace, Peter Sinfield ) recorded in 1971 and 1972.
Completed in 1997, Ocean Creek is his first signature course and is located on Fripp Island, South Carolina.
The First Day is the first of three collaborations between David Sylvian and Robert Fripp.

Fripp and used
In 1973, musicians Brian Eno and Robert Fripp used an entirely similar idea to make the album No Pussyfooting ; Robert Fripp later coining the term " Frippertronics " to describe this process pioneered by Terry Riley.
Frippertronics was a specific tape looping technique used by Robert Fripp.
Fripp used this technique to dynamically create recordings containing layer upon layer of electric guitar sounds in a real time fashion.
Fripp used this type of Frippertronics to perform live solo concerts in small, informal venues.
Frippertronics was also used by Fripp in more conventional rock recordings, replacing what could be viewed as musical parts normally served by orchestral backing.
Ball's design is also used as the logo of Discipline Global Mobile, the music label founded by Fripp, which has become the label for King Crimson, Fripp, and associated artists.
As a result of this, the credit of " Mellotron " by Robert Fripp is an error-although there is Mellotron on " THRAK ", there is none on " B ' Boom ", nor was one used on this Argentinian tour.
Robert Fripp joined them on guitar, and their live cover of " Heroes " ( which was later used as a B Side ) was recorded there.

Fripp and technique
The term originated in reference to medieval French motets, but the technique remains in common use in contemporary music ( Louis Andriessen's Hoketus ), popular music ( funk, stereo panning, the work of Robert Fripp and Adrian Belew in King Crimson ), Indonesian gamelan music ( interlocking patterns shared between two instruments — called imbal in Java and Kotekan in Bali ), Andean siku ( panpipe ) music ( two pipe sets sharing the full number of pitches between them ), handbell music ( tunes being distributed between two or more players ), Rara street processions in Haiti, as well as in the Gaga in the Dominican Republic and many African cultures such as the Ba-Benzélé ( featured on Herbie Hancock's " Watermelon Man ", see Pygmy music ), Mbuti, Basarwa ( Khoisan ), the Gumuz tribe from the Blue Nile Province ( Sudan ), and Gogo ( Tanzania ).

Fripp and while
After the Synchronicity tour ended in March 1984, the band went on hiatus while Sting recorded and toured in support of his successful solo debut LP, the jazz-influenced The Dream of the Blue Turtles, released in June 1985, Copeland recorded and filmed The Rhythmatist ( 1985 ) and Summers recorded another album with Robert Fripp ( Bewitched, 1984 ) and the theme song for the film 2010.
With this album, the band began to shed its original shoegazing tag, while still making skillful use of atmospherics, such as on the song " Fripp.
Included was the method of rewinding the recorded tape, to be played back while Fripp would improvise a guitar solo on top of it.

Fripp and recording
However, after being presented with the highly experimental recording ( produced by Robert Fripp of King Crimson ), RCA became unwilling to release what was, in their view, a non-commercial album.
Toyah Willcox and Robert Fripp released a recording of " The Lady, or the Tiger?
At the end of side two there is a recording of studio chatter followed by Fripp saying, among other things, "... What we're going to do, umm ... do it twice more, once with the oboe, once without it, and then ... we finish ".
After Haskell contributed vocals to the track " Cadence and Cascade " on In the Wake of Poseidon, Fripp asked him to become an official member of King Crimson for the recording of Lizard.
Collins, on the other hand, remained in King Crimson with Fripp for the recording of the group's next album, Islands.
This account was recorded by Fripp without Belew's knowledge as well, and is featured on the Discipline version of the track ( as well as almost all live versions ), in place of those earlier lyrics that were based on Fripp's New York recording.
It was their last studio recording of the 1970s and the last before the lead member Robert Fripp temporarily disbanded the group.
This was a far more ambitious recording than their debut release and featured many guest performers including Barbieri, Jansen, Robert Fripp and Ian Carr.

Fripp and Brian
It was with their second album, 1978's More Songs About Buildings and Food that the band began its long-term collaboration with producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp ; the title of Eno's 1977 song " King's Lead Hat " is an anagram of the band's name.
Later, inspired by Terry Riley's use of one tape on two tape machines, Brian Eno and Robert Fripp created the technical basis for their No Pussyfooting album — this technological concept was later dubbed Frippertronics.
In the early 1970s, musicians Brian Eno and Robert Fripp utilized the techniques pioneered by Terry Riley in the 60s.
During the 1970s progressive rock, experimental rock, art rock, krautrock and avant-prog genres demonstrated the influence of experimental music, including minimalism, for example acts such as Soft Machine, King Crimson, Brian Eno, Robert Fripp and Mike Oldfield.
In the late 1970s Brian Eno's defining explorations in ambient music further influenced the formation of the New Age music genre, as developed in the styles of musicians such as Robert Fripp, Jon Hassell, Laraaji, Harold Budd, Cluster, Jah Wobble ( of post-punk band Public Image Limited ).
Dark ambient evolved partially based on several of Brian Eno's early solo albums ( Another Green World -> In Dark Trees, Music For Films ) and colaboration that had a distinctly dark or discordant edge, notably " An Index of Metals " ( from Evening Star, 1975 ), a collaboration with Robert Fripp that incorporated harsh guitar feedback, the ambient pieces on the second half of David Bowie's Low ( 1977 ) and " Heroes ", Fourth World, Vol.
* Evening Star ( album ), by Robert Fripp and Brian Eno
#" Walk On ... No Pussyfooting " ( Brian Eno, Robert Fripp ) – 0: 35
#" No Pussyfooting " ( Brian Eno, Robert Fripp ) 2: 11
The Robert Fripp and Brian Eno LP Evening Star has on its cover a Schmidt painting.
The Hitchhiker's Guide to the Galaxy: The Original Radio Scripts lists works including A Modern Mass for the Dead ( Requiem ) by György Ligeti, A Rainbow in Curved Air by Terry Riley, Volumina by György Ligeti, Wind on Water by Robert Fripp and Brian Eno, Poppy Nogood and the Phantom Band by Terry Riley, Cachaca by Patrick Moraz, Shine on You Crazy Diamond ( intro ) by Pink Floyd, Rock and Roll Music by The Beatles, Also sprach Zarathustra ( intro ) by Richard Strauss, Katakomben by Gruppe Between, Space Theme by Stomu Yamashta, Oxygène by Jean Michel Jarre, That's Entertainment by Howard Dietz and Arthur Schwartz, Over Fire Island by Eno ( with Fripp ), Miracles of the Gods by Absolute Everywhere, Mikrophoniet by Karlheinz Stockhausen, Melodien by György Ligeti, The Engulfed Cathedral by Isao Tomita, Volkstanz by Gruppe Between and What a Wonderful World by Louis Armstrong.
Since its inception in 1995, G3 has toured most years and has featured many guitarists, including Steve Vai ( Satriani's former student ), Eric Johnson, Kenny Wayne Shepherd, Yngwie Malmsteen, John Petrucci, Robert Fripp, Paul Gilbert, Steve Morse, Steve Lukather, Uli Jon Roth, Michael Schenker, Adrian Legg and many other special guests, including Tony MacAlpine, Johnny Hiland, Keith More, Chris Duarte, Andy Timmons, Neal Schon, Gary Hoey, Brian May, Billy Gibbons, Johnny A, George Lynch, Patrick Rondat, Herman Li, Alejandro Silva, and Eric Sardinas.

0.179 seconds.