Her father, Robert Lawrence Berenson, was an American career diplomat turned shipping executive ; he was of Lithuanian Jewish descent, and his family's original surname was Valvrojenski.

Her popularity as a radio performer and vocalist, which included a second hit record " My Dreams Are Getting Better All the Time ", led directly to a career in films.

Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence which he found frustrating.

Her movie career included a bit part in It Happened One Night ( 1934 ) and roles in Outlaw Women ( 1952 ), Glen or Glenda ( 1953 ), Body Beautiful ( 1953 ), The Blue Gardenia ( 1953 ), Count the Hours ( 1953 ), Mesa of Lost Women ( 1953 ), College Capers ( 1954 ), Jail Bait ( 1954 ), The Raid ( 1954 ), This Is My Love ( 1954 ), The Opposite Sex ( 1956 ), The Ironbound Vampire ( 1997 ), and Dimensions in Fear ( 1998 ).

Her almost 60-year career crossed most media frontiers with both supporting and leading roles, but she may be best-remembered for playing the sardonic but engaging title character, a high school teacher, on Our Miss Brooks, and as the Rydell High School principal in the films Grease and Grease 2.

Her film career began in earnest in 1937 when she appeared in the films Oh Doctor and Stage Door.

Her husband's academic fraud had been exposed by one of his fellow dons there, destroying his career and driving him to suicide.

Her pediatrician was Benjamin Spock early in his career.

Her singing career received a boost with the help of songwriter / producer / arranger Lee Hazlewood, who had been making records for ten years, notably with Duane Eddy.

Her mother worked in the city as a schoolteacher, while her father pursued a promising career as a homoeopathic doctor and surgeon.

Her first starring role at the studio, in the title role as Mildred Pierce ( 1945 ), revived her career and earned her an Oscar for Best Actress.

Her show business career began when a dance teacher urged her parents to find an agent for her.

Her book, My Chicago ( ISBN 0-8101-2087-9 ), was published in 1992, and covers her life through her political career.

Her career as the primary actress of Fox Studios continued with the advent of sound film, and she achieved a notable success in the original version of A Star Is Born ( 1937 ).

Her career in fashion includes designing a line of jeans for Rock & Republic and later designing her own denim brand, dVb Style.

Her distinctive colours of blue with buff stripes were carried by horses such as Special Cargo, the winner of the 1984 Whitbread Gold Cup, and Devon Loch, which spectacularly halted just short of the winning post at the 1956 Grand National and whose jockey Dick Francis later had a successful career as the writer of racing-themed detective stories.

Her true professional career began at that 1959 Newport Folk Festival ; following that appearance, she recorded her first album for Vanguard, Joan Baez ( 1960 ), produced by Fred Hellerman of The Weavers, who produced many albums by folk artists.

Her sensual performance in her English-language debut The Unbearable Lightness of Being ( 1988 ), directed by Philip Kaufman, launched her international career.

Her role required just two days on set, but was enough to inspire Binoche to pursue a career in film.

Her career spanned more than six decades.

Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships.

Her stage work in the late 1950s laid the foundation for her film career in the 1960s.

Tree also pursued four Shakespeare film projects during his career at Her Majesty's.

Her sister Betty sang in a duo with Clooney for much of her early career.

Her coach throughout her athletic career was Peter Fortune.

Her mother was born Countess Maria-Luisa Yvonne Radha de Wendt de Kerlor, better known as Gogo Schiaparelli, a socialite of Italian, Swiss, French, and Egyptian ancestry.

Her maternal grandmother was the Italian-born fashion designer Elsa Schiaparelli, and her maternal grandfather was Count Wilhelm de Wendt de Kerlor, a Theosophist and psychic medium.

Her success stems from a wide range of innovative writing and rhetorical techniques that critically challenged renowned male writers, such as Jean de Meun who incorporated misogynist beliefs within their literary works.

Her critique primarily stems from her belief that Jean de Meun was purposely slandering women through the debated text.

Her ability to employ rhetorical strategies continued when de Pizan began to compose literary texts following the “ Querelle du Roman de la Rose .”

* The standard biography about Christine de Pizan is Charity Cannon Willard ’ s Christine de Pisan: Her Life and Works ( 1984 ).

* For a more detailed account of Christine de Pizan ’ s rhetorical strategies refer to Jenny R. Redfern ’ s excerpt Christine de Pisan and The Treasure of the City of Ladies: A Medieval Rhetorician and Her Rhetoric ( in Reclaiming Rhetorica, ed.

* Redfern, Jenny, " Christine de Pisan and The Treasure of the City of Ladies: A Medieval Rhetorician and Her Rhetoric " in Lunsford, Andrea A, ed.

* Willard, Charity C., Christine de Pizan: Her Life and Works.

Her mother, Marie de Guise, stayed in Scotland to look after the interests of Mary — and of France — although the Earl of Arran acted officially as regent.

* Trilogie van de Laatste Dag ( 1996 – 97 ) ( each of its three sections may be performed separately: ( i ) The Last Day ( texts by Lucebert, folksong A Woman and Her Lass ) for boy soprano, 4 male voices, orchestra ; ( ii ) TAO ( texts by Laozi, Kotaro Takamura ) for 4 female voices, piano voice, koto, small orchestra winds, 2 horns, harp, piano (+ celesta ), 2 percussion, minimum 14 strings ; ( iii ) Dancing on the Bones ( text by the composer ) for children's chorus, orchestra, 1997 )

All UK Bureaux de change are registered with Her Majesty's Revenue and Customs which issues a trading licence for each location.

Her portrayal of a troubled theatre-goer in Secret Friends ( BBC 2, 1990 ) was described as " a miniature tour de force ... Miranda Richardson's finest hour, all in ten minutes " ( The Sunday Times ).

Her debut at Teatro alla Scala took place in 1842 as " Neocle " in the Italian version of Le siège de Corinthe, which was followed by roles in operas by Marliani, Donizetti ( as " Maffio Orsini "), Salvi and Pacini.

File: Pierre-Auguste Renoir-Baigneuse assise s ' essuyant une jambe. jpg | Seated Bather Drying Her Leg, 1914, Musée de l ' Orangerie, Paris, France

Her uncle Don Carlos, Conde de Molina challenges her claim, beginning the First Carlist War.

Her mother-in-law, Catherine de ' Medici, becomes regent of

Her most famous novel was Madame de ..., published in 1951, which was adapted into the celebrated film The Earrings of Madame de ... ( 1953 ), directed by Max Ophüls and starring Charles Boyer, Danielle Darrieux and Vittorio de Sica.