File: Jacques-Louis David 013. jpg | Portrait of Jean Auguste Dominique Ingres, or Portrait of Georges Rouget, 1800

Georges Auguste Escoffier is commonly acknowledged as the central figure to the modernization of haute cuisine and organizing what would become the national cuisine of France.

The first edition ( 1938 ) was edited by Prosper Montagné, with prefaces by Georges Auguste Escoffier and Philéas Gilbert.

Wider views of Cubism include artists who were later associated with the ‘ Salle 41 ’ artists, e. g., Francis Picabia ; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who from late 1911 formed the core of the Section d ' Or ( or the Puteaux Group ); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens ; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini ( after 1916 ), María Blanchard ( after 1916 ) and Georges Valmier ( after 1918 ).

* French — Ballieu, A. Jacques: Pierrot at the Seaside ( 1905 ); Beissier, Fernand: Mon Ami Pierrot ( 1923 ); Champsaur, Félicien: The Wedding of the Dream ( pantomimic interlude in novel Le Combat des sexes ); Guitry, Sacha: Deburau ( 1918 ); Hennique, Léon: The Redemption of Pierrot ( 1903 ); Morhardt, Mathias: Mon ami Pierrot ( 1919 ); Strarbach, Gaston: Pierrot's Revenge ( 1913 ); Tervagne, Georges de, and Colette Cariou: Mon ami Pierrot ( 1945 ); Voisine, Auguste: Pierrot's Scullery-Brats ( 1903 ).

It also holds works by a wide range of influential European and American artists including Georges Braque, Marcel Duchamp, Walker Evans, Helen Frankenthaler, Alberto Giacometti, Arshile Gorky, Hans Hofmann, Edward Hopper, Paul Klee, Franz Kline, Willem de Kooning, Dorothea Lange, Fernand Léger, Roy Lichtenstein, Morris Louis, René Magritte, Aristide Maillol, Joan Miró, Henry Moore, Kenneth Noland, Georgia O ' Keeffe, Jackson Pollock, Robert Rauschenberg, Auguste Rodin, Mark Rothko, David Smith, Frank Stella, and hundreds of others.

French cuisine was codified in the 20th century by Georges Auguste Escoffier to become the modern version of haute cuisine.

* Georges Canguilhem, « Histoire des religions et histoire des sciences dans la théorie du fétichisme chez Auguste Comte », Études d ' histoire et de philosophie des sciences, Vrin, 1968 ;

Robert Hue, in full Robert Georges Auguste Hue ( born 19 October 1946 ), is a French politician who was National Secretary of the French Communist Party ( PCF ) from 1994 to 2001 and President of the PCF from 2001 to 2002.

Painters made Argenteuil famous, including Claude Monet, Jean-Étienne Delacroix, Auguste Renoir and Georges Braque.

Also in 1908, Metzinger exhibited at Galerie Notre-Dame-des-Champs ( Paris ) with Georges Braque, Sonia Delaunay, André Derain, Raoul Dufy, Auguste Herbin, Jules Pascin and Pablo Picasso.

Georges Auguste Escoffier is a central figure in the modernisation of haute cuisine as of about 1900, which became known as cuisine classique.

Georges Auguste Escoffier ( pronounced ; 28 October 1846 – 12 February 1935 ) was a French chef, restaurateur and culinary writer who popularized and updated traditional French cooking methods.

Anger has described filmmakers such as Auguste and Louis Lumière, Georges Méliès, and Maya Deren as influences, and has been cited as an important influence on later film directors like Martin Scorsese, David Lynch and John Waters.

Colonial period: Louis de Lamoricière, communes de plein exercice, communes indigènes, Ministry of Algerian Affairs, beni-oui-oui, Adolphe Crémieux, Auguste Warnier, Jules Cambon, Jeunesse Algérienne, Jonnart Law, Khalid ibn Hashim, Party of the Algerian People, Federation of Elected Natives, Abd al Hamid Ben Badis, Algerian Muslim Congress, Mohamed Bendjelloul, Viollette Plan, Georges Catroux, ratissage, Movement for the Triumph of Democratic Liberties, Organic Statute of Algeria, Larbi Ben M ' Hidi, Mourad Didouch, Moustafa Ben Boulaid, Mohamed Khider, External Delegation in Cairo

Most early filmmakers — such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès — tended not to use close-ups and preferred to frame their subjects in long shots.

* Escoffier, Georges Auguste.

Georges Auguste Couthon by Bonneville

Georges Auguste Couthon ( 22 December 1755 – 28 July 1794 ) was a French politician and lawyer known for his service as a deputy on the Legislative Assembly during the French Revolution.

Georges Auguste Couthon In 1791, Couthon traveled to Paris to fulfill his duty as a deputy to the Legislative Assembly.

“ The Evolution of a Terrorist: Georges Auguste Couthon .” Journal of Modern History 2, no.

However, Georges Auguste Escoffier's Le Guide culinaire written in 1903 lists both the " Blanquette de Veau a l ' Ancienne " ( old fashioned Blanquette Veal breast ) as being served with noodles instead of rice.

Walter Damrosch brought Tabuteau, together with the French musicians flutist Georges Barrère, bassoonist Auguste Mesnard, clarinetist Leon Leroy and Belgian trumpeter Adolphe Dubois to New York in 1905 to play in his New York Symphony Orchestra.

* Escoffier, Georges Auguste., Le Guide culinaire, 4th edition.

In Georges Auguste Escoffier's system of the classic kitchen brigade, outlined in his book Le Guide Culinaire, a saucier is " responsible for all sautéed items and most sauces.

The second generation was led by Fernand Braudel ( 1902 – 1985 ) and included Georges Duby ( 1919 – 1996 ), Pierre Goubert ( 1915 – 2012 ), Robert Mandrou ( 1921 – 1984 ), Pierre Chaunu ( 1923 – 2009 ), Jacques Le Goff ( 1924 – ) and Ernest Labrousse ( 1895 – 1988 ).

An eminent member of this school, Georges Duby, wrote in the foreword of his book Le dimanche de Bouvines that the history he taught relegated the sensational to the sidelines and was reluctant to give a simple accounting of events, but strived on the contrary to pose and solve problems and, neglecting surface disturbances, to observe the long and medium-term evolution of economy, society and civilisation.

The first depictions of supernatural events appear in several of the silent shorts created by the film pioneer Georges Méliès in the late 1890s, the best known being Le Manoir du diable ( aka, The Haunted Castle, 1896 ) which is sometimes credited as being the first horror film.

On finishing school in 1925, Georges worked at the Catholic newspaper Le XXe Siècle under editor and Catholic priest, Norbert Wallez.

* 1952 Le Chiffre sept – La Nappe du Catalan ( in collaboration with Georges Hugnet )

* Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n ' aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997

Cubism is an early-20th-century avant-garde art movement pioneered by Pablo Picasso and Georges Braque, and later joined by Juan Gris, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, and Fernand Léger, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.

Neo-Impressionist structure and subject matter, most notably to be seen in the works of Georges Seurat ( e. g., Parade de Cirque, Le Chahut and Le Cirque ), was another important influence.

Stories from the One Thousand and One Nights have been popular subjects for films, beginning with Georges Méliès's Le Palais des Mille et une nuits in 1905.

On stage, for the first time in Paris, Ginger Rogers is surrounded by various stars including Thierry Le Luron, Dalida, Charles Aznavour, Jean-Claude Brialy, Georges Chakiris, the Village People, Zizi Jeanmaire.

* Le Fantôme du Moulin Rouge ( 1925 ), directed by René Clair-with Sandra Milowanoff and Georges Voltier

Taking place in the rear courtyard of the Hôpital de la Salpêtriêre, it was attended by hundreds of admirers who had seen the event advertised in Le Monde, including left wing activists like Yves Montand and Simone Signoret and academics such as Jacques Derrida, Paul Veyne, Pierre Bourdieu and Georges Dumézil.

* French — Alain-Fournier: Le Grand Meaulnes a. k. a. The Wanderer ( 1913 ; Ganache the Pierrot is an important symbolic figure ); Champsaur, Félicien: Lulu ( 1901 ), Le Jazz des Masques ( 1928 ); Gyp: Mon ami Pierrot ( 1921 ); Queneau, Raymond: Pierrot mon ami ( 1942 ); Rivollet, Georges: " The Pierrot " ( 1914 ).

In the popular cabaret the Moulin Rouge, and at Le Chat Noir, artists, singers and performers regularly appeared including Yvette Guilbert, Marcelle Lender, Aristide Bruant, La Goulue, Georges Guibourg, Mistinguett, Fréhel, Jane Avril, Damia and others.

These works, most in collaboration with the experimental Russian director Georges Pitoëff, were considered promising despite their lack of commercial profits, and the duo continued to work together until they had their first major success in 1937 with Le voyageur sans bagage ( Traveller Without Baggage ).

* Le Loup, ballet scenario by Anouilh and Georges Neveux, music by Henri Dutilleux ( Paris: Ricordi, 1953 ).

* Georges May, Le Dilemme du roman au < sup > e </ sup > siècle, 1715-1761, New Haven: Yale University Press, 1963 ;

It wanted to unite the various French far-right currents, and initially brought together Le Pen's nationalist group, Roger Holeindre's Party of French Unity, Georges Bidault's Justice and Liberty movement, former Poujadists, Algerian War veterans, and some monarchists, among others.

* Georges Feydeau: Le Dindon ( 1896 ) ( aka Sauce for the Goose )

A car carrying Free French commanders General Georges Catroux and General Paul Legentilhomme | Paul Louis Le Gentilhomme enters the city, escorted by French Circassians | Circassian cavalry ( Gardes Tcherkess ).

* Georges Maspero, Le royaume de Champa, Paris: Van Ouest, 1928.