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Page "Giovanni Carlo Maria Clari" ¶ 1
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became and maestro
* Cómo me convertí en gran maestro y otros escritos " How I became grandmaster " and other writings, in Spanish.
From 1544 to 1551, Palestrina was organist of the principal church ( St. Agapito ) of his native city, and in 1551 he became maestro di cappella at the Cappella Giulia, the papal choir at St Peter's.
Giovanni's son Cosimo the Elder, Pater Patriae, took over in 1434 as gran maestro, and the Medici became unofficial heads of state of the Florentine republic.
He became a singer at St Mark's Basilica in Venice in 1616, second organist in 1639, first organist in 1665, and in 1668 maestro di cappella.
Next he moved to Rome, where he worked for Cosimo I de ' Medici, Grand Duke of Tuscany, who maintained a household there ; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano, the ecumenical mother church of Rome and a spectacularly prestigious post indeed for a man only twenty-one years old.
Historical record does not indicate whether Monteverdi actually performed the Vespers in either city ; the work may have been written as an audition piece for posts at Venice ( Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613 ) and Rome ( where the composer was not offered a post ).
In force of personality, and with his central position as maestro di cappella at St. Mark's, he became the most influential musician in Europe between the death of Josquin and the time of Palestrina.
Wert stayed in Novellara until the early 1560s, at which time he accepted the position of maestro di cappella for the main Gonzaga chapel in Milan ; however, he did not stay long there, moving in 1565 to Mantua where he became maestro di cappella at the chapel of Santa Barbara.
In 1793 he became maestro di cappella at St Peter's, Rome, where he died in 1804.
The title maestro became permanent in 1670.
Moreschi became a pupil at the Scuola di San Salvatore in Lauro, where he was taught by Gaetano Capocci, maestro di cappella of the Papal basilica of St John Lateran.
In 1699 he relocated to Mantua, where he became maestro di cappella to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession.
In 1552 Porta became maestro di cappella at Osimo Cathedral ; in 1565 he took a position in Padua briefly, but took a more important position in Ravenna the next year, where he was hired to build an entirely new music practice at the cathedral.
The first composer to make this effect famous was Adrian Willaert, who became maestro di cappella of St. Mark's in 1527, and remained in the position until his death in 1562.
In 1581 he became maestro di cappella of the cathedral there, and he apparently remained in this position for the rest of his life.
Throughout the 1950s and 1960s, Maldivians became more aware of the importance of a national anthem and in 1972, shortly before the Maldives was visited by Queen Elizabeth II of the United Kingdom, the government hastily commissioned Sri Lankan maestro W. D. Amaradeva for a new melody for the anthem.
He studied at the Basilica di San Giovanni in Laterano in Rome with several people including Palestrina, became a priest in the 1570s and by 1580 was maestro di cappella at S. Luigi dei Francesi, also in Rome.
In the 1560s he probably studied with Palestrina at S. Luigi de ' Francesi in Rome ; at any rate, he became maestro di cappella there after Palestrina left.
In that year, the Seville Cathedral appointed him as assistant to Francisco Guerrero, and he later became maestro de capilla during Guerrero's leave of absence.
His first position was as mestre de capela of the cathedral of Évora ; sometime before 1589, he became maestro di cappella at the Hospital Real, Lisbon.
Also in 1542 he became maestro di cappella at the cathedral in Savona, but he only held this position for a year ; the cathedral was destroyed in 1543 by the Genoese, and Ruffo fled.
His music during this time was strongly influenced by the Franco-Flemish school, but when he in 1563 became maestro di cappella in the cathedral of Milan under Carlo Borromeo, he began composing in the Tridentine style of which Borromeo was a strong supporter.
In 1572 he became the maestro di cappella at Pistoia, and then Milan again ; for his final job he had a similar employment at the cathedral in Sacile, where he died in 1587.
Directed by maestro Carlo Prato and thanks to the radio, they became immediately so famous that even Benito Mussolini, passing by their balcony one day, recognized them and stopped to greet them.

became and di
* In 1870 the small City of Ragusa ( Dubrovnik ) became the first small Lifeboat to cross the Atlantic from Cork to Boston with two men crew, John Charles Buckley and Nikola Primorac ( di Costa ), only.
The production at Rome of his opera Gli Equivoci nell sembiante ( 1679 ) gained him the support of Queen Christina of Sweden ( who at the time was living in Rome ), and he became her Maestro di Cappella.
In February 1684 he became Maestro di Cappella to the viceroy of Naples, perhaps through the influence of his sister, an opera singer, who might have been the mistress of an influential Neapolitan noble.
Thus Zheng became Qin Shi Huang, abolishing the system where the huang / di titles were reserved to dead and / or mythological rulers.
The following year he was commissioned a fresco of the Universal Judgement for the Ospedale di Santa Maria Nuova, completed by Albertinelli and Giuliano Bugiardini when Baccio became a Dominican friar on July 26, 1500.
In 1806 Rossini became a cello student under Cavedagni at the Conservatorio di Bologna.
Crete was under Venetian control from 1204 and became a thriving center of art with eventually a Scuola di San Luca, or organized painter's guild on Western lines.
Indeed, Severn's spacious apartment in the Via di San Isidoro became the busy center of Academy life.
The arts and politics became increasingly influenced by the court ( see Orlando di Lasso, Heinrich Schuetz and later Mozart and Richard Wagner ).
The opera quickly became popular throughout Italy and productions were soon mounted by the following companies: The Teatro di San Carlo ( 14 March 1896, with Elisa Petri as Musetta and Antonio Magini-Coletti as Marcello ); The Teatro Comunale di Bologna ( 4 November 1896, with Amelia Sedelmayer as Musetta and Umberto Beduschi as Rodolfo ); The Teatro Costanzi ( 17 November 1896, with Maria Stuarda Savelli as Mimì, Enrico Giannini-Grifoni as Rodolfo, and Maurizio Bensaude as Marcello ); La Scala ( 15 March 1897, with Angelica Pandolfini as Mimì, Camilla Pasini as Musetta, Fernando De Lucia as Rodolfo, and Edoardo Camera as Marcello ); La Fenice ( 26 December 1897, with Emilia Merolla as Mimì, Maria Martelli as Musetta, Giovanni Apostolu and Franco Mannucci as Rodolfo, and Ferruccio Corradetti as Marcello ); Teatro Regio di Parma ( 29 January 1898, with Solomiya Krushelnytska as Mimì, Lina Cassandro as Musetta, Pietro Ferrari as Rodolfo, and Pietro Giacomello as Marcello ); And the Teatro Donizetti di Bergamo ( 21 August 1898, with Emilia Corsi as Mimì, Annita Barone as Musetta, Giovanni Apostolu as Rodolfo, and Giovanni Roussel as Marcello ).
He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master.
Averardo's son, Giovanni di Bicci, increased the wealth of the family through his creation of the Medici Bank, and became one of the richest men in the city of Florence.
Toward the end of the eighteenth century, Termini became the site of the Ereina Imerese branch of the Ereina di Palermo academy, followed soon thereafter by the establishment of the Accademia Euracea, later the Accademia Mediterranea Euracea.
While Asti province became famous around the world thanks to Martini and Rossi, Gancia and Riccadonna which made commercial wines like Asti Spumante, it is now also becoming famous internationally for its classic red wines such as Barbera d ' Asti, Freisa d ' Asti, Grignolino d ' Asti, Bonarda and Ruché di Castagnole Monferrato.
After Charlesmagne's conquest of northern Italy, it became the capital of the Marca di Ancona, whence the name of the modern region.
Camillo di Cavour, who became president of the Council of Ministers in 1852, also had expansionist ambitions.
Chandax was renamed Candia and became the seat of the Duke of Candia, and the Venetian administrative district of Crete became known as " regno di Candia " ( kingdom of Candia ).
In the seventeenth century Matera was handed over to the Orsini and then became part of the Terre d ' Otranto di Puglia.
The idea for the creation of the present theatre dates from 1838, when it became apparent that the then-existing Teatro Comunale di via Emilia ( in dual private and public ownership ) was no longer suitable for staging opera.

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