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Her and appearances
Her other television roles include recurring appearances as Marelene on Dharma & Greg, and Penny in two episodes of Dead Like Me.
Her film appearances include the role of Ahme in the Beatles film Help!
Her notable guest appearances on American television during the 1960s and 1970s included Batman, The Virginian, Mission: Impossible, Police Woman and the notable Star Trek episode, " The City on the Edge of Forever ".
There he made several public appearances as a solo harpsichordist at benefit concerts for two local musicians, a singer and a harpist, and served as conductor ( from the keyboard ) at the King's Theatre ( Her Majesty's Theatre ), Haymarket, for at least part of this time.
Her appearances were popular ; Lindsay Anderson observed that the public enjoyed seeing her behaving " so bitchy ".
Her first big break was a lead role in the radio comedy Take It From Here, and television followed, including appearances with Tony Hancock throughout his television career.
Her appearances in mythology are sparse, but reveal her as a figure of exceptional power and beauty.
Her film appearances were infrequent until she was cast as M in GoldenEye ( 1995 ), a role she has played in each James Bond film since.
She has made numerous appearances in the West End including the role of Miss Trant in the 1974 musical version of The Good Companions at Her Majesty's Theatre.
Her many television appearances include lead roles in the series A Fine Romance and As Time Goes By.
Her performances often featured elaborate show-dance choreography, and she made many appearances on French and Italian TV.
Her appearances, dressed in short skirts and Barbarella boots, with each song having a different costume, were popular in Italy and France.
Her public appearances beside her husband as First Lady were a novelty at home and went a long way in humanizing the country's image.
Her family was absent, other than occasional appearances by her bird-brained mother ( Kathryn Card ), who could never get Ricky's name right.
Her earliest professional stage appearances were as a chorus girl on tour with Guido Thielscher's Girl-Kabarett, vaudeville-style entertainments, and in Rudolf Nelson revues in Berlin.
Her revue, with future TV pioneer Danny Thomas as her opening act, included songs from her films, performances on her musical saw ( a skill she had originally acquired for stage appearances in Berlin in the 1920s ), and a pretend " mindreading " act.
Her film appearances during this era included a remake of My Man Godfrey, Gigi, and It Started with a Kiss.
Her four Twilight Zone appearances, in which she barely utters a couple of words, are spread between the beginning and the end of her brief career.
Her film appearances also include The Lonely Passion of Judith Hearne ( 1987 ), Stiff Upper Lips ( 1997 ), Howards End ( 1992 ), and BBC Theatre Night in Joe Orton's farce What the Butler Saw ( 1987 ) playing Mrs Prentice, where the cast included husband Timothy West with Dinsdale Landen and Tessa Peake-Jones, as well as a cameo in The Boys From Brazil ( 1978 ).
Her cabaret and nightclub appearances appearances led to more serious stage work and it was in a play by Arnold Bennett called Mr. Prohack ( 1927 ) that Elsa first met another member of the cast, a rising actor named Charles Laughton.
Her long career has included many films and television programmes, but she is probably best known for starring as Livia in the popular BBC adaptation of Robert Graves's novel, I, Claudius ( BBC2, 1976 ), for which she won the 1977 BAFTA Television Award for Best Actress, and for many appearances on the original run of Call My Bluff.
Her relationship with the Wilburn Brothers and her appearances on the Grand Ole Opry, beginning in 1960, helped Lynn become the number one female recording artist in country music.
Her television appearances include parts on Night Court, Silk Stalkings, Riptide, Three's Company, Knight Rider and Wings, and a guest appearance as a villain on the television adaptation of Roger Corman's film Black Scorpion in what would be her final role.

Her and were
Her eyes were glazed as if she didn't hear or even see him.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;
Her glance swung past the trailer where the two drivers were standing.
Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her thoughts were not discrete.
Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.
Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.
Her eyes were bright with anticipation.
Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.
Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.
Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.
Her bright eyes were twinkling.
Her hair never seemed to be in place and her skirts were never quite the correct length.
Her eyes were wild.
Her dark cool caresses were sweeter than any woman's ; ;
Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.
Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.
Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.
Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.
Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.
Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

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