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Godzilla vs. Megalon was given a high-profile prime-time NBC network premiere in 1977, with an introduction and bumper segments by John Belushi in a Godzilla suit also used on Saturday Night Live.
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This approach was favoured by Toho and to this end, King Kong vs. Godzilla has a much lighter tone than the previous two Godzilla films and contains a great deal of humor within the action sequences.
With the exception of the next film, Mothra vs Godzilla, this film began the trend to portray Godzilla and the monsters with more and more anthropomorphism as the series progressed, to appeal more to younger children.
When John Beck sold the King Kong vs. Prometheus script to Toho ( which became King Kong vs. Godzilla ), he was given exclusive rights to produce a version of the film for release in non-Asian territories.
Starting in 1963, Toho's international sales booklets advertised an English dub of King Kong vs. Godzilla alongside Toho-commissioned, uncut international dubs of movies like Matango and Atragon.
By association, it is thought that this King Kong vs. Godzilla dub is part of an uncut international version never released on home video.
The sequel was simply called Continuation: King Kong vs. Godzilla.
Ultimately, Toho rejected the script and the next year pitted Mothra against Godzilla instead, in the 1964 film Mothra vs. Godzilla.
That film, however, was not a sequel to King Kong vs. Godzilla.
Less than two years after its U. S release, King Kong vs. Godzilla was paid homage to by DC Comics, where the King Kong-like Titano battles the Godzilla-like Flame Dragon on the set of a monster movie.
Even though it was only featured in this one film ( although it was used for a couple of brief shots in Mothra vs. Godzilla ), this Godzilla suit was always one of the more popular designs among fans from both sides of the Pacific.
A scene from this film was reused as stock footage in the 1972 film Godzilla vs. Gigan.
The scene of the construction vehicles digging the giant pit to trap Godzilla, was reused to portray the construction vehicles building the World Children's Land theme park in Godzilla vs Gigan.
In 1992 ( to coincide with the company's 60th anniversary ), Toho wanted to remake this film as Godzilla vs. King Kong as part of the Heisei series of Godzilla films.
Next, Toho thought to make Godzilla vs. Mechani-Kong but, ( according to Koichi Kawakita ), it was discovered that obtaining permission even to use the likeness of King Kong would be difficult.
Mechani-Kong was replaced by Mechagodzilla, and the project eventually evolved into Godzilla vs. Mechagodzilla II in 1993.
In an article about the film, it is incorrectly stated that there were two endings and " If you see King Kong vs Godzilla in Japan, Hong Kong or some Oriental sector of the world, Godzilla wins!
" King Kong vs. Godzilla " ( film review ) The New York Times.
Godzilla and .
The most famous movie monsters are King Kong and Godzilla, the archetypical detective is Sherlock Holmes and most people's idea of a spy is James Bond.
There are cyborg kaiju in the Godzilla films such as Gigan and Mechagodzilla.
Some notable Japanese films are Tokyo Story, Seven Samurai, Ugetsu, Tampopo, In the Realm of the Senses, and Godzilla.
The same year, Ishirō Honda released the anti-nuclear horror film Gojira, which was translated in the West as Godzilla.
Though it was severely edited for its Western release, Godzilla became an international icon of Japan and spawned an entire industry of Kaiju films.
In 2004, Godzilla: Final Wars, directed by Ryuhei Kitamura, was released to celebrate the 50th anniversary of Godzilla.
Japanese Fantasy Film Journal ( JFFJ ) ( 1968 – 1983 ) from Greg Shoemaker covered Toho's Godzilla and his Asian brethren when no other publications much cared.
It was the third installment in the Japanese series of films featuring the monster Godzilla.
It was also the first of two Japanese made films featuring the King Kong character ( or rather, its Toho Studios counterpart ) and also the first time both King Kong and Godzilla appeared on film in color and widescreen.
Produced as part of Toho's 30th anniversary celebration, this film remains the most commercially successful of all the Godzilla films to date.
Unfortunately, this is the same iceberg that the mutant dinosaur Godzilla was trapped in by the Japanese Self-Defense Forces back in 1955, and the submarine is destroyed by the monster.
As an American rescue helicopter circles the iceberg, Godzilla breaks out and heads towards a nearby Arctic military base, attacking it.
The base itself is ineffective against Godzilla.
Back at Pacific Pharmaceuticals, Tako is finally glad because Kong is now all over the press instead of Godzilla.
Godzilla had just come ashore in Japan and destroyed a train, and the JSDF doesn't want another monster entering Japan.
Reaching the mainland, Kong meets up with Godzilla in a valley.
Kong throws some large rocks at Godzilla, but Godzilla shoots his atomic breath at Kong's chest, forcing the giant ape to retreat.
The JSDF desperately tries everything to stop Godzilla from entering Tokyo.
In a fielded area outside the city, they dig a large pit laden with explosives and lure Godzilla into it, but Godzilla is unharmed.
The electricity is too much for Godzilla, who then moves away from the city towards the Mt.
The JSDF then decides to transport Kong via balloons to Godzilla, in hope that they will fight each other to their deaths.
Fuji from the balloon air-lift, meets up with Godzilla, and the two begin to fight.
Godzilla and Megalon
After uniting with Japan's Defense Force, Goro manages to regain control of Jet Jaguar and sends the robot to Monster Island to bring Godzilla to fight Megalon.
As Godzilla journeys to fight Megalon, Jet Jaguar programs into a safeguard mode and grows to gigantic proportions to face Megalon himself until Godzilla arrives.
After a long and brutal fight, Gigan and Megalon both retreat and Godzilla and Jet Jaguar shake hands on a job well done.
Shinji Takagi ( Godzilla ), Kenpachiro Satsuma ( Gigan ), Tsugutoshi Komada ( Jet Jaguar ) and Hideto Odachi ( Megalon ) rehearse their fight scenes in a school's gymnasium.
Godzilla Vs. Megalon was originally planned as a non-Godzilla film, a solo vehicle for Jet Jaguar, which was the result of a contest Toho had for children in mid-to-late 1972.
The U. S. Godzilla vs. Megalon poster, which incorrectly places the monsters in a World Trade Center-based battle.
In 1976, Cinema Shares released Godzilla vs. Megalon theatrically.
Riding the coattails of Dino De Laurentiis ' big-budget King Kong remake, The poster art showed Godzilla and Megalon battling on top of the World Trade Center, despite the fact that no scenes were set in New York City.
The press kit also included Godzilla, Megalon, Gigan, and Jet Jaguar in cars.
In Japan, Godzilla vs. Megalon sold approximately 980, 000 tickets.
Godzilla vs. Megalon was released theatrically in America on May 9, 1976, though the San Francisco Chronicle indicates that it opened there in June, and The New York Times indicates that it opened in New York City on July 11.
New York Times film critic Vincent Canby, who a decade before had given a negative review to Ghidorah, the Three-Headed Monster, gave Godzilla vs. Megalon a generally positive review.
In his review on July 12, 1976, Canby said, " Godzilla vs. Megalon completes the canonization of Godzilla ... It's been a remarkable transformation of character-the dragon has become St.
Godzilla vs. Megalon has attracted the ire of many Godzilla fans in the decades since its original release.
" However, most of the criticism is of the lack of actual special effects work, as most of it consists of stock footage from previous films, including Godzilla vs. Gigan and Ghidorah, the Three-Headed Monster, and a few pieces of effects work has garnered praise, specifically a scene where Megalon breaks through a dam and the draining of the lake.
It has been called the saving grace of the film, and was made famous by the mock exclamations of shock and awe displayed on Godzilla vs. Megalon < nowiki >'</ nowiki > s appearance on Mystery Science Theater 3000.
Media Blasters has acquired the DVD rights to Godzilla vs. Megalon and Destroy All Monsters.
Media Blasters originally planned to release Godzilla vs. Megalon on DVD and Blu-ray on December 20, 2011 ; however, due to technical difficulties with the dubbing and Toho yet to give its approval for the release, the DVD / Blu-ray release was delayed.
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