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Page "Music of Ireland" ¶ 52
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Gilbert and O
Many underground artists, notably Vaughn Bode, Dan O ' Neill, Gilbert Shelton and Art Spiegelman went on to draw comic strips for magazines such as Playboy, National Lampoon and Pete Millar's CARtoons.
* 1946 – Gilbert O ' Sullivan, Irish singer
* Stewart, Arthur I., and J. O. Gilbert.
The Gilbert – Elliott model is a simple channel model introduced by Edgar Gilbert and E. O. Elliott widely used for describing burst error patterns in transmission channels, that enables simulations of the digital error performance of communications links.
Gilbert, O. P., " Iona: monks, pastors and missionaries " in Broun & Clancy ( 1999 ).
Gilbert, O. P., " Religious life: early medieval " in Lynch ( 2001 ).
Gilbert, O. P., " Conversion to Christianity " in Lynch ( 2001 ).
O ' Toole's singing was dubbed by tenor Simon Gilbert, but the other actors sang their own parts.
The band Racer X would also fall within this genre of technical proficiency featuring Paul Gilbert, a guitar instructor at the Musicians Institute in LA, a tendency evidenced on songs such as " B. R. O.
It stars John Gilbert, Renée Adorée, Claire Adams, Karl Dane, Robert Ober and Tom O ' Brien.
W. S. Gilbert | Gilbert's illustration of " I have a song to sing, O!
* Gilbert, O.
* " O, Katharina " w. L. Wolfe Gilbert m. Richard Fall
Some of the notable alumni and faculty of Macalester college include architect Cass Gilbert, political figures Kofi Annan ' 61 and Walter Mondale ' 50, businessman and philanthropist DeWitt Wallace ' 11, writers Tim O ' Brien ' 68, Rebecca Otto ' 85, Walter Kirn ( transferred to Princeton University after his first year ) and Christina French Houghton ' 06, a co-founder of Guy French.
* Gilbert, O.
* A song recorded by Gilbert O ' Sullivan
" This type of sampling was only possible before Grand Upright Music, Ltd. v. Warner Bros. Records Inc., the landmark lawsuit against Biz Markie by Gilbert O ' Sullivan, which changed the process and future of hip hop sampling.
For instance, the training regime of Vice Admiral Gilbert O. Stephenson is credited in improving personnel standards to a significant degree.
Splendor in the Grass was re-made as a 1981 television film of the same name with Melissa Gilbert, Cyril O ' Reilly, and Michelle Pfeiffer.
His third studio album I Need a Haircut was released on August 27, 1991, on Cold Chillin '/ Warner Bros. Records and was produced by Biz Markie and his cousin Cool V. Sales of the album were already low when Markie was served a lawsuit by Gilbert O ' Sullivan, who claimed that the album's Alone Again featured an unauthorized sample from his hit " Alone Again ( Naturally )".
Gilbert never returned to Ireland and, after the assassination of O ' Neill in 1569, he was appointed to the profitless office of governor of Ulster and served as a member of the Irish parliament.
Paul Gilbert gained recognition as one of the fastest guitar players in the world due to incredibly technical pieces like " Technical Difficulties " " Frenzy ", " Scarified ", " Y. R. O.
* Geis, Gilbert and Leigh B. Bienen ( 1998 ), Crimes of the Century: From Leopold and Loeb to O. J.
Other celebrities with whom they have appeared on TV are Michael Bublé, Westlife, Kanye West, Alison Moyet, Tom Baxter, Katherine Jenkins, Brian Kennedy, Gilbert O ' Sullivan, Andrea Corr and Paul Harrington.

Gilbert and Sullivan
* 1861 – First performance of Arthur Sullivan's debut success, his suite of incidental music for The Tempest, leading to a career that included the famous Gilbert and Sullivan operas.
In 1919, Harold Abrahams ( Ben Cross ) enters the University of Cambridge, where he experiences anti-Semitism from the staff, but enjoys participating in the Gilbert and Sullivan club.
Although focused on his running, he falls in love with a leading Gilbert and Sullivan soprano, Sybil ( Alice Krige ).
* 1871 – Gilbert and Sullivan collaborate for the first time, on their lost opera, Thespis.
In 1960, Groucho, a lifelong devotee of the comic operas of Gilbert and Sullivan, appeared as Koko the Lord High Executioner in a televised production of The Mikado on NBC's Bell Telephone Hour.
Category: People associated with Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert ( 1836 – 1911 ) and the composer Arthur Sullivan ( 1842 – 1900 ).
Gilbert and Sullivan introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century.
Producer Richard D ' Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration.
Ages Ago, during the rehearsals for which Frederic Clay introduced Gilbert to Sullivan
At a rehearsal for one of these entertainments, Ages Ago ( 1869 ), the composer Frederic Clay introduced Gilbert to his friend, the young composer Arthur Sullivan.
Two years later, Gilbert and Sullivan would write their first work together.
In 1871, producer John Hollingshead brought Gilbert and Sullivan together to produce a Christmas entertainment, Thespis, at his Gaiety Theatre, a large West End house.
Unlike the later Gilbert and Sullivan works, it was hastily prepared, and its nature was more risqué, like Gilbert's earlier burlesques, with a broader style of comedy that allowed for improvisation by the actors.
Over the next four years, Gilbert and Sullivan did not have occasion to work together again, but each man became more eminent in his field.
Gilbert already had available the libretto he had written for Rosa, and Carte suggested that Sullivan write the score.
After the success of Trial by Jury, Gilbert and Sullivan were suddenly in demand to write more operas together.
Carte proposed a revival of Thespis for the 1875 Christmas season, which Gilbert and Sullivan would have revised, but he was unable to obtain financing for the project.
In early 1876, Carte requested that Gilbert and Sullivan create another one-act opera on the theme of burglars, but this was never completed.
He assembled a syndicate and formed the Comedy Opera Company, with Gilbert and Sullivan commissioned to write a comic opera that would serve as the centrepiece for an evening's entertainment.
Gilbert and Sullivan were tireless taskmasters, seeing to it that The Sorcerer opened as a fully polished production, in marked contrast to the under-rehearsed Thespis.

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