Phillips recorded what some — notably music historian Peter Guralnick — consider the first rock and roll record: " Rocket 88 " by Jackie Brenston and his Delta Cats, a band led by 19-year-old Ike Turner, who also wrote the song.

Almost forty years later, writer Peter Guralnick wrote that Presley found it " good running around with Nick ... – there was always something happening, and the hotel suite was like a private clubhouse where you needed to know the secret password to get in and he got to change the password every day.

Presley received co-songwriting credit due to his Hill & Range publishing deal which demanded songwriters concede 50 percent of the credit of their song if they wanted Presley to record it ; Presley never wrote any of his own songs according to Peter Guralnick.

Guralnick wrote that more " than anything else ... what seems to me to have brought the era of soul to a grinding, unsettling halt was the death of Martin Luther King in April 1968 ".

Guralnick had previously written on Presley in the The Rolling Stone Illustrated History of Rock & Roll, starting with the first edition in 1976, said article having been reprinted for each subsequent edition.

" According to a 2002 interview: " According to Burke, he played the unissued tape for noted author / historian Peter Guralnick in a Boston restaurant.

** Peter Guralnick ( notes writer ) for Sam Cooke Live at the Harlem Square Club, 1963

The work of Guralnick along with the previous studies by Erik Iversen and Kim Levin have added considerably to the argument for an imitation by Greek sculptors of Egyptian sculpture.

According to Presley biographer Peter Guralnick, Presley and Parker " were really like, in a sense, a married couple, who started out with great love, loyalty, respect that lasted for a considerable period of time, and went through a number of stages until, towards the end of Presley's life, they should have walked away.

Solomon Burke's early recordings for Atlantic Records codified the style, and as Peter Guralnick writes, " it was only with the coming together of Burke and Atlantic Records that you could see anything resembling a movement ".

* Dream Boogie: The Triumph of Sam Cooke by Peter Guralnick ( 2005 ) ISBN 0-316-37794-5

In his book Dream Boogie: The Triumph of Sam Cooke ( 2005 ), Peter Guralnick claimed that Watson was an actual pimp, as well as dressing like one as a performer.

*" An Interview with Peter Guralnick " by Griffin Ondaatje and Craig Proctor, Brick: A Literary Journal, Issue 62, Spring 1999.

( Chapter on " Soul ," by Guralnick, Peter.

# Sweet Soul Music by Peter Guralnick

These are considered by some, including writer Peter Guralnick, musician and songwriter Dr. John, and producer Joel Dorn to be signatures of his best craft.

* 1994 — Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick

A 1978 study by Eleanor Guralnick applied stereophotogrammetric measurement and cluster analysis to a number of Greek and Egyptian statues and found the correlation between the Second Canon of the 26th Dynasty and Greek kouroi to be widely distributed but not universal.

It was Guralnick, however, who developed this discovery by comparing other kouroi by means of cluster and Z-score profile analysis to the Egyptian Canon II and a control group composed of statistically average Mediterranean men.

In 1992, Rich released Pictures and Paintings, a jazzy record that was produced by journalist Peter Guralnick.

Nick Adams and his gang came by the suite all the time, not to mention the eccentric actor Billy Murphy, longtime friend of John Wayne and Robert Mitchum ..." Guralnick adds " The Colonel joked that they looked like a bunch of old men, but the Memphis Mafia had become almost as well known around town as Frank Sinatra's Rat Pack " and that Elvis and his guys were all " living on speed and tranqs.

* ( chapter on " Soul ", by Guralnick, Peter, pgs.

Peter Guralnick ( born December 15, 1943, in Boston, Massachusetts ) is an American music critic, writer on music, and historian of US American popular music, who is also active as an author and screenwriter.

After Guralnick graduated from Boston University in 1971 with a master's degree in creative writing, he began writing books chronicling the history of blues, country, rock and roll and soul.

Peter S. Sholtes interviews Peter Guralnick.

* For Guralnick, birthday bash starts the Elvis bandwagon rolling By Clarissa Sansone, March 2002.

Guralnick at SXSW.

* Authors: Peter Guralnick.

In Sweet Soul Music, Peter Guralnick said " the singers never did get to actually meet in the studio ... but instead recorded their vocals separately to a backing track which Covay had put together with Bobby Womack at the Wildwood Studio in Hollywood.

* Guralnick, Eleanor Profiles of Kouroi, American Journal of Archaeology, Vol.

* Guralnick, E. The Proportions of Kouroi, American Journal of Archaeology, 1978

( Hoffman DR, Smith AM, Schmidt M, Moffitt JE, Guralnick M. Allergens in Hymenoptera venom.

According to the Official Buffy Watcher's Guide, Whedon wrote the pilot to the TV series as a sequel to his original script, which is why the show makes references to events not occurred in the film.

Elwes wrote the script with Joey Sagal and Hanala Sagal, which is " inspired by a true historical event ".

In 1977, Trudeau wrote a script for a 26-minute animated special.

" Morris wanted Tom Waits and Mickey Rourke to play the brothers, and he wrote the script, but the project eventually failed.

Allan Loeb wrote currently the script for the New Line Cinema project.

Raimi and Spiegel wrote the script during production of Crimewave.

In 1963, Kaoru Mabuchi ( a. k. a. Takeshi Kimura ) wrote a script called Frankenshutain tai Gojira.

Ikeda wrote one script himself and one with Omode and one with Sumizawa.

William Gibson ( who wrote an early script for Alien 3 ) seems particularly fascinated: a minor character in Virtual Light, Lowell, is described as having New York XXIV tattooed across his back, and in Idoru a secondary character, Yamazaki, describes the buildings of nanotech Japan as Giger-esque.

Along with fellow writer Mardik Martin, Scorsese wrote the whole script while driving around Little Italy in Martin's car.

Tarantino wrote the script in three and a half weeks and Bender forwarded it to director Monte Hellman.

He appeared in and wrote the script for Robert Rodriguez's From Dusk Till Dawn, which saw mixed reviews from the critics yet led to two sequels, for which Tarantino and Rodriguez would only serve as executive producers.

A few years later, O ' Brien wrote another script intended as a direct sequel to the cult classic entitled Revenge of the Old Queen.

In 1969 Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer.

In 1958, Peckinpah wrote a script for Gunsmoke that was rejected due to content.

Sondheim stated that Goldman wrote one or two drafts of the script and Sondheim wrote six and a half songs, only to have director Rob Reiner lose interest in the project.

When they started writing the script, the Coens wrote only 40 pages and then let it sit for a while before finishing it.

Matheson wrote a script for a sequel titled Fantastic Little Girl, but the film was never produced.

Other projects Gilliam has been trying to get off the ground since the 1990s are an adaptation of Charles Dickens ' A Tale of Two Cities ( starring Mel Gibson ), an adaptation of A Connecticut Yankee in King Arthur's Court by Mark Twain ( which has been adapted into movies several times before ), and a script titled The Defective Detective that Gilliam has co-authored with Richard LaGravenese ( who wrote Gilliam's The Fisher King before ).

Lucas wrote the initial script draft himself based on his earlier short film, but Coppola and Lucas agreed it was unsatisfactory, and Murch assisted Lucas to write an improved, final draft.

Klenman claims he rewrote the pilot script, hired the writers for the series, chose the themes of the episodes and wrote four and heavily rewrote eight more episodes.

In 1989, the film's screenwriter Anthony Shaffer wrote a script treatment for The Loathsome Lambton Worm, a direct sequel with fantasy elements.

In 1989, Anthony Shaffer wrote a thirty-page film script treatment entitled The Loathsome Lambton Worm, a direct sequel to The Wicker Man, for producer Lance Reynolds.