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Hearst's and original
After approximately one month of discussion, Hearst's original idea for a modest dwelling swelled to grand proportions.

Hearst's and was
Mr. Hearst's telegraphic code word for Victor Watson was `` fatboy ''.
Hearst's luck was even poorer when he had a chat with Franklin K. Lane, a prominent California journalist and reform politician, whom he asked for his support.
Lane was still burning because he had narrowly missed election as governor of California in 1902 and laid his defeat to the antagonism of Hearst's San Francisco Examiner.
One of the documents unsealed was the deposition of Hearst's Asher, who says that as of September 2006, his company had recorded cumulative losses of $ 330 million on its investment in the Chronicle, which it acquired in mid-2000.
It was later distributed by the United Feature Syndicate ( while Hearst's King Features distributed The Katzenjammer Kids ).
It was later revealed that Soltysik and Emily Harris were the two who shot Marcus Foster according to Patty Hearst's sworn testimony.
The Yellow Kid was the name of a lead comic strip character that ran from 1895 to 1898 in Joseph Pulitzer's New York World, and later William Randolph Hearst's New York Journal.
A year and a half later Outcault was drawing the Yellow Kid for Hearst's New York Journal in a full-page color Sunday supplement as McFadden's Row of Flats.
In 1896 Outcault was hired away at a much higher salary to William Randolph Hearst's New York Journal American where he drew the Yellow Kid in a new full-page color strip which was significantly violent and even vulgar compared to his first panels for Truth magazine.
In 1933, Warner was able to bring newspaper tycoon William Randolph Hearst's Cosmopolitan films into the Warner Bros. fold.
Hearst had previously been signed with MGM, but ended the association after a dispute with the company's head producer Irving Thalberg over the treatment of Hearst's long standing mistress, actress Marion Davies, who was struggling for box office success.
William Randolph Hearst | Hearst's treatment was more effective and focused on the enemy who set the bomb — and offered a huge reward to readers
When McKinley was shot on September 6, 1901, critics accused Hearst's Yellow Journalism of driving Leon Czolgosz to the deed.
Lifton went so far as to state after a 15 hour interview with Hearst that she was a " classic case ," about two weeks being needed for almost all persons undergoing that level of mind control to shuck off a good deal of the " gunk " that has filled the mind, as happened in his opinion with Hearst's case.
" If ( she ) had reacted differently, that would have been suspect " and Hearst was " a rare phenomenon ( in a first world nation )... the first and as far as I know the only victim of a political kidnapping in the United States " were direct quotes from Hearst's autobiography attributed to the doctor.
In her trial, which commenced on January 15, 1976 ( and in her dozens of previous interviews by FBI agents Charles Bates and Lawrence Lawler — any reference to which was not allowed by the presiding judge to be included in the trial ), Hearst's attorney F. Lee Bailey claimed that Hearst had been blindfolded, imprisoned in a narrow closet and physically and sexually abused.
* Hearst's 1982 autobiography, Every Secret Thing, was made into the biopic Patty Hearst by Paul Schrader in 1988, with Natasha Richardson portraying Hearst.
* Hearst's voice was used as a caller in the Frasier episode, Frasier Crane's Day Off in 1994.
He was hired by William Randolph Hearst's Chicago Evening American, where he produced his first comic strips, Fillum Fables ( 1924 ) and The Radio Catts.
It was purchased by William Randolph Hearst in the 1920s, dismantled and shipped to the United States, and reassembled after Hearst's death in North Miami Beach in the 1950s.
A final autobiography, titled " The Great West That Was: ' Buffalo Bill's ' Life Story ," was serialized in Hearst's International Magazine from August 1916 to July 1917 and ghostwritten by James J. Montague.
Accompanying a front-page illustration in Hearst's Los Angeles Examiner, Herriman was announced as " the Examiners cartoonist " on 21 August.
Herriman realized his $ 750-per-week salary from Hearst's King Features Syndicate was far more than the revenue the strip could be generating, but Hearst refused Herriman's offer to take a pay cut.
During the early years of World War I, Hearst's INS was barred from using Allied telegraph lines because of reporting of British losses.

Hearst's and according
" Certain elements in the film were taken from Mankiewicz's own experience: the sled Rosebud was based — according to some sources-on a very important bicycle that was stolen from him .... some of Kane's speeches are almost verbatim copies of Hearst's.

Hearst's and who
Livingston was a guest on William Randolph Hearst's yacht The Oneida during the weekend in November 1924 with film director and producer Thomas Ince who later died of heart failure.
Produced by William Randolph Hearst's Cosmopolitan Pictures, it depicted a fictitious President Hammond who, in the film's opening scenes, refuses to deploy the military against a march of the unemployed and instead creates an " Army of Construction " to work on public works projects until the economy recovers.
Her formidable power remained unchallenged until February 14, 1937, when Hedda Hopper, a struggling character actress since the days of silent movies, whom Parsons had been kind to and mentioned occasionally in her column, and who had returned the favor by giving Parsons information on others, was hired to be a gossip columnist by one of Hearst's rival newspapers.
Besides trouble with advertisers, another major factor that led to the paper's demise was a power struggle between Hearst CEO Richard E. Berlin and two of Hearst's sons, who had trouble carrying on the father's legacy after his 1951 death.
In the fourth quarter, Hearst's 22-yard reception and 10-yard run set up a 14-yard touchdown pass from Garcia to Tai Streets, who also caught a subsequent 2-point conversion pass to tie the game at 15.
William Randolph Hearst's Hearst Company newspaper empire acquired the morning American and afternoon News in 1923 from Frank Munsey ( who also owned the New York Herald, New York Sun and New York Telegraph ).
One of the documents unsealed was the deposition of Hearst's Asher, who says that as of September 2006, his company had recorded cumulative losses of $ 330 million on its investment in the Chronicle, which it acquired in mid-2000.

Hearst's and worked
Hearst's thoughts about the film are unknown ; what is certain is that his extensive chain of newspapers and radio stations blocked all mentions of the film, and refused to accept advertising for it, while some Hearst employees worked behind the scenes to block or restrict its distribution.
In 1895 or 1896, he worked briefly for the Denver Times, then moved again to New York City after his separation with North, where he sold drawings to the humor magazines Puck, Life, and Judge, and drew cartoons for William Randolph Hearst's New York Evening Journal and Sunday New York American.

Hearst's and office
The following year, Hearst's film adaption of William Shakespeare's A Midsummer Night's Dream ( 1935 ) failed at the box office and the studio's net loss increased.
The following year, Hearst's film adaption of William Shakespere's A Midsummer Night's Dream would fail at the box office and the studio net loss increased.
Hearst's private quarters and office, including a marble fireplace, were filmed in the high-ceilinged Gamble Room in the Victoria & Albert Museum.

Hearst's and from
Little Nemo is the main fictional character in a series of weekly comic strips by Winsor McCay that appeared in the New York Herald and William Randolph Hearst's New York American newspapers from October 15, 1905 – July 23, 1911 and September 3, 1911 – July 26, 1914 ; respectively.
Hearst's guests could drive in, fly in and land at an adjacent landing strip, or they could arrive by horseback after a full day's ride from San Simeon.
It was under Randolph Hearst's chairmanship that the chief executive inherited from his father, Richard E. Berlin, finally retired, but the next three presidents were all also non-family trustees.
The estate's theater usually screened films from Hearst's own movie studio, Cosmopolitan Productions.
Image: Zebras at Hearst Castle. jpg | Descendants from Randolph Hearst's private zoo still graze on the Hearst Ranch.
He had numerous commissions from popular magazines in the 1910s and 1920s including Hearst's, Colliers, and Life.
While a district judge ruled in Hearst's favor, the Times won on appeal, including a unanimous decision from the Washington State Supreme Court on June 30, 2005.
Translated, from the Italian, by Eden and Cedar Paul as Political Parties: A Sociological Study of the Oligarchical Tendencies of Modern Democracy ( Hearst's International Library Co., 1915 ; Free Press, 1949 ; Dover Publications, 1959 ); republished with an introduction by Seymour Martin Lipset ( Crowell-Collier, 1962 ; Transaction Publishers, 1999, ISBN 0-7658-0469-7 ); translated in French by S. Jankélévitch, Les partis politiques.
Translated, from the Italian, by Eden and Cedar Paul as Political Parties: A Sociological Study of the Oligarchical Tendencies of Modern Democracy ( Hearst's International Library Co., 1915 ; Free Press, 1949 ; Dover Publications, 1959 ); republished with an introduction by Seymour Martin Lipset ( Crowell-Collier, 1962 ; Transaction Publishers, 1999, ISBN 0-7658-0469-7 )
William Randolph Hearst's newspapers began syndicating material in 1895 after receiving requests from other newspapers.
It describes the descendants of horses imported to America from the desert or from Crabbet Park Stud in the late 1800s and early 1900s the bred on in the US by the Hamidie Society, Randolph Huntington, Spencer Borden, Davenport, W. R. Brown's Maynesboro Stud, W. K. Kellogg, William Randolph Hearst's San Simeon Stud, and " General " J. M. Dickinson of Traveler's Rest Stud.
Hearst's account in Every Secret Thing states that she and Yoshimura opposed the action and were therefore assigned to " switch cars " far from the scene.
In November 1896, Morrill Goddard, editor of the New York Journal from 1896 to 1937, launched Hearst's Sunday magazine, later commenting, " Nothing is so stale as yesterday's newspaper, but The American Weekly may be around the house for days or weeks and lose none of its interest.
Scripps also operated United Press International ( United Press from its 1907 inception until a 1958 merger with Hearst's International News Service ) until selling it off in 1982.

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