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Georges and Van
* Clement, Russell T. and Houze, Annick, Neo-Impressionist Painters: A Sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Theo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet ( 1999 ), Greenwood Press, ISBN 0-313-30382-7
His many students included Jehan Alain, Elsa Barraine, Francis Chagrin, Carlos Chávez, Maurice Duruflé, Georges Hugon, Jean Langlais, Olivier Messiaen, Manuel Ponce, Joaquín Rodrigo, David Van Vactor and Xian Xinghai.
* Georges Maspero, Le royaume de Champa, Paris: Van Ouest, 1928.
Kahnweiler supported in his gallery all of his great artists of the time ; who had no audience, or collectors ,-initial purchases included works by Kees Van Dongen, André Derain, Fernand Léger, Georges Braque, Juan Gris, Maurice de Vlaminck and several others of the same generation.
The most famous painters who have been awarded the prize are, 1941: Wilhem Van Hasselt, 1944: Jean Gabriel Domergue, 1952: Tristan Klingsor, 1955: Georges Delplanque, 1957: Albert Decaris, 1958: Jean Picard Le Doux, 1963: Maurice Boitel, 1966: Pierre Gaillardot, 1968: Pierre-Henry, 1969: Louis Vuillermoz, 1970: Daniel du Janerand, 1971: Jean-Pierre Alaux ; 1975: Jean Monneret, and for 1987: André Hambourg.
The leaders of the group, Georges Danton ( Alexandre Koubitzky ), Jean-Paul Marat ( Antonin Artaud ) and Maximilien Robespierre ( Edmond Van Daële ), are seen conferring.
Georges Van Den Abbeele.
Georges Van Den Abbeele.
Van Doesburg had other activities apart from painting and promoting De Stijl: he made efforts in architecture, designing houses for artists, together with Georges Vantongerloo and Sophie Taeuber-Arp he designed the decoration for the Café Aubette in Strasbourg.
* Clement, Russell T., Neo-impressionist painters, a sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Théo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet, Westport, Conn., Greenwood Press, 1999.
Many styles of modern art, including Fauvism, Expressionism, Cubism, Dada, Abstract art, Surrealism are represented with works by Matisse, André Derain, Maurice de Vlaminck, Raoul Dufy, Albert Marquet, Le Douanier Rousseau, Paul Signac, Georges Braque, Pablo Picasso, Fernand Léger, Juan Gris, Ernst Ludwig Kirchner, August Macke, Alexej von Jawlensky, Emil Nolde, Oskar Kokoschka, Otto Dix, George Grosz, Kurt Schwitters, Marcel Duchamp, Francis Picabia, Carlo Carrà, Umberto Boccioni, Giacomo Balla, Gino Severini, Marc Chagall, Natalia Gontcharova, Mikhail Larionov, Alexander Rodchenko, Kupka, Mondrian, Theo Van Doesburg, Paul Klee, Vassili Kandinsky, Kasimir Malevich, Jacques Villon, Robert and Sonia Delaunay, Georges Rouault, Balthus, Max Beckmann, Brancusi and Calder, Soutine, Marc Chagall, Modigliani, Kees Van Dongen, Jean Arp, Giorgio de Chirico, André Breton, Salvador Dalí, Magritte, Max Ernst, Miro, Man Ray, Alberto Giacometti, René Iché, Nicolas de Staël, André Masson, Tanguy, Jean Tinguely, Yves Klein, Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and Francis Bacon.
* 1936: Y ' a toujours un passage à niveau ( musique de Georges Van Parys )
* 1939: Comme de bien entendu-Ça c ' est passé un dimanche-Mimile-Ça fait d ' excellents Français ( musique de Georges Van Parys )
He also studied the work of Vincent Van Gogh and Georges Seurat at retrospectives held in Paris in 1891 and 1892.
Haacke has had solo exhibitions since, at the New Museum of Contemporary Art, New York ; the Van Abbemuseum, Eindhoven ; and the Centre Georges Pompidou, Paris.
In this same period, he met Michel Seuphor, who presented him to Jean and Sophie Arp, Adya and Otto Van Rees, Luigi Russolo, and Georges Vantongerloo.
Together with Henry Van de Velde, Georges Lemmen, Xavier Mellery, Willy Schlobach and Alfred William Finch and Anna Boch he " imported " this style to Belgium.
75 ( July – December 1923 ) Djuna Barnes, Pierre Bonnard, Van Wyck Brooks, Karel Čapek, Adolphe Dehn, André Derain, Roger Fry, Alyse Gregory, Knut Hamsun, Manuel Komroff, Alfred Kreymborg, Julius Meier-Graefe, Marie Laurencin, George Moore, Paul Morand, Luigi Pirandello, Bertrand Russell, Edward Sapir, Georges Seurat, Jean Toomer, William Carlos Williams, Edmund Wilson, Virginia Woolf
Georges Van Vrekhem disagrees with Satprem's claim that the Mother's work was cut short in those last six months, and argues instead that she did indeed attain a Supramental body and what remained was the residue, like the empty cocoon of a caterpillar after it has become a butterfly
* AUM Presenter 1998: Georges Van Vrekhem
de: Georges Van Vrekhem

Georges and Vrekhem
* Georges van Vrekhem, Beyond the Human Species Paragon House, St Paul, Minnesota, 1998 ISBN 1-55778-776-2 ( first published in Dutch 1995 )
* Georges van Vrekhem, Beyond the Human Species Paragon House, St Paul, Minnesota, 1998 ISBN 1-55778-776-2 ( first published in Dutch 1995 )

Georges and was
The discovery that movies are a form of fiction was made in the early years of this century and it was made chiefly by two men, a French magician, Georges Melies, and an American employee of Edison, Edwin S. Porter.
It was won by Georges Bouton of the De Dion-Bouton Company, in a car he had constructed with Albert, the Comte de Dion, but as he was the only competitor to show up it is rather difficult to call it a race.
The second generation was led by Fernand Braudel ( 1902 – 1985 ) and included Georges Duby ( 1919 – 1996 ), Pierre Goubert ( 1915 – 2012 ), Robert Mandrou ( 1921 – 1984 ), Pierre Chaunu ( 1923 – 2009 ), Jacques Le Goff ( 1924 – ) and Ernest Labrousse ( 1895 – 1988 ).
An eminent member of this school, Georges Duby, wrote in the foreword of his book Le dimanche de Bouvines that the history he taught relegated the sensational to the sidelines and was reluctant to give a simple accounting of events, but strived on the contrary to pose and solve problems and, neglecting surface disturbances, to observe the long and medium-term evolution of economy, society and civilisation.
While Dampier was captain of the St. George, Selkirk served on the galley Cinque Ports, the St. Georges companion, as a sailing master serving under Thomas Stradling.
Independently deriving Friedmann's equations in 1927, Georges Lemaître, a Belgian physicist and Roman Catholic priest, proposed that the inferred recession of the nebulae was due to the expansion of the Universe.
This perception was enhanced by the fact that the originator of the Big Bang theory, Monsignor Georges Lemaître, was a Roman Catholic priest.
In 1822 it was described in detail and recorded as a " bou-mar-rang ", in the language of the Turuwal people ( a sub-group of the Dharug ) of the Georges River near Port Jackson.
In 1924, Arthur Eddington showed that the singularity disappeared after a change of coordinates ( see Eddington – Finkelstein coordinates ), although it took until 1933 for Georges Lemaître to realize that this meant the singularity at the Schwarzschild radius was an unphysical coordinate singularity.
In 1927, the Belgian Roman Catholic priest Georges Lemaître independently derived the Friedmann-Lemaître-Robertson-Walker equations and proposed, on the basis of the recession of spiral nebulae, that the universe began with the " explosion " of a " primeval atom "— which was later called the Big Bang.
" One of Lenin's challenges was distancing materialism, as a viable philosophical outlook, from the " vulgar materialism " expressed in the statement " the brain secretes thought in the same way as the liver secretes bile " ( attributed to 18th c. physician Pierre Jean Georges Cabanis, 1757 – 1808 ); " metaphysical materialism " ( matter composed of immutable particles ); and 19th-century " mechanical materialism " ( matter as random molecules interacting per the laws of mechanics ).
Fairly pure Er < sub > 2 </ sub > O < sub > 3 </ sub > was independently isolated in 1905 by Georges Urbain and Charles James.
Hubble is generally mistakenly known for Lemaître's law or " Hubble's law " which was discovered by Georges Lemaître.
By 1898 Georges Méliès was the largest producer of fiction films in France, and from this point onwards his output was almost entirely films featuring trick effects, which were very successful in all markets.
The standard pattern for early film studios was provided by the studio which Georges Méliès had built in 1897.
This film was among those exported to Europe with the first Kinetoscope machines in 1895, and was seen by Georges Méliès, who was putting on magic shows in his Theatre Robert-Houdin in Paris at the time.
When he began making longer films in 1902, he put a dissolve between every shot, just as Georges Méliès was already doing, and he frequently had the same action repeated across the dissolves.
In 1903 there was a substantial increase in the number of women film several minutes long unclear, as a result of the great popularity of Georges Méliès ’ le Voyage dans la lune ( A Trip to the Moon ), which came out in early 1902, though such films were still a very minor part of production.
Another driver who competed using a pseudonym was " Georges Philippe ", the Baron Philippe de Rothschild.

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