Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.

Her award-winning 1974 novel The Dispossessed, a book in the Hainish Cycle, tells of the invention of the ansible.

Her book brought about a whole new interpretation on pesticides by exposing their harmful effects in nature.

Her first book, Child Whispers, a collection of poems, was published in 1922.

Her book Manic-Depressive Illness ( co-authored with Frederick K. Goodwin ) is the classic textbook on bipolar disorder.

In 1999 Freeman published another book, The Fateful Hoaxing of Margaret Mead: A Historical Analysis of Her Samoan Research, including previously unavailable material.

" Her next film was Blow, adapted from Bruce Porter's 1993 book Blow: How a Small Town Boy Made $ 100 million with the Medellin Cocaine Cartel and Lost It All.

Her seminal book The Psycho-Analysis of Children, based on lectures given to the British Psychoanalytic Society in the 1920s, was published in 1932.

Her " incredible controversy " is characterized by David Hartwell in the opening sentence of a book chapter entitled " New Wave: The Great War of the 1960s ": " Conflict and argument are an enduring presence in the SF world, but literary politics has yielded to open warfare on the largest scale only once.

Her wartime activities in German Occupied France were dramatised in the film Carve Her Name with Pride, starring Virginia McKenna and based on the 1956 book of the same name by R. J. Minney.

Her second book " Das Urteil " (" The Verdict ") from 1975 was a moderate success.

Her book, My Chicago ( ISBN 0-8101-2087-9 ), was published in 1992, and covers her life through her political career.

Her 1970 book, Origin of Eukaryotic Cells, discusses her early work pertaining to this organelle genesis theory in detail.

Her book Prayers or Meditations became the first book published by an English queen under her own name.

Her work was to have a dramatic effect on the British Society, polarising its members into rival factions as it became clear that her approach to child analysis was seriously at odds with that of Anna Freud as set out in her 1927 book An Introduction to the Technique of Child Analysis.

Her first foray outside children's literature was Bildhuggarens dotter ( Sculptor's Daughter ), a semi-autobiographical book written in 1968.

Her second book, A Way of Looking, won the Somerset Maugham award and marked a turning point, as the prize money allowed her to spend nearly three months in Rome, which was a revelation.

Her book, Patterns of Culture, did much to popularize the term in the United States.

Her latest book, Child No More, is the heartfelt story of losing her mother.

Her first book, The Ghetto and Other Poems was published in 1918.

Her third book, Red Flag 1927 collected much of her political poetry.

Her earliest professional work included greeting cards and juvenile magazine illustrations, and her first book, Flower Fairies of the Spring, was published in 1923.

Her first book, Seven Gothic Tales, was published in the U. S. in 1934 under the pseudonym Isak Dinesen.

Her paper has only recently been rediscovered, along with the rich, artistic illustrations and drawings that accompanied it.

Her sister Sofia provided illustrations.

* American — Bloch, Albert: Many works, including Harlequinade ( 1911 ), Piping Pierrot ( 1911 ), Harlequin and Pierrot ( 1913 ), Three Pierrots and Harlequin ( 1914 ); Bradley, Will: Various posters and illustrations ( see, e. g., " Banning " under Poetry below ); Heintzelman, Arthur William: Pierrot ( n. d .); Hopper, Edward: Soir Bleu ( 1914 ); Kuhn, Walt: The White Clown ( 1929 ); Parrish, Maxfield: Pierrot's Serenade ( 1908 ), The Lantern-Bearers ( 1908 ), Her Window ( 1922 ); Sloan, John: Clown Making Up ( 1909 ).

Her illustrations were exhibited throughout Australia, as well as in London and Paris between 1907 and 1933.

" Her observation about the peonies ' lack of scent proved correct — just one of many illustrations of her intellect and hence of her ability to rule.

She drew a number of illustrations for her poetic works like Hindi and Yama. Her other works include short stories such as Gillu ( ग ि ल ् ल ू) which talks about her experience with a squirrel.

Her written legend, comprises " straightforward accounts of interrogation, torture, resistance, and triumph which constitute some of the earliest hagiographic literature ", and are reflected in later recensions, the earliest surviving one being an illustrated late 10th-century passio bound into a composite volume in the Bibliothèque National, originating probably in Autun, Burgundy ; in its margin illustrations Magdalena Carrasco detected Carolingian or Late Antique iconographic traditions.

Her works include comics, illustrations, and a graphic novel.

Her painting included a series of twenty-four illustrations in tempera for each song of Schubert's Winterreise.

Her dryly amusing childhood memoir, Period Piece, contains illustrations of and anecdotes about many of the Darwin — Wedgwood clan.

Her work — the numerous stories for books and periodicals, with her drawings and woodcut illustrations ; the correspondence from western outposts ; her novels and nonfiction — gained her notice as a skilled observer of the frontier and an accomplished writer.

Her work in Prisma reflects the ultraist ( anti-modernist ) ideas of the group, but her illustrations for magazines such as Mural, Proa and Martín Fierro, and her illustrations in the first edition of the poetry book Fervor de Buenos Aires by Jorge Luis Borges ( 1923 ) reveal the influence of the Cubism that she had begun to assimilate with her French contacts in Spain.

Her books, Songs ( 1969 ) and A Dream of Springtime ( 1979 ), spotlight her own illustrations.

A book, Madeleine Dring: Her Music, Her Life, by Ro Hancock-Child, was published in 2000 ( 2nd edition 2009 ), with cartoon illustrations from Dring's own notebooks.

Her sketches, book illustrations, and paintings were frequently erotic.

Her works during the years of the World War II were reflective of the mood of the time, as a Jew, and with brothers in the Army these years were long and dark, and there were many illustrations of grim, gaunt figures, reflecting the plight of the refugees.

Her close friendships with poets resulted in illustrations and covers for books by John Ashbery, William Corbett, Barbara Guest and James Schuyler.

Her many illustrations include,

Her illustrations, painted in gouache, are colorful and two-dimensional, reminiscent of folk art.