By contrast, Peter Hall's production at the Shakespeare Memorial presented nearly the entire play, including the long-neglected dream scene ( although a golden eagle designed for Jupiter turned out too heavy for the stage machinery and was not used ).

Antoon's 1990 production at the New York Shakespeare Festival, starring Morgan Freeman and Tracey Ullman, which was set in the old west ; Bill Alexander's 1992 RSC production at the Barbican, starring Anton Lesser and Amanda Harris, in which the Induction was rewritten in modern language, and the play-within-the-play featured actors carrying scripts and continually forgetting lines ; Delia Taylor's 1999 production at the Clark Street Playhouse, which featured an all female cast, with Diane Manning as Petruchio and Elizabeth Perotti as Katherina ; Phyllida Lloyd's 2003 production at the Globe, again with an all female cast, starring Janet McTeer as Petruchio and Kathryn Hunter as Katherina ; Gregory Doran's 2003 RSC production at the Royal Shakespeare Theatre, where the play was presented with Fletcher's The Tamer Tamed as a two-part piece, with Jasper Britton and Alexandra Gilbreath ( playing both Katherina in The Shrew and Maria ( Petruchio's second wife ) in The Tamer Tamed ); Edward Hall's 2006 Propeller Company production at the Courtyard Theatre as part of the RSC's presentation of the Complete Works, featuring an all-male cast, with Dugald Bruce Lockhart as Petruchio and Simon Scardifield as Katherina ; and Conall Morrison's 2008 RSC production at the Royal Shakespeare Theatre, starring Stephen Boxer and Michelle Gomez.

Richardson turned down the role of Estragon in Peter Hall's premiere of the English-language version of Waiting for Godot and later reproached himself for missing the chance to be in " the greatest play of my generation ".

In the 1970s, he appeared in the West End ( for example in William Douglas-Home's play Lloyd George Knew My Father, with Peggy Ashcroft ), and with the National Theatre under Peter Hall's direction, where among the classics he played Firs in The Cherry Orchard and the title role in Ibsen's John Gabriel Borkman, with Wendy Hiller and Peggy Ashcroft.

The production usually credited with establishing the reputation of the play in the modern theatre is John Barton and Peter Hall's 1963 / 1964 RSC production of the tetralogy, adapted into a three-part series, under the general title The Wars of the Roses, at the Royal Shakespeare Theatre.

The production which is usually credited with establishing the reputation of the play in the modern theatre is John Barton and Peter Hall's 1963 / 1964 RSC production of the tetralogy, adapted into a three-part series, under the general title The Wars of the Roses, at the Royal Shakespeare Theatre.

The production which is usually credited with establishing the reputation of the play in the modern theatre is John Barton and Peter Hall's 1963 / 1964 RSC production of the tetralogy, adapted into a three-part series, under the general title The Wars of the Roses, at the Royal Shakespeare Theatre.

* John Barton and Peter Hall's adaptation of Shakespeare's history play cycle The War of the Roses

John Weever has been suggested as author of the first play ; the satirist Joseph Hall has been seen as an influence on — if not the author of — the other two, though recent statistical tests bring Hall's authorship into question.

Burning Blue ( 1995 ), a new play by the first time playwright David Greer, was followed by the veteran director Peter Hall's revival of Ibsen's The Master Builder, starring Alan Bates.

Hall's fondness for moving from one medium to another can also be seen in his work I Luv You Jimmy Spud, which began as a 1995 radio play and was later adapted by Hall into a stage play and a film, Gabriel and Me, starring Billy Connolly and Iain Glen.

Hall's most recent play, The Pitmen Painters, inspired by art critic William Feaver's book on the Ashington Group, premiered at the refurbished Live Theatre in Newcastle upon Tyne in 2008.

Pearson appeared in a touring revival of Sir Peter Hall's production of Harold Pinter's Old Times in 2006, and in a production of Tom Stoppard's play Arcadia at the Duke of York's Theatre, London, in 2009.

Hall's play led them all the way to the Stanley Cup finals.

In Shakespeare's play, Henry VI, Part 3, Rutland is portrayed as a young boy who is brutally murdered by Clifford after pleading for his life ; the source appears to be Hall's 1548 history, which says Rutland is " scarce of the age of twelve years " at his death ).

Hall's military experiences later inspired his first play, The Disciplines of War, about British soldiers ambushed in the Malayan jungle, that premiered on the fringe of the Edinburgh International Festival in August 1957.

Stuart Hall also developed Hall's Theory of encoding and decoding, focusing on the communication processes at play in the televisual form.

As a personal friend of Hall, he was brought in to play third base at Hall's insistence to replace Bill Hauge when he had to take time off due to injury.

They were followed 30 years later by a new generation of Kedron musicians to play at an anniversary celebration of the Hall's opening.

The Pride used to play in Hazeley Hall's ammunition dump.

Hall's representation successfully argued that the incident was ' in play ' despite the ball being 50 metres away.

His battle with Horsa is the subject of John Lesslie Hall's poem " The Death of Horsa ", and he appears as a minor character in William Henry Ireland's play Vortigern and Rowena, which was initially touted as a lost work by William Shakespeare.

Aagesen was Carl Christian Hall's successor as lecturer on Roman law at the university, and in this department his researches were epoch-making.

Patricia Soltysik was the object of Hall's love poem named " Mizmoon ".

She was the honoree at the Rock Hall's American Music Master concert and lecture series for 2009.

It was to overshadow Peter Hall's 1978 production with Albert Finney as Macbeth and Dorothy Tutin as Lady Macbeth.

The story goes that during Rise of the Triad development, one of Tom Hall's instructions to the level editors was not to " write words in the levels with the walls ".

Hall was recommended to Mendes by Tom Cruise, because of Hall's work on Without Limits ( 1998 ), which Cruise had executive produced.

Hall's approach was to create peaceful compositions that evoked classicism, to contrast with the turbulent on-screen events and allow audiences to take in the action.

McCarthy cited Hall's involvement as fortunate for Mendes, as the cinematographer was " unsurpassed " at conveying the themes of a work.

Edward Hall's The Union of the Two Illustrious Families of Lancaster and York appears also to have been consulted, and scholars have supposed that Shakespeare was familiar with Samuel Daniel's poem on the civil wars.

Built in the 1950s, Skibo Hall's design was typical of Mid-Century Modern architecture, but was poorly equipped to deal with advances in computer and internet connectivity.

One theory was later recounted in Edward Hall's chronicle, written a few decades after the event, but partly from first-hand sources, and the contemporary Burgundian Jean de Waurin's chronicle.

Hall's home language was Finnish, and he conversed with his nine siblings in that language for the rest of his life.

Hall's wife for 65 years, Elizabeth was a leader in her own right, among the first women steelworkers and a secretary of SWOC.

Philip Murray, USWA founding president, once commented that Hall's leadership of the strike in Warren and Youngstown was a model of effective grassroots organizing.

On July 22, 1948, Hall and 11 other Communist Party leaders were indicted under the Alien Registration Act, popularly called the Smith act, on charges of " conspiracy to teach and advocate the overthrow of the U. S. government by force and violence ," although his conviction was based on Hall's advocacy of Marxist thought.

Hall's attempt to flee to Moscow failed when he was picked up in Mexico City on October 8, 1951.

Because of the Act, Hall's driver's license was revoked by the State of New York.

Hall's rise to the position of general secretary was generally unexpected by the American Communist circles ( the post was expected to go to either Henry Winston or Gil Green, both important figures in the YCL ) although Hall had held the office of acting general secretary briefly in the early 1950s during Dennis's arrest.

) In 1959, he was Peter O ' Toole's understudy in Lindsay Anderson's West End staging of Willis Hall's The Long and the Short and the Tall.