Frutiger ( pronounced with a hard g ) is a series of typefaces named after its designer, Adrian Frutiger.

Frutiger is a sans-serif typeface by the Swiss type designer Adrian Frutiger.

The result is that Frutiger is a distinctive and legible typeface.

Frutiger is also used by the Indian MNC Larsen & Toubro Ltd

This is a version of the original Frutiger font family licensed to Microsoft.

This is a variant of Frutiger used by Swiss authorities as the new font for traffic signs, replacing VSS since 2003.

This is a variant of Frutiger Next designed with Eva Masoura for Linotype, originally published as a TDC2 2006 entry.

This is an expanded version of Frutiger Next W1G.

Frutiger Stones Positive is Regular without the stone outline, while Negative is a reverse fill of the Regular.

Frutiger Capitalis Outline is the outline version of Frutiger Capitalis Regular.

This is a font family designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Frutiger and with the consulting of Adrian Frutiger.

This is a serif font family designed by Adrian Frutiger and Akira Kobayashi.

This is an expanded version of the original Frutiger family designed by Adrian Frutiger and Akira Kobayashi.

Unlike the original family, the Frutiger numbering scheme is not used.

However, in an interview, Adrian Frutiger commended the work of Myriad's designer, Robert Slimbach, " except the unnecessary doubt concerning Myriad, his work is also very good.

Company name is in Frutiger in the official website.

Univers (, " ünivair ") is the name of a realist sans-serif typeface designed by Adrian Frutiger in 1954.

Frutiger was also produced by Bitstream under the name ' Humanist 777 '.

The Connexions ( agency ) in the UK also uses Frutiger as its official typeface

The Hong Kong Institute of Certified Public Accountants in the Hong Kong also uses Frutiger as its official typeface

Kieser Training AG and Kieser Training Australia also use Frutiger as its official typeface.

Microsoft also has a current up-to-date license that allows us to distribute certain Frutiger fonts in connection with Microsoft products including Office and Windows.

Lucent Technologies used Frutiger in their logo.

It was first used with Univers, and was adopted for use in the Frutiger, Avenir, and Neue Helvetica typeface families.

From 1995 to 1997, the logo used the font Palatino in upper-case for the words " The National ", and Frutiger in upper-case for the words " CBC News " underneath.

In 2001, a logo was introduced that used the typeface Microgramma, centred on two lines, with the CBC News logo underneath in Frutiger.

The logo used the typeface Frutiger in upper case.

Additionally, unlike clone typefaces, the Segoe family of fonts are not metrically compatible with Frutiger so cannot be used as replacements.

Segoe UI has a true cursive italic, unlike the oblique used in Frutiger and Helvetica.

TOCs may use what they like: examples include Futura ( Stagecoach Group ), Helvetica ( FirstGroup and National Express ), Frutiger ( Arriva Trains Wales ), Bliss ( CrossCountry, an Arriva franchise but not branded as such ), and a modified version of Precious by London Midland.

The library contains such famous trademarked typefaces as Palatino and Optima by Hermann Zapf ; Frutiger, Avenir and Univers by Adrian Frutiger ; and Helvetica by Max Miedinger and Eduard Hoffman.

The Frutiger family was released publicly in 1976, by the Stempel type foundry in conjunction with Linotype.

Different weights and variations within the type family are designated by the use of numbers rather than names, a system since adopted by Frutiger for other type designs.

It is a companion to the Latin typeface Univers Next designed by Nadine Chahine with the consulting of Adrian Frutiger.

Specimens of typefaces by Adrian Frutiger.

URENCO Group, a nuclear fuel company operating several uranium enrichment plants in Germany, the Netherlands, the United Kingdom, and the United States, uses Frutiger as its official typeface for all marketing materials.

Notable names in mid-century modern design include Adrian Frutiger, designer of the typefaces Univers and Frutiger ; Paul Rand, who, from the late 1930s until his death in 1996, took the principles of the Bauhaus and applied them to popular advertising and logo design, helping to create a uniquely American approach to European minimalism while becoming one of the principal pioneers of the subset of graphic design known as corporate identity ; and Josef Müller-Brockmann, who designed posters in a severe yet accessible manner typical of the 1950s and 1970s era.

The British Rail typefaces of choice from 1965 were Helvetica and Univers, with others ( particularly Frutiger ) coming into use during the sectorisation period after 1983.

Bearing similarities to humanist sans-serif typefaces such as Frutiger, Verdana was designed to be readable at small sizes on a computer screen.

Instead of using one of his previously designed typefaces like Univers, Frutiger chose to design a new one.

Some major uses of Frutiger are in the corporate identity of Raytheon, the National Health Service in England, Telefónica O2, the British Royal Navy, the London School of Economics and Political Science, the Canadian Broadcasting Corporation, the Conservative Party of Canada, the Banco Bradesco in Brazil, the Finnish Defence Forces and on road signs in Switzerland.

This family consists of Frutiger 55, 56, 65, 66.

It does not include OpenType features and kerning, but it adds support to Latin Extended-B and Greek characters, with Frutiger 55 supporting extra IPA characters, spacing modifier letters.

Unlike most Frutiger variants Frutiger Linotype features old style figures as the default numeral style.

Frutiger Linotype can be found in Microsoft products featuring Microsoft Reader, as well as the standalone Microsoft Reader package.

It was based on Frutiger 57 Condensed, but with widening ascenders and descenders, which are intended to give the eye a better hold than was the case with the earlier version.

The Frutiger family was updated in 1997 for signage at the Alte Pinakothek in Munich.