Help


[permalink] [id link]
+
Page "Albert Schweitzer" ¶ 11
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Widor and on
In 1898 he went back to Paris to write a PhD dissertation on The Religious Philosophy of Kant at the Sorbonne, and to study in earnest with Widor.
In 1899 he astonished Widor by explaining figures and motifs in Bach's Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based.
After showing improvisation skills on the piano Messiaen studied organ with Marcel Dupré and inherited the tradition of great French organists ( Dupré had studied with Charles-Marie Widor and Louis Vierne, Vierne in turn was a pupil of César Franck ).
His repertoire includes a wide range of organ works, the emphasis being on such Classical masters as Bach, Mozart, Franck, Widor, and Messiaen.
Although only in France for roughly nine months, Pelletier's time there was well spent under the tutelage of Isidor Philipp ( piano ), Marcel Samuel-Rousseau ( harmony ), Charles-Marie Widor ( composition ), and most importantly Camille Bellaigue who gave him singing lessons and worked with him in learning the French operatic repertoire on the piano.
In addition to organ symphonies, composers of the day wrote in other forms: Franck wrote eleven other major organ works, including the Prélude, Fugue et Variation and the Trois Chorals ; Widor wrote a Suite Latine on various plainsong tunes ; Vierne composed 24 pièces de fantaisie, of which the Carillon de Westminster is perhaps the best-known.

Widor and new
At first he regarded his new life as a renunciation of his art, and fell out of practise: but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn, Widor, César Franck, and Max Reger systematically.

Widor and Bach's
In 1893 he played for the French organist Charles-Marie Widor ( at Saint-Sulpice, Paris ), for whom Johann Sebastian Bach's organ-music contained a mystic sense of the eternal.
Schweitzer, who insisted that the score should show Bach's notation with no additional markings, wrote the commentaries for the Preludes and Fugues, and Widor those for the Sonatas and Concertos: six volumes were published in 1912 – 14.

Widor and organ
By the end of the 19th century, some French organists ( e. g., Charles-Marie Widor and his students Charles Tournemire and Louis Vierne ) named some of their organ compositions symphony: Their instruments ( many built by Aristide Cavaillé-Coll ) allowed an orchestral approach ( Kaye 2001 ; Smith 2001 ; Thomson 2001 ).
* 1900: Louis Vierne is appointed organist of Notre-Dame de Paris after a heavy competition ( with judges including Charles-Marie Widor ) against the 500 most talented organ players of the era.
However, in a manner befitting the Chapel's French architectural style and French-inspired organ, its speciality is perhaps the music of the great late French tradition, taking in the Masses of Louis Vierne, Maurice Duruflé, Jean Langlais, Charles-Marie Widor and Gabriel Fauré, as well as the motets of Marcel Dupré, Francis Poulenc, Pierre Villette and Olivier Messiaen.
Inspired by the newly built Cavaillé-Coll organs, the French organist-composers César Franck, Alexandre Guilmant and Charles-Marie Widor led organ music into the symphonic realm.
Widor and Vierne wrote large-scale, multi-movement works called organ symphonies that exploited the full possibilities of the symphonic organ.
He entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy ( piano ), Alexandre Guilmant and Louis Vierne ( organ ), and Charles-Marie Widor ( fugue and composition ).
Recently, the temporary organ which served Londonderry Cathedral for 12 years ( whilst its predecessor was being repaired after the Troubles ) has been added to facilities at the house and is used in particular to promote the music of the French symphonic writers such as Vierne and Widor.
* Charles-Marie Widor succeeds César Franck as organ professor at the Paris Conservatoire.
The funeral mass for Franck was held at Sainte-Clotilde, attended by a large congregation including Léo Delibes ( officially representing the Conservatoire ), Saint-Saëns, Eugène Gigout, Gabriel Fauré, Alexandre Guilmant, Charles-Marie Widor ( who succeeded Franck as professor of organ at the Conservatoire ), and Édouard Lalo.
In particular, his Grande Pièce Symphonique, a 25 minute work, paved the way for the organ symphonies of Charles-Marie Widor, Louis Vierne, and Marcel Dupré.
Some of the most well-known exponents of such organ compositions include Johann Sebastian Bach, Dieterich Buxtehude, George Frideric Handel, François Couperin, César Franck and Charles-Marie Widor to name a few.
César Franck, Charles-Marie Widor, and Félix-Alexandre Guilmant were important organist-composers who were inspired by the sounds made possible through Cavaillé-Coll's advances in organ building.
A particularly important form of organ composition in the Romantic era was the organ symphony, first seen in César Franck's Grand pièce symphonique and refined in the ten symphonies of Widor and the six of Louis Vierne.
He studied organ with Guilmant and Widor.

Widor and works
The works ranged from Beethoven to Widor, and announcements by Colonne were included.

Widor and with
( Widor had not grown up with knowledge of the old Lutheran hymns.
He studied composition under Charles Widor and harmony and counterpoint with André Gedalge.
Born Oscar-Arthur Honegger ( the first name was never used ) in Le Havre, France, he initially studied harmony and violin in Paris, and after a brief period in Zurich, returned there to study with Charles-Marie Widor and Vincent d ' Indy.
After a year studying composition with Charles-Marie Widor, in the autumn of 1927 he entered the class of the newly appointed Paul Dukas, who instilled in Messiaen a mastery of orchestration.
7 ( 1914 ), with the First and Third Preludes ( in particular the G minor with its phenomenally fast tempo / figurations and pedal chords ) being pronounced unplayable by no less a figure than Widor.
These included Franz Liszt, with whom he played arrangements of two of Liszt's symphonic poems ( Les Préludes, and Tasso, Lamento e Trionfo ) for 2 pianos, Hector Berlioz, Gioachino Rossini, Charles Gounod, Felix Mendelssohn, Sigismond Thalberg and Charles-Marie Widor.
He was recommended to pursue further studies in Paris with Charles Marie Widor and went there in 1906, He returned to Zürich in 1911.

Widor and French
The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's next task, and appeared in the masterly study J. S. Bach: Le Musicien-Poète, written in French and published in 1905.
* 1844 – Charles-Marie Widor, French composer ( d. 1937 )
* March 12 – Charles-Marie Widor, French organist and composer ( b. 1840 )
* February 21 – Charles-Marie Widor, French organist and composer ( d. 1937 )
* Murray, Michael, French Masters of the Organ: Saint-Saëns, Franck, Widor, Vierne, Dupré, Langlais, Messiaen ( New Haven and London: Yale University Press, 1998 ).

Widor and ).
* Charles-Marie Widor ( 1904 ): Technique de l ’ orchestre moderne ( Manual of Practical Instrumentation ).

collaborated and on
He rummaged, found composers and arrangers, collaborated on the main design and outline of harmonization with musicians, ballad singers, and musicologists.
He had yet to meet Harold Arlen, for although they had `` collaborated '' on `` Satan's Li'l Lamb '', Mercer and Harburg had worked from a lead sheet the composer had furnished them.
he collaborated on a song with William Hartman Woodin, who was Secretary of the Treasury, 1932-33.
While Arlen and Mercer collaborated on Hot Nocturne, Mercer worked also with Arthur Schwartz on another film, Navy Blues.
Gershwin collaborated on the original program notes with the critic and composer Deems Taylor, noting that: " My purpose here is to portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere.
While there he collaborated with American physician Charles Claude Guthrie in work on vascular suture and the transplantation of blood vessels and organs as well as the head, and Carrel was awarded the 1912 Nobel Prize in Physiology or Medicine for these efforts.
Lane and Alcott collaborated on a major expansion of their educational theories into a Utopian society.
He and Louisa May collaborated on a memoir and went over her papers, letters, and journals.
During this tour he wrote three new comic operas and he also collaborated with Giacomo Rust on one opera, Il Talismano ( The Talismand ).
In 2001, Articolo 31 collaborated with the American old school rapper Kurtis Blow on the album XChé SI !.
A childhood friend ( and distant relative ) of W. S. Gilbert, Beckett briefly feuded with Gilbert in 1869, but the two patched up the friendship, and Gilbert even later collaborated on projects with Beckett's brother.
In 1957, Lerner and Leonard Bernstein, another of Lerner's college classmates, collaborated on " Lonely Men of Harvard ," a tongue-in-cheek salute to their alma mater.
In 1965 Lerner collaborated again with Burton Lane on the musical On a Clear Day You Can See Forever, which was adapted for film in 1970.
The following year they collaborated on a musical film version of The Little Prince, based on the classic children's tale by Antoine de Saint-Exupéry.
The second Bauhaus director Hannes Meyer attempted to organise an exchange between the two schools, while Hinnerk Scheper of the Bauhaus collaborated with various Vkhutein members on the use of colour in architecture.
* Burroughs collaborated with University of Illinois on a multiprocessor architecture developing the ILLIAC IV computer in the early 1960s.
In 1954, they collaborated again on His Majesty O ' Keefe, with Lancaster acting and Hecht producing.
Campbell and Raimi collaborated on a 30-minute Super 8 version of the first Evil Dead film, titled Within the Woods, which was initially used to attract investors.
He has appeared as a featured artist on many other songs and albums, having collaborated with artists such as Janet Jackson, Kool Moe Dee, The Dope Poet Society, Run-DMC, Ice Cube, Rage Against The Machine, Anthrax, John Mellencamp and many others.
They both collaborated on the Zulu-English Dictionary, first published in 1948.
In 1953 Marker collaborated with Resnais on the documentary Statues Also Die.
** Note: Marker edited this ( mostly ) animated science-fiction exstentialist short and ( possibly ) collaborated on the script ( Film Comment ).

0.151 seconds.