Help


[permalink] [id link]
+
Page "Howard Hawks" ¶ 33
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Hawks and developed
Hawks wrote the original story and developed the screenplay with James Kevin McGuinness and Seton Miller.
Accounts vary on who first came up with the idea of the film, but Hawks and Saunders developed the story together and tried to sell it to several studios before First National agreed to produce the film.
A multiplayer flight simulator version of Knight Hawks Vector is being developed for Orbiter Space Simulator program, and a virtual tabletop version is also in the works.
A community ownership plan was developed, the Friends of the Hawks, along the lines of the Green Bay Packers of the American NFL .< ref >
Blades of Thunder 2, also sold as Battle Hawks 2, is a flight simulator game developed by Summitsoft Entertainment for the Nintendo DS.

Hawks and script
" Hawks worked on the script with Seton I. Miller, with whom he would go on to collaborate with on seven more films.
Hawks again worked with Seton Miller on the script about a Middle Eastern prince who has an affair with a Parisienne showgirl and cast Charles Farrell as the prince and Greta Nissen as Fabienne.
Hawks and Seton Miller worked on the script with Flavin for a month and filming began in September 1930.
Hawks, William Faulkner and Jules Furthman collaborated on the script about a French fishing boat captain and various situations of espionage during the Fall of France in 1940.
There was special, uncredited help with the script by Howard Hawks, James Kevin McGuinness, and Howard Emmett Rogers.
Hawks then hired screenwriter Dudley Nichols, most famous for working with director John Ford, to work on the script.
Hawks had decided that Wilde would develop the characters and comedic elements of the script, while Nichols would take care of the story and structure.
Hawks worked with the two writers throughout the summer of 1937 and ended up with a 202 page script.
In August Hawks had hired gag writers Robert McGowan and Gertrude Purcell to do some uncredited re-writes on the script.
During filming Hawks would reference four different versions of the film's script and make constant changes to scenes and dialouge.
Hawks liked the way the dialogue sounded coming from a woman, resulting in the script being rewritten to make Hildy female and the ex-wife of editor Walter Burns.
Although overlapping dialog is specified and cued in the 1928 play script by Hecht and MacArthur, Hawks told Peter Bogdanovich:
Both of these remakes were directed by Hawks, both starred John Wayne and in each case, the script was written by Leigh Brackett.
Ferber had approved Jane Murfin's script, which Hawks found wanting, and he persuaded her and Goldwyn to allow him to bring in Jules Furthman to work on a rewrite.
The film's final script was written and re-written throughout the film's production, mostly by Hawks and Jules Furthman, but also with contributions by Eleanore Griffin and William Rankin.
The film was the last film directed by Howard Hawks, from a script by Leigh Brackett.
has a very loose script and, like many other major works of Hawks, is principally structured on the relationships between the characters, though it is ' bookended ' by the initial violent ( and nearly fatal ) encounter with a rhinoceros and the end-of-season determination to make such a capture to fulfill the team's quota.
The script was written by Hawks ' favorite writer, Leigh Brackett, after the group returned from Africa with the hunting scenes.

Hawks and with
NEA Syndicate experimented briefly with a two-tier daily strip, Star Hawks, but after a few years, Star Hawks dropped down to a single tier.
Well known cinematic movies, which deal with Khufu or at least have the Great Pyramid as a theme, are Howard Hawks ' Land of the Pharaohs from 1955, a fictional account of the building of the Great Pyramid of Khufu, and Roland Emmerich ´ s Stargate from 1994, in which an extraterrestrial device is found near the pyramids.
Hawks then had his first experience as a film director at the age of twenty-one when he and cinematographer Charles Rosher spent the day filming a tricky double exposure dream sequence with Pickford.
Hawks worked with Pickford and Neilan again on Amarilly of Clothes-Line Alley before joining the United States Army Air Service.
They quickly made friends with Hollywood insider ( and fellow Ivy Leaguer ) Allan Dwan, but Hawks landed his first important job when he used his family's wealth to loan money to studio head Jack Warner.
The company was named Associated Producers and was a joint venture between Hawks, Allan Dwan, Marshall Neilan and director Allen Holubar, with a distribution deal through First National.
Beginning in the early 1920, Hawks lived in rented houses in Hollywood with the group of friends he was accumulating.
At the same time, Hawks was becoming friends with barn stormers and pioneer aviators at Rogers Airport in Los Angeles, getting to know men like Moye Stephens.
Although Hawks signed a new one-year contract with Famous-Players in the fall of 1924, he broke his contract to become a story editor for Thalberg at MGM with the promise that Thalberg would make him a director in a year.
In October 1925 Sol Wurtzel, William Fox's studio superintendent at the Fox Film Corporation, invited Hawks to join his company with the promise of letting Hawks direct.
" Hawks was dissatisfied with the film after being certain that dramatic films would establish his reputation, but realized what he had done wrong when Sol Wurtzel told Hawks " Look, you've shown you can make a picture, but for God's sake, go out and make entertainment.
In March 1927 Hawks signed a new one-year, three picture contract with Fox and was assigned to direct Frazil, based on the play L ' Insoumise by Pierre Frondaie.
" However Hawks once again went over budget with this film and his relationship with Sol Wurtzel became worse.
Leaving Fox on sour terms didn't help his reputation, but Hawks was one of the few people in Hollywood who never backed down from fights with studio heads.

Hawks and Seton
The screenplay was written by Hawks, Seton Miller and Dan Totheroh and starred Richard Barthelmess and Douglas Fairbanks, Jr.

Hawks and Miller
Some of the actors appearing on Wagon Train included Ward Bond as wagon master Major Seth Adams ( seasons 1 – 4 ), Robert Horton as scout Flint McCullough ( seasons 1 – 5 ), John McIntire as wagon master Christopher Hale ( seasons 4 – 8 ), Robert Fuller as scout Cooper Smith ( seasons 7 – 8 ), Denny Scott Miller as Duke Shannon ( seasons 5 – 7 ), Michael Burns as Barnaby West ( seasons 4 – 8 ), Frank McGrath as Charlie Wooster ( cook, seasons 1 – 8 ), and Terry Wilson as Bill Hawks ( seasons 1-8 ).
Under the leadership of O ' Handley and General Manager of Business Operations Doug Miller, the Black Hawks won the USHL Organization of the Year award for the 2002-03, 2004 – 05, and 2006-07 seasons.

Hawks and for
A 1954 article by Truffaut attacked La qualité française (" the French Quality ") and was the manifesto for ' la politique des Auteurs ' which Andrew Sarris later termed the auteur theory — resulting in the re-evaluation of Hollywood films and directors such as Alfred Hitchcock, Howard Hawks, Robert Aldrich, Nicholas Ray, Fritz Lang and Anthony Mann.
In 1975, Hawks was awarded an Honorary Academy Award as " a master American filmmaker whose creative efforts hold a distinguished place in world cinema " and, in 1942, he was nominated for the Academy Award for Best Director for Sergeant York.
In 1898 the family moved to Neenah, Wisconsin where Frank Hawks began working for his father-in-law's Howard Paper Company.
Before Hawks was called for active duty, he took the opportunity to go back to Hollywood and by the end of April 1917 was working on Cecil B. DeMille's The Little American, where he met and befriended the then eighteen-year-old slate boy James Wong Howe.
In 1923, Famous Players-Lasky president Jesse Lasky was looking for a new Production Editor in the Story department of his studio, and Thalberg suggested the Ivy-League Hawks.
Hawks worked on the scripts for all of the films produced, but had his first official screenplay credit in 1924 on Tiger Love.
Hawks reworked the scripts of most of the films he directed without always taking official credit for his work.
Shearer's first marriage to writer John Ward was unhappy and she and Hawks began dating throughout 1927 until Shearer asked Ward for a divorce in 1928.
The film was believed lost until the mid-1970s and was screened for the first time in the US at a Hawks retrospective in 1974.
After having worked in the industry for 14 years and directing many financially successful films, Hawks found himself having to re-prove himself as being an asset to the studios.
When Hughes found out about the rival film, he did everything he could to sabotage The Dawn Patrol by harassing Hawks and other studio personal, hiring a spy that was quickly caught and finally suing First National for copyright infringement.
Hawks also worked with his old friend James Wong Howe for the first time as a cinematographer.
The film was completed in September 1931, but the censorship of the Hays Code prevented it from being released as Hawks and Hughes had originally intended, and the two men fought the Hays Office ( and made compromises ) for over a year until the film was released in 1932, after such other pivotal early gangster films as The Public Enemy and Little Caesar.
Scarface was the first film in which Hawks worked with screenwriter Ben Hecht, who became a close friend and collaborator for twenty years.
The World War I film was based on a short story by author William Faulkner, who Hawks got to know personally during the shooting of the film and remained friends with for over twenty years.
In 1938 Hawks made the screwball comedy Bringing Up Baby for RKO Pictures.
Hawks followed this with the aviation drama Only Angels Have Wings, again starring Cary Grant and made in 1939 for Columbia Pictures.
The film was the highest-grossing film of 1941 and won two Academy Awards ( Best Actor and Best Editing ), as well as earning Hawks his only nomination for Best Director.

0.606 seconds.