" Her only release of 1985 was Awara Baap that turned out to be another failure for Dixit.

* Howa wa heya ( Him and Her ) ( TV series with Ahmed Zaki ), ( 1985 ).

Her health gradually deteriorated in the final two decades of her life ; a heavy smoker all her adult life, she had a lung operation in 1985, a bout of pneumonia in 1993, and at least three strokes between 1998 and 2001.

Her other notable film roles include Sara in Runaway Train in 1985, Helen McCaffrey in the thriller Backdraft in 1991, her portrayal of the chillingly twisted nanny Peyton Flanders in the popular 1992 thriller The Hand That Rocks the Cradle and as Wendy Torrance in Stephen King's 1997 television adaptation of The Shining.

In the 1980s, Greenaway's cinema flowered in his best-known films, The Draughtsman's Contract ( 1982 ), A Zed & Two Noughts ( 1985 ), The Belly of an Architect ( 1987 ), Drowning by Numbers ( 1988 ), and his most successful ( and controversial ) film, The Cook, the Thief, His Wife & Her Lover ( 1989 ).

Her first marriage, to Paul Drucker in 1981, lasted 40 days ( though they were not formally divorced until 1985 ); she subsequently married Jean-Paul Gourges in 1989.

Her daughter, Flora Miller Biddle, served as its president until 1985.

Her spelling was modified to " Rosie ", as featured in the 1985 episode " Rosie Come Home ".

Her modeling credits included Glamour, the December 1985 supplement cover of Vogue and the May 1985 cover of British Vogue when she was only 15 years old.

Her big break came in the 1985 film The Goonies, in which she played cheerleader-turned-adventurer Andrea " Andy " Carmichael.

Her breakthrough performance was as Stef Steinbrenner in the 1985 feature film The Goonies.

Following her 1985 departure from SNL, Louis-Dreyfus appeared in several films, including Hannah and Her Sisters which was directed by Woody Allen, and the cult classic National Lampoon's Christmas Vacation in which she starred alongside Chevy Chase.

and Her World ( Collins, 1985 ).

Image :' The Robe Following Her-4 ', oil on canvas painting by Jim Dine, 1984-5. jpg | Jim Dine, 1984 – 1985 The Robe Following Her

Her 1985 album, Just a Woman spawned a Top 40 hit.

Her next role was Andrew Lloyd Webber's Song and Dance ( 1985 ), winning her first Tony for Best Leading Actress in a Musical for her performance in the role of Emma.

Her 1985 novel, Mr Wakefield's Crusade, was adapted for television by the BBC in 1992, starring Peter Capaldi and Michael Maloney.

Her musical breakthrough came when she partook in the 1985 edition of Melodifestivalen.

In 1985 he published his translated version of one short story " The Circular Ruins " of Jorge Luis Borges which was published in a book of sixteen story translations ( all by Bowles ) called " She Woke Me Up So I Killed Her ".

Her notable theatrical roles include Young Woman in Machinal, Celia in As You Like It ( 1984 ), Madame de Volanges in Les Liaisons Dangereuses ( 1985 ), Katherine in The Taming of the Shrew ( 1987 ), Winnie in Happy Days ( 2007 ), and the title roles in Electra ( 1988 ), The Good Person of Sechuan ( 1989 ), Hedda Gabler ( 1991 ), The Prime of Miss Jean Brodie ( 1998 ) and Medea ( 2000 ).

Her parents were Lois June ( née Gouwens ; 1928 – 1973 ) and Rolland F. Bertrand ( 1923 – 1985 ).

Her performances on television during this time included the television movie Malibu in 1983 and the pilot episode of The New Alfred Hitchcock Presents in 1985.

Her mother, Edna Louise Scottron ( 1895 – 1985 ), daughter of inventor Samuel R. Scottron, was an actress with a black theatre troupe and traveled extensively.

Her other stage roles in the 1980s included Divine Dixie Diva in Mrs Cole's Music Hall at the Mill at Sonning ( 1984 – 85 ); Katisha, Countess of Grantham, in MetroPolitan Mikado, adapted from The Mikado by Ned Sherrin and Alistair Beaton at Queen Elizabeth Hall ( 1985 ); Bev in Angry Housewives at the Lyric Hammersmith Studio ( 1986 ); Mrs Johnstone in Blood Brothers at Watermill Theatre ( 1986 ); Maggot Scratcher in Sink the Belgrano!

* The Angel Who Pawned Her Harp ( 1954 )

* The Angel Who Pawned Her Harp ( 1954 )

* The Angel Who Pawned Her Harp ( 1954 )

* The Angel Who Pawned Her Harp ( 1954 )

* The Angel Who Pawned Her Harp ( 1954 )

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.