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Her and avant-garde
Her entrepreneurial spirit became evident as she began to screen and distribute her films in the United States, Canada, and Cuba, lecturing and writing on avant-garde film theory, and Vodoun as well.
Her rendition was delivered at the Place de la Concorde in Paris, in a costume designed by Azzedine Alaïa as part of an elaborate pageant orchestrated by avant-garde designer Jean-Paul Goude.
Scholar of the arts Harold Cruse wrote in 1964: " Her early and life-long search for meaning and artistic values for black people, as well as for all peoples, has motivated, created opportunities for, and launched careers for generations of young black artists ... Afro-American dance was usually in the avant-garde of modern dance ... Dunham's entire career spans the period of the emergence of Afro-American dance as a serious art.
Her avant-garde design was radical glass structure that surrounded the main theatre.
At 23 seconds long, " Her Majesty " is the shortest song in the Beatles ' repertoire ( contrasting the same album's " I Want You ( She's So Heavy )", their longest song apart from " Revolution 9 ", an eight-minute avant-garde piece from The White Album ).
Her writing is characterized by an experimental, avant-garde style which questions hierarchical social structures from a feminist perspective.
Her bands include progressive rock / folk rock / contemporary classical Musica Orbis, metal V, power pop Hide the Babies, the art-rock / alternative rock / avant-garde jazz band Dadadah, punk rock / computer music trio What Is It Like To Be A Bat?

Her and design
Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value.
Her charity work includes participation with the Elizabeth Glaser Pediatric AIDS Foundation, in which she helped design and promote a necklace, for which all proceeds from sales went to the Glaser foundation.
Her character design shows influences from shoujo and art nouveau.
Dubray added an element of sculptural relief with icons of corn, turtles, lizards, and kiva steps in relief ; Her original corn design her most recognized symbol.
Her career included commissions to design the gardens for private residences, estates and country homes, public parks, botanic gardens, college campuses, and the White House.
Her design was inspired by her European ventures, especially from the Italian Renaissance gardens, and consisted of a establishing a sophisticated relationship between the architectural and natural environments, with formal terraced gardens stepping a down steep slope and transitioning to a more naturalistic aesthetic approaching the creek.
Her insight into the minds of cattle has taught her to value the changes in details to which animals are particularly sensitive, and to use her visualization skills to design thoughtful and humane animal-handling equipment.
Her design was adopted on March 22, 1913 and remains unchanged to this day.
Her mother was one of the first women to design and found her own clothing firm, Ruth Manchester Ltd. Manchester started a singing career at an early age, learning the piano and harpsichord at the Manhattan School of Music and Arts, singing commercial jingles at age 15, and becoming a staff writer for Chappell Music while attending Manhattan's High School of Performing Arts.
Her original design was the creation of cartoonist Samm Schwartz.
Her daughter, Edith, also played at the Lyceum for several years beginning in 1887, but she eventually turned to stage direction and costume design, creating costumes for Terry and for Lillie Langtry and others early in the 20th century.
Her significant work of the eighties was a terrazzo pattern design for London Victoria train station.
Her blue and white farm dress slightly differs from how it was described in the books ( in fact, it looks quite Alice in Wonderland-esque ), but her anime design makes her appear young.
These included ' Hannah Weiner at Her Job ', " a sort of open house hosted by her employer, A. H. Schreiber Co., Inc ." and ' Fashion Show Poetry Event ' with Eduardo Costa, John Perreault, Andy Warhol and others in a " collaborative and innovative enterprise that incorporated conceptual art, design, poetry and performance.
Her body design resembles a slender humanoid female with purple hair, blue skin, and yellow pupil-less eyes.
Her projects for Microsoft included the card deck for Windows 3. 0's solitaire game, as well as numerous icons and design elements for Windows 3. 0.
Her design shows an athlete with hands clasped above the head in recognition of victory.
" Her design was lightweight, soft, comfortable to wear, and naturally separated the breasts, unlike the corset, which was heavy, stiff, uncomfortable, and had the effect of creating a single " monobosom ".
Her book designing web graphics, published by New Riders in 1995, often is credited with being the first title to discuss web authoring technologies from a visual design perspective.
Her work included research on the productivity of the algal component of cold desert soil crusts in the Great Basin Desert south of Snowville, Utah ; algal removal with intermittent sand filtration and prediction of minimum river flow necessary to maintain certain game fish ; the effects of increased salinity and oil shale leachates on freshwater phytoplankton productivity ; development of the Surface Impoundment Assessment document and computer program ( FORTRAN ) for current and future processing of data from surface impoundments in Utah ; and design and implementation of an algal bioassay center and a workshop for bioassay techniques for the Intermountain West.
Her interests are in the areas of Human-Computer Interaction, Computer supported cooperative work, more specifically in activity theory, computer-mediated communication, and interaction design.
Her character design is " basically Binky in drag.
Her design also featured a few other variations in build and design.
Her 2006 compilation album This Girl Don't Care features a CD jacket with three pink triangles as part of the design graphics, as well as a pink triangle on the vest Alicia is shown wearing.

Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her mouth, which had been so much in my thoughts, was warm and moist and tender.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her thick hair was the color and texture of charcoal.
Her laugh was hard.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
Her name was L'Turu and she told me many things.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her mother was a good manager and established a millinery business in Milwaukee.
Her name was Esther Peter.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her action was involuntary.
Her name was Mollie.
Her speech was barren of southernisms ; ;
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.

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